Archive’s metaphors in latin american narrative

I'm interested in cataloguing the ways Latin American narrative represents literary space and registers literature's changes of place. Two concepts are fundamental in this voyage: space and archive. A series of tropes allow exploring writers interpretive metaphors: the memory machine in Ci...

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Autor principal: Perilli, Carmen
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro Universitario Regional Zona Atlántica - Universidad Nacional del Comahue - Argentin 2017
Materias:
Acceso en línea:http://revele.uncoma.edu.ar/index.php/Sociales/article/view/1459
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id I22-R128-article-1459
record_format ojs
institution Universidad Nacional del Comahue
institution_str I-22
repository_str R-128
container_title_str Repositorio de Revistas Electrónicas REVELE (UNComahue)
language Español
format Artículo revista
topic Tropics
Narrative
Archive
Space
Latin American
Tropos
Narrativa
Archivo
Espacio
Latinoamérica
spellingShingle Tropics
Narrative
Archive
Space
Latin American
Tropos
Narrativa
Archivo
Espacio
Latinoamérica
Perilli, Carmen
Archive’s metaphors in latin american narrative
topic_facet Tropics
Narrative
Archive
Space
Latin American
Tropos
Narrativa
Archivo
Espacio
Latinoamérica
author Perilli, Carmen
author_facet Perilli, Carmen
author_sort Perilli, Carmen
title Archive’s metaphors in latin american narrative
title_short Archive’s metaphors in latin american narrative
title_full Archive’s metaphors in latin american narrative
title_fullStr Archive’s metaphors in latin american narrative
title_full_unstemmed Archive’s metaphors in latin american narrative
title_sort archive’s metaphors in latin american narrative
description I'm interested in cataloguing the ways Latin American narrative represents literary space and registers literature's changes of place. Two concepts are fundamental in this voyage: space and archive. A series of tropes allow exploring writers interpretive metaphors: the memory machine in Cien años de soledad, the memory theatre in Carlos Fuentes' Terra Nostra, the house in Carlos María Domínguez’s La casa de papel, the radiostat in Juan Villoro's El testigo and, lastly, the whale in Margo Glantz' Doscientas ballenas azules. The corpus exhibits the passage from the total novel conceiving the book as a memory machine, to recognition of crisis and fragmentation of the archive,even its dissolution as well as the erasing of limits between the orders of culture and nature.
publisher Centro Universitario Regional Zona Atlántica - Universidad Nacional del Comahue - Argentin
publishDate 2017
url http://revele.uncoma.edu.ar/index.php/Sociales/article/view/1459
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