ANTONIO BENTO AND ROMERO BREST: THE ABSTRACT MOVEMENT AS A UNIVERSAL FLOW

This article presents an analysis of the contributions of Argentine art critic Jorge Romero Brest to the Brazilian artistic scene, establishing political and cultural approaches between Brazil and Argentina. The importance of the Revista Argentina Ver y Estimar as a vehicle for the diffusion of avan...

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Detalles Bibliográficos
Autor principal: Bedtche, Araceli Barros da Silva Jellmayer
Formato: Artículo publishedVersion
Lenguaje:Portugués
Publicado: Universidade de São Paulo - Programa de Pós-graduação em Integração da América Latina 2017
Materias:
Acceso en línea:https://www.revistas.usp.br/prolam/article/view/140711
http://biblioteca.clacso.edu.ar/gsdl/cgi-bin/library.cgi?a=d&c=br/br-047&d=article140711oai
Aporte de:
id I16-R122-article140711oai
record_format dspace
institution Consejo Latinoamericano de Ciencias Sociales
institution_str I-16
repository_str R-122
collection Red de Bibliotecas Virtuales de Ciencias Sociales (CLACSO)
language Portugués
topic Ver y Estimar
abstracionism
Biennials of São Paulo
Romero Brest
Antonio Bento.
Ver y Estimar
abstracionismo
Bienais de São Paulo
Romero Brest
Antonio Bento
spellingShingle Ver y Estimar
abstracionism
Biennials of São Paulo
Romero Brest
Antonio Bento.
Ver y Estimar
abstracionismo
Bienais de São Paulo
Romero Brest
Antonio Bento
Bedtche, Araceli Barros da Silva Jellmayer
ANTONIO BENTO AND ROMERO BREST: THE ABSTRACT MOVEMENT AS A UNIVERSAL FLOW
topic_facet Ver y Estimar
abstracionism
Biennials of São Paulo
Romero Brest
Antonio Bento.
Ver y Estimar
abstracionismo
Bienais de São Paulo
Romero Brest
Antonio Bento
description This article presents an analysis of the contributions of Argentine art critic Jorge Romero Brest to the Brazilian artistic scene, establishing political and cultural approaches between Brazil and Argentina. The importance of the Revista Argentina Ver y Estimar as a vehicle for the diffusion of avant-garde ideas and the performance of a specialized art critic in Brazil, such as that of Antonio Bento de Araújo Lima and Sérgio Milliet, in the process of disseminating abstract art as universal flow. They are the main sources used: Revista Ver y Estimar (1951) and critical texts of Antonio Bento of the 1950s.
format Artículo
publishedVersion
Artículo
publishedVersion
author Bedtche, Araceli Barros da Silva Jellmayer
author_facet Bedtche, Araceli Barros da Silva Jellmayer
author_sort Bedtche, Araceli Barros da Silva Jellmayer
title ANTONIO BENTO AND ROMERO BREST: THE ABSTRACT MOVEMENT AS A UNIVERSAL FLOW
title_short ANTONIO BENTO AND ROMERO BREST: THE ABSTRACT MOVEMENT AS A UNIVERSAL FLOW
title_full ANTONIO BENTO AND ROMERO BREST: THE ABSTRACT MOVEMENT AS A UNIVERSAL FLOW
title_fullStr ANTONIO BENTO AND ROMERO BREST: THE ABSTRACT MOVEMENT AS A UNIVERSAL FLOW
title_full_unstemmed ANTONIO BENTO AND ROMERO BREST: THE ABSTRACT MOVEMENT AS A UNIVERSAL FLOW
title_sort antonio bento and romero brest: the abstract movement as a universal flow
publisher Universidade de São Paulo - Programa de Pós-graduação em Integração da América Latina
publishDate 2017
url https://www.revistas.usp.br/prolam/article/view/140711
http://biblioteca.clacso.edu.ar/gsdl/cgi-bin/library.cgi?a=d&c=br/br-047&d=article140711oai
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