Hacking the Vision Machine: Farocki’s and Paglen’s detourning of control images

This paper argues that photographer Trevor Paglen and filmmaker Harun Farocki engage in a form of hacking of control images of surveillance organizations. Paglen's photo series follow the traces of secret military bases and unregistered spy satellites, while Farocki accompanies in his films the...

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Detalles Bibliográficos
Autor principal: Dernbach, Rafael
Formato: Artículo publishedVersion Karpeta
Lenguaje:Inglés
Publicado: Grupo de Investigación Cultura Digital y Movimientos Sociales. Cibersomosaguas 2014
Materias:
Acceso en línea:https://revistas.ucm.es/index.php/TEKN/article/view/48246
http://biblioteca.clacso.edu.ar/gsdl/cgi-bin/library.cgi?a=d&c=es/es-028&d=article48246oai
Aporte de:
id I16-R122-article48246oai
record_format dspace
institution Consejo Latinoamericano de Ciencias Sociales
institution_str I-16
repository_str R-122
collection Red de Bibliotecas Virtuales de Ciencias Sociales (CLACSO)
language Inglés
topic media studies; film studies; cultural studies; visual culture;
Surveillance; resistance; visual culture; hacking; detournement; documentary; film; photography; Deleuze; control; Farocki; Paglen; prisons; military; secret services
Arte; cine; fotografía; resistencia; vigilancia.
Arte; cinema; fotografia; resistência; vigilância.
spellingShingle media studies; film studies; cultural studies; visual culture;
Surveillance; resistance; visual culture; hacking; detournement; documentary; film; photography; Deleuze; control; Farocki; Paglen; prisons; military; secret services
Arte; cine; fotografía; resistencia; vigilancia.
Arte; cinema; fotografia; resistência; vigilância.
Dernbach, Rafael
Hacking the Vision Machine: Farocki’s and Paglen’s detourning of control images
topic_facet media studies; film studies; cultural studies; visual culture;
Surveillance; resistance; visual culture; hacking; detournement; documentary; film; photography; Deleuze; control; Farocki; Paglen; prisons; military; secret services
Arte; cine; fotografía; resistencia; vigilancia.
Arte; cinema; fotografia; resistência; vigilância.
description This paper argues that photographer Trevor Paglen and filmmaker Harun Farocki engage in a form of hacking of control images of surveillance organizations. Paglen's photo series follow the traces of secret military bases and unregistered spy satellites, while Farocki accompanies in his films the transition of prisons from disciplinary institutions to institutions of control. Both artists expose in their works not only the process of surveillance itself, but the necessary blind spots that every attempt to survey has. This is achieved by aesthetic practices that detourn and dismantle the protocols of surveillance institutions. Engaging in the creation and maintenance of counter-knowledge Paglen’s and Farock’s works open faultlines for political imagination. Uncovering the technocratic rationality that governs control images enables them to develop new forms of counter-surveillance that undermine the principle of control.
format Artículo
publishedVersion
Karpeta
Artículo
publishedVersion
Karpeta
author Dernbach, Rafael
author_facet Dernbach, Rafael
author_sort Dernbach, Rafael
title Hacking the Vision Machine: Farocki’s and Paglen’s detourning of control images
title_short Hacking the Vision Machine: Farocki’s and Paglen’s detourning of control images
title_full Hacking the Vision Machine: Farocki’s and Paglen’s detourning of control images
title_fullStr Hacking the Vision Machine: Farocki’s and Paglen’s detourning of control images
title_full_unstemmed Hacking the Vision Machine: Farocki’s and Paglen’s detourning of control images
title_sort hacking the vision machine: farocki’s and paglen’s detourning of control images
publisher Grupo de Investigación Cultura Digital y Movimientos Sociales. Cibersomosaguas
publishDate 2014
url https://revistas.ucm.es/index.php/TEKN/article/view/48246
http://biblioteca.clacso.edu.ar/gsdl/cgi-bin/library.cgi?a=d&c=es/es-028&d=article48246oai
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