Dead girls: the revision of the archive as a possibility of construction of memory(s)

This article, based on the analysis of the non-fiction DeadGirls by Selva Almada, addresses the theme of the archive and its revisión as a possibility to construct memoriy(ies). Through the contrastive Analysis of the (hegemonic) archive and testimonies, the conditions of existence that made certain...

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Autor principal: Quintero Nasta, Samanta
Formato: Artículo revista
Lenguaje:Español
Publicado: APEHUN, Asociación de Profesores de Enseñanza de la Historia de Universidades Nacionales 2022
Materias:
Archivo
Memoria
Testimonio
Femicidio
No ficción
archive
memory
testimony
femicide
non fiction
Acceso en línea:https://revele.uncoma.edu.ar/index.php/resenas/article/view/4042
Aporte de:
Repositorio de Revistas Electrónicas REVELE (UNComahue) de Universidad Nacional del Comahue
id I22-R128-article-4042
record_format ojs
spelling I22-R128-article-40422024-08-06T14:20:30Z Dead girls: the revision of the archive as a possibility of construction of memory(s) Chicas muertas: la revisión del archivo como una posibilidad de construcción de memoria(s) Quintero Nasta, Samanta Archivo Memoria Testimonio Femicidio No ficción archive memory testimony femicide non fiction This article, based on the analysis of the non-fiction DeadGirls by Selva Almada, addresses the theme of the archive and its revisión as a possibility to construct memoriy(ies). Through the contrastive Analysis of the (hegemonic) archive and testimonies, the conditions of existence that made certain enunciation possible, while denying others, are explored; just as they allowed the existence of some subjects and denied that of others. It is observed how from the femicide category, which accounts for a new paradigm, the author reviews the past of three women murdered in the eighties, in the inlands of, when death due to gender was not contemplated yet. In that gesture that digs into the past, it is sought to build memory, (and) to do justice to those who were silenced El presente artículo, a partir del análisis de la no ficción Chicas Muertas de Selva Almada, aborda la temática del archivo y la revisión del mismo como una posibilidad de construcción de memoria(s). Mediante el análisis contrastivo del archivo (hegemónico) y los testimonios, se exploran las condiciones de existencia que hicieron posibles ciertas enunciaciones, mientras que negaron otras; así como permitieron la existencia de algunos sujetos y negaron la de otros. Se observa cómo a partir de la categoría femicidios, que da cuenta de un nuevo paradigma, la autora revisa el pasado de tres mujeres asesinadas en los años ochenta, en el interior del país, cuando no se contemplaba la muerte por causas de género. Con ese gesto que excava en el pasado, se busca construir memoria, hacer justicia con las que fueron silenciadas APEHUN, Asociación de Profesores de Enseñanza de la Historia de Universidades Nacionales 2022-06-02 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion texto application/pdf https://revele.uncoma.edu.ar/index.php/resenas/article/view/4042 Reseñas de Enseñanza de la Historia; Núm. 20 (2022): Mayo; 92-103 2796-9304 1668-8864 spa https://revele.uncoma.edu.ar/index.php/resenas/article/view/4042/61030 Derechos de autor 2022 Reseñas de Enseñanza de la Historia https://creativecommons.org/licenses/by-nc-sa/4.0/
institution Universidad Nacional del Comahue
institution_str I-22
repository_str R-128
container_title_str Repositorio de Revistas Electrónicas REVELE (UNComahue)
language Español
format Artículo revista
topic Archivo
Memoria
Testimonio
Femicidio
No ficción
archive
memory
testimony
femicide
non fiction
spellingShingle Archivo
Memoria
Testimonio
Femicidio
No ficción
archive
memory
testimony
femicide
non fiction
Quintero Nasta, Samanta
Dead girls: the revision of the archive as a possibility of construction of memory(s)
topic_facet Archivo
Memoria
Testimonio
Femicidio
No ficción
archive
memory
testimony
femicide
non fiction
author Quintero Nasta, Samanta
author_facet Quintero Nasta, Samanta
author_sort Quintero Nasta, Samanta
title Dead girls: the revision of the archive as a possibility of construction of memory(s)
title_short Dead girls: the revision of the archive as a possibility of construction of memory(s)
title_full Dead girls: the revision of the archive as a possibility of construction of memory(s)
title_fullStr Dead girls: the revision of the archive as a possibility of construction of memory(s)
title_full_unstemmed Dead girls: the revision of the archive as a possibility of construction of memory(s)
title_sort dead girls: the revision of the archive as a possibility of construction of memory(s)
description This article, based on the analysis of the non-fiction DeadGirls by Selva Almada, addresses the theme of the archive and its revisión as a possibility to construct memoriy(ies). Through the contrastive Analysis of the (hegemonic) archive and testimonies, the conditions of existence that made certain enunciation possible, while denying others, are explored; just as they allowed the existence of some subjects and denied that of others. It is observed how from the femicide category, which accounts for a new paradigm, the author reviews the past of three women murdered in the eighties, in the inlands of, when death due to gender was not contemplated yet. In that gesture that digs into the past, it is sought to build memory, (and) to do justice to those who were silenced
publisher APEHUN, Asociación de Profesores de Enseñanza de la Historia de Universidades Nacionales
publishDate 2022
url https://revele.uncoma.edu.ar/index.php/resenas/article/view/4042
work_keys_str_mv AT quinteronastasamanta deadgirlstherevisionofthearchiveasapossibilityofconstructionofmemorys
AT quinteronastasamanta chicasmuertaslarevisiondelarchivocomounaposibilidaddeconstrucciondememorias
first_indexed 2025-02-05T23:02:03Z
last_indexed 2025-02-05T23:02:03Z
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