Paths of Subjectivity in “Newest” Chilean Cinema

 Chilean films about intimacy present Subjectivity as diluted, absorted and unfixed individuality. Some film criticism celebrate it and consider this gesture as a break, a disrrupción that implies a formal innovation on earlier films, jammed in sort of “figurative&a...

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Detalles Bibliográficos
Autor principal: Póo, Ximena
Formato: Artículo publishedVersion
Lenguaje:Español
Publicado: Universidad de Chile. Instituto de la Comunicación e Imagen 2012
Materias:
Chilean cinema; contemporary cinema; subjectivity; realism
Cine chileno; cine contemporáneo; subjetividad; cine biográfico; realismo
Acceso en línea:http://www.comunicacionymedios.uchile.cl/index.php/RCM/article/view/25580
http://biblioteca.clacso.edu.ar/gsdl/cgi-bin/library.cgi?a=d&c=cl/cl-002&d=article25580oai
Aporte de:
Red de Bibliotecas Virtuales de Ciencias Sociales (CLACSO) de Consejo Latinoamericano de Ciencias Sociales
id I16-R122-article25580oai
record_format dspace
institution Consejo Latinoamericano de Ciencias Sociales
institution_str I-16
repository_str R-122
collection Red de Bibliotecas Virtuales de Ciencias Sociales (CLACSO)
language Español
topic Chilean cinema; contemporary cinema; subjectivity; realism
Cine chileno; cine contemporáneo; subjetividad; cine biográfico; realismo
spellingShingle Chilean cinema; contemporary cinema; subjectivity; realism
Cine chileno; cine contemporáneo; subjetividad; cine biográfico; realismo
Póo, Ximena
Paths of Subjectivity in “Newest” Chilean Cinema
topic_facet Chilean cinema; contemporary cinema; subjectivity; realism
Cine chileno; cine contemporáneo; subjetividad; cine biográfico; realismo
description  Chilean films about intimacy present Subjectivity as diluted, absorted and unfixed individuality. Some film criticism celebrate it and consider this gesture as a break, a disrrupción that implies a formal innovation on earlier films, jammed in sort of “figurative” and “militant” representation. In comparison, the newest Chilean cinema would entail overcoming both realism and political engagement. However, we state this expressive formal innovation does not mean a change of the concept “reality” implied in the films. It would remain mimetic as it would “reflect” the current conditions of individuality and, hence, this gesture would be more conservative than subversive. 
format Artículo
publishedVersion
Artículo
publishedVersion
author Póo, Ximena
author_facet Póo, Ximena
author_sort Póo, Ximena
title Paths of Subjectivity in “Newest” Chilean Cinema
title_short Paths of Subjectivity in “Newest” Chilean Cinema
title_full Paths of Subjectivity in “Newest” Chilean Cinema
title_fullStr Paths of Subjectivity in “Newest” Chilean Cinema
title_full_unstemmed Paths of Subjectivity in “Newest” Chilean Cinema
title_sort paths of subjectivity in “newest” chilean cinema
publisher Universidad de Chile. Instituto de la Comunicación e Imagen
publishDate 2012
url http://www.comunicacionymedios.uchile.cl/index.php/RCM/article/view/25580
http://biblioteca.clacso.edu.ar/gsdl/cgi-bin/library.cgi?a=d&c=cl/cl-002&d=article25580oai
work_keys_str_mv AT pooximena pathsofsubjectivityinnewestchileancinema
AT pooximena politicasdelasubjetividadenelnovisimocinechileno
bdutipo_str Repositorios
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