The publics of combined arts in Argentina. A review of research agendas

What knowledge about publics of Combined Arts was developed from the social sciences in Argentina? The aim of this article is to present a critical review of the production of knowledge for the last twenty years, about the reception of cinema, theatre and opera. We have made an extensive survey on a...

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Detalles Bibliográficos
Autores principales: Moguillansky, Marina, Papalini, Vanina
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro Universitario Regional Zona Atlántica - Universidad Nacional del Comahue - Argentin 2017
Materias:
Combined arts
Publics
Cultural consumption
State-of-arts.
Artes combinadas
Públicos
Consumo cultural
Estado del arte.
Acceso en línea:https://revele.uncoma.edu.ar/index.php/Sociales/article/view/1713
Aporte de:
Repositorio de Revistas Electrónicas REVELE (UNComahue) de Universidad Nacional del Comahue
id I22-R128-article-1713
record_format ojs
spelling I22-R128-article-17132024-04-09T12:21:23Z The publics of combined arts in Argentina. A review of research agendas Los públicos de artes combinadas en Argentina. Una revisión de las agendas de investigación Moguillansky, Marina Papalini, Vanina Combined arts Publics Cultural consumption State-of-arts. Artes combinadas Públicos Consumo cultural Estado del arte. What knowledge about publics of Combined Arts was developed from the social sciences in Argentina? The aim of this article is to present a critical review of the production of knowledge for the last twenty years, about the reception of cinema, theatre and opera. We have made an extensive survey on academic papers published from 1990, in the field of social sciences, about publics of arts in Argentina. Regarding this corpus, we set out the following questions: what are the favorite issues? Which disciplinary and theoretical perspectives do researchers use more frequently? What methodologies are employed? In this way, we have rebuilt a map of thematic, theoretical and methodological coincidences and divergences. The result shows an ensemble of contributions to knowledge that – even if they may be fragmentary or shows many lacks- it provides a base of references to future researches on publics of arts in Argentina. This work of systematization and reflection allows us to point out the unexplored areas and the shortcomings that the current status of the issue presents. ¿Qué conocimientos se han elaborado desde las ciencias sociales en torno a los públicos de las artes combinadas en Argentina? El objetivo de este artículo es presentar una revisión crítica de la producción de saberes de los últimos veinte años, acerca de los procesos de recepción del cine, el teatro y la ópera. Para esta investigación, hemos realizado un extenso relevamiento de trabajos académicos publicados desde 1990, en el campo de las ciencias sociales, acerca del público de artes en la Argentina. Sobre dicho corpus de trabajos, nos preguntamos: ¿Cuáles son los temas privilegiados? ¿Qué perspectivas disciplinarias y teóricas utilizan más frecuentemente los investigadores? ¿Qué metodologías se emplean? De esta manera, construimos un mapa de coincidencias y divergencias temáticas, teóricas y metodológicas. El resultado muestra un conjunto de aportes al conocimiento que -si bien pueden resultan fragmentarios o presentar omisiones- provee una base de referencia para la investigación sobre los públicos de las artes en Argentina. Este trabajo de sistematización y reflexión nos permite señalar las áreas inexploradas y las limitaciones que presenta el actual estado de la cuestión. Centro Universitario Regional Zona Atlántica - Universidad Nacional del Comahue - Argentin 2017-09-27 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html https://revele.uncoma.edu.ar/index.php/Sociales/article/view/1713 Revista Pilquen. Sección Ciencias Sociales; Vol. 20 Núm. 3 (2017): Revista Pilquen. Sección Ciencias Sociales; 44-55 1851-3123 1666-0579 spa https://revele.uncoma.edu.ar/index.php/Sociales/article/view/1713/1738 https://revele.uncoma.edu.ar/index.php/Sociales/article/view/1713/html Derechos de autor 2017 Revista Pilquen. Sección Ciencias Sociales
institution Universidad Nacional del Comahue
institution_str I-22
repository_str R-128
container_title_str Repositorio de Revistas Electrónicas REVELE (UNComahue)
language Español
format Artículo revista
topic Combined arts
Publics
Cultural consumption
State-of-arts.
Artes combinadas
Públicos
Consumo cultural
Estado del arte.
spellingShingle Combined arts
Publics
Cultural consumption
State-of-arts.
Artes combinadas
Públicos
Consumo cultural
Estado del arte.
Moguillansky, Marina
Papalini, Vanina
The publics of combined arts in Argentina. A review of research agendas
topic_facet Combined arts
Publics
Cultural consumption
State-of-arts.
Artes combinadas
Públicos
Consumo cultural
Estado del arte.
author Moguillansky, Marina
Papalini, Vanina
author_facet Moguillansky, Marina
Papalini, Vanina
author_sort Moguillansky, Marina
title The publics of combined arts in Argentina. A review of research agendas
title_short The publics of combined arts in Argentina. A review of research agendas
title_full The publics of combined arts in Argentina. A review of research agendas
title_fullStr The publics of combined arts in Argentina. A review of research agendas
title_full_unstemmed The publics of combined arts in Argentina. A review of research agendas
title_sort publics of combined arts in argentina. a review of research agendas
description What knowledge about publics of Combined Arts was developed from the social sciences in Argentina? The aim of this article is to present a critical review of the production of knowledge for the last twenty years, about the reception of cinema, theatre and opera. We have made an extensive survey on academic papers published from 1990, in the field of social sciences, about publics of arts in Argentina. Regarding this corpus, we set out the following questions: what are the favorite issues? Which disciplinary and theoretical perspectives do researchers use more frequently? What methodologies are employed? In this way, we have rebuilt a map of thematic, theoretical and methodological coincidences and divergences. The result shows an ensemble of contributions to knowledge that – even if they may be fragmentary or shows many lacks- it provides a base of references to future researches on publics of arts in Argentina. This work of systematization and reflection allows us to point out the unexplored areas and the shortcomings that the current status of the issue presents.
publisher Centro Universitario Regional Zona Atlántica - Universidad Nacional del Comahue - Argentin
publishDate 2017
url https://revele.uncoma.edu.ar/index.php/Sociales/article/view/1713
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first_indexed 2022-10-04T14:43:19Z
last_indexed 2024-08-12T23:05:53Z
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