THE VOICE AND ITS TENSIVE CONFIGURATION IN THE STUDY OF THEATRICAL LANGUAGE

This work is an investigation on the use of the theatrical actor's voice and on its specificities as a sound-based object, where we bring together the studies of the theatrical performance language and the tensive model developed by Claude Zilberberg. Through the comparison of two different sce...

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Detalles Bibliográficos
Autores principales: CAPES, Simonetti, Alpha Condeixa; USP - Universidade de São Paulo
Formato: Artículo publishedVersion
Lenguaje:Portugués
Publicado: CASA: Cadernos de Semiótica Aplicada 2012
Materias:
Voice; actor; character; staging; tensive model.
Voz; ator; personagem; encenação; tensividade.
Acceso en línea:http://seer.fclar.unesp.br/casa/article/view/5271
http://biblioteca.clacso.edu.ar/gsdl/cgi-bin/library.cgi?a=d&c=br/br-048&d=article5271oai
Aporte de:
Red de Bibliotecas Virtuales de Ciencias Sociales (CLACSO) de Consejo Latinoamericano de Ciencias Sociales
id I16-R122-article5271oai
record_format dspace
institution Consejo Latinoamericano de Ciencias Sociales
institution_str I-16
repository_str R-122
collection Red de Bibliotecas Virtuales de Ciencias Sociales (CLACSO)
language Portugués
topic Voice; actor; character; staging; tensive model.
Voz; ator; personagem; encenação; tensividade.
spellingShingle Voice; actor; character; staging; tensive model.
Voz; ator; personagem; encenação; tensividade.
CAPES
CAPES
Simonetti, Alpha Condeixa; USP - Universidade de São Paulo
THE VOICE AND ITS TENSIVE CONFIGURATION IN THE STUDY OF THEATRICAL LANGUAGE
topic_facet Voice; actor; character; staging; tensive model.
Voz; ator; personagem; encenação; tensividade.
description This work is an investigation on the use of the theatrical actor's voice and on its specificities as a sound-based object, where we bring together the studies of the theatrical performance language and the tensive model developed by Claude Zilberberg. Through the comparison of two different scene constructions, both conceived by Antunes Filho for the same tragedy: Euripides' Medea, the description of the selected corpus aims at the meanings produced by the vocal sounds. The analysis is done in two parts. The first one searches for the constitutive units produced in the discourses, which also makes the analysis a reflection on the descriptive criteria and on the relevance of these units in the discourses under investigation. On the second step, there is a discussion on the possible relations between the intonations of the characters in the play and the tensive categories called forth by each of these constructions.
format Artículo
publishedVersion
Artículo
publishedVersion
author CAPES
CAPES
Simonetti, Alpha Condeixa; USP - Universidade de São Paulo
author_facet CAPES
CAPES
Simonetti, Alpha Condeixa; USP - Universidade de São Paulo
author_sort CAPES
title THE VOICE AND ITS TENSIVE CONFIGURATION IN THE STUDY OF THEATRICAL LANGUAGE
title_short THE VOICE AND ITS TENSIVE CONFIGURATION IN THE STUDY OF THEATRICAL LANGUAGE
title_full THE VOICE AND ITS TENSIVE CONFIGURATION IN THE STUDY OF THEATRICAL LANGUAGE
title_fullStr THE VOICE AND ITS TENSIVE CONFIGURATION IN THE STUDY OF THEATRICAL LANGUAGE
title_full_unstemmed THE VOICE AND ITS TENSIVE CONFIGURATION IN THE STUDY OF THEATRICAL LANGUAGE
title_sort voice and its tensive configuration in the study of theatrical language
publisher CASA: Cadernos de Semiótica Aplicada
publishDate 2012
url http://seer.fclar.unesp.br/casa/article/view/5271
http://biblioteca.clacso.edu.ar/gsdl/cgi-bin/library.cgi?a=d&c=br/br-048&d=article5271oai
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