Mournings, fears and fiction in post-war peru

The narrative of intestine wars in Peru is molded in discourses of various cultural traditions. Some of these “criollo” works have come to be renowned in a time thirsty of “past present” (Huyssen). The imagery is nurtured by testimonial narrative, which is the building principle in fictional works....

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Detalles Bibliográficos
Autor principal: Perilli, Carmen
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro Universitario Regional Zona Atlántica - Universidad Nacional del Comahue - Argentin 2017
Materias:
Mourning
Corpses
War
Nation
Fiction
Duelo
Cadáver
Guerra
Nación
Ficciones
Acceso en línea:http://revele.uncoma.edu.ar/index.php/Sociales/article/view/1433
Aporte de:
Repositorio de Revistas Electrónicas REVELE (UNComahue) de Universidad Nacional del Comahue
id I22-R128-article-1433
record_format ojs
institution Universidad Nacional del Comahue
institution_str I-22
repository_str R-128
container_title_str Repositorio de Revistas Electrónicas REVELE (UNComahue)
language Español
format Artículo revista
topic Mourning
Corpses
War
Nation
Fiction
Duelo
Cadáver
Guerra
Nación
Ficciones
spellingShingle Mourning
Corpses
War
Nation
Fiction
Duelo
Cadáver
Guerra
Nación
Ficciones
Perilli, Carmen
Mournings, fears and fiction in post-war peru
topic_facet Mourning
Corpses
War
Nation
Fiction
Duelo
Cadáver
Guerra
Nación
Ficciones
author Perilli, Carmen
author_facet Perilli, Carmen
author_sort Perilli, Carmen
title Mournings, fears and fiction in post-war peru
title_short Mournings, fears and fiction in post-war peru
title_full Mournings, fears and fiction in post-war peru
title_fullStr Mournings, fears and fiction in post-war peru
title_full_unstemmed Mournings, fears and fiction in post-war peru
title_sort mournings, fears and fiction in post-war peru
description The narrative of intestine wars in Peru is molded in discourses of various cultural traditions. Some of these “criollo” works have come to be renowned in a time thirsty of “past present” (Huyssen). The imagery is nurtured by testimonial narrative, which is the building principle in fictional works. My purpose is to contrast the figures of mourning in two works: Iván Thays novel Un lugar llamado Oreja de Perro, and Claudia Llosa’s film La teta asustada. In Thays’s work, the main character dives himself in the world of the dead, where he frees himself of the gloom brought by his personal ghosts. Fausta, in contrast, must rid herself of her mother’s body and in the journey she meets the open.
publisher Centro Universitario Regional Zona Atlántica - Universidad Nacional del Comahue - Argentin
publishDate 2017
url http://revele.uncoma.edu.ar/index.php/Sociales/article/view/1433
work_keys_str_mv AT perillicarmen mourningsfearsandfictioninpostwarperu
AT perillicarmen duelosmiedosyficcionesenlapostguerraperuana
first_indexed 2022-10-04T14:43:04Z
last_indexed 2022-10-04T14:43:04Z
bdutipo_str Revistas
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