Dias Gomes, Ferreira Gullar y João das Neves: scene, dramaturgy, and Political Engagement in Brasil after1964

In post-1964 Brazil, different staging and themes challenged the rigid censorship. Dr. Getúlio, by Dias Gomes and Ferreira Gullar, 1968, and O último carro (The last carriage), by João das Neves, 1977, mix music, politically engaged dramaturgy, and staging. As they aim to...

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Detalles Bibliográficos
Autor principal: Paranhos, Kátia
Formato: Artículo revista
Lenguaje:Español
Publicado: ISHiR/CONICET 2021
Materias:
Brasil
dramaturgia
puesta en escena
teatro político
música
Brazil
dramaturgy
scene
political theater
music
Acceso en línea:https://web3.rosario-conicet.gov.ar/ojs/index.php/revistaISHIR/article/view/1325
Aporte de:
Revista Estudios del ISHIR (CONICET) de Universidad Nacional de Rosario
id I15-R239-article-1325
record_format ojs
spelling I15-R239-article-13252021-01-28T19:47:22Z Dias Gomes, Ferreira Gullar y João das Neves: scene, dramaturgy, and Political Engagement in Brasil after1964 Dias Gomes, Ferreira Gullar y João das Neves: escena, dramaturgia y compromiso político en el Brasil post-1964 Paranhos, Kátia Brasil dramaturgia puesta en escena teatro político música Brazil dramaturgy scene political theater music In post-1964 Brazil, different staging and themes challenged the rigid censorship. Dr. Getúlio, by Dias Gomes and Ferreira Gullar, 1968, and O último carro (The last carriage), by João das Neves, 1977, mix music, politically engaged dramaturgy, and staging. As they aim to achieve both art and political engagement, playwrights and directors bring to stage a samba school and an outskirts train. En el escenario Brasil post-1964, montajes y temas diferenciados desafiaban la rígida censura. En Dr. Getúlio, de Ferreira Gullar y Dias Gomes, de 1968, y O último carro (El último carro), de João das Neves, de 1977, se mezclan música, dramaturgia comprometida y puesta en escena. Al tratar de lograr el binomio arte-compromiso político, dramaturgos y directores traen al escenario una escuela de samba y un tren de cercanías. ISHiR/CONICET 2021-01-28 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo evaluado por pares application/pdf text/html application/zip https://web3.rosario-conicet.gov.ar/ojs/index.php/revistaISHIR/article/view/1325 10.35305/eishir.v10i28.1325 Estudios del ISHiR; Vol. 10 Núm. 28 (2020): Estudios del ISHIR Estudios del ISHiR; Vol. 10 No. 28 (2020): Estudios del ISHIR 2250-4397 spa https://web3.rosario-conicet.gov.ar/ojs/index.php/revistaISHIR/article/view/1325/1657 https://web3.rosario-conicet.gov.ar/ojs/index.php/revistaISHIR/article/view/1325/1658 https://web3.rosario-conicet.gov.ar/ojs/index.php/revistaISHIR/article/view/1325/1661 http://creativecommons.org/licenses/by-nc-nd/4.0
institution Universidad Nacional de Rosario
institution_str I-15
repository_str R-239
container_title_str Revista Estudios del ISHIR (CONICET)
language Español
format Artículo revista
topic Brasil
dramaturgia
puesta en escena
teatro político
música
Brazil
dramaturgy
scene
political theater
music
spellingShingle Brasil
dramaturgia
puesta en escena
teatro político
música
Brazil
dramaturgy
scene
political theater
music
Paranhos, Kátia
Dias Gomes, Ferreira Gullar y João das Neves: scene, dramaturgy, and Political Engagement in Brasil after1964
topic_facet Brasil
dramaturgia
puesta en escena
teatro político
música
Brazil
dramaturgy
scene
political theater
music
author Paranhos, Kátia
author_facet Paranhos, Kátia
author_sort Paranhos, Kátia
title Dias Gomes, Ferreira Gullar y João das Neves: scene, dramaturgy, and Political Engagement in Brasil after1964
title_short Dias Gomes, Ferreira Gullar y João das Neves: scene, dramaturgy, and Political Engagement in Brasil after1964
title_full Dias Gomes, Ferreira Gullar y João das Neves: scene, dramaturgy, and Political Engagement in Brasil after1964
title_fullStr Dias Gomes, Ferreira Gullar y João das Neves: scene, dramaturgy, and Political Engagement in Brasil after1964
title_full_unstemmed Dias Gomes, Ferreira Gullar y João das Neves: scene, dramaturgy, and Political Engagement in Brasil after1964
title_sort dias gomes, ferreira gullar y joão das neves: scene, dramaturgy, and political engagement in brasil after1964
description In post-1964 Brazil, different staging and themes challenged the rigid censorship. Dr. Getúlio, by Dias Gomes and Ferreira Gullar, 1968, and O último carro (The last carriage), by João das Neves, 1977, mix music, politically engaged dramaturgy, and staging. As they aim to achieve both art and political engagement, playwrights and directors bring to stage a samba school and an outskirts train.
publisher ISHiR/CONICET
publishDate 2021
url https://web3.rosario-conicet.gov.ar/ojs/index.php/revistaISHIR/article/view/1325
work_keys_str_mv AT paranhoskatia diasgomesferreiragullaryjoaodasnevesscenedramaturgyandpoliticalengagementinbrasilafter1964
AT paranhoskatia diasgomesferreiragullaryjoaodasnevesescenadramaturgiaycompromisopoliticoenelbrasilpost1964
first_indexed 2023-06-26T22:55:24Z
last_indexed 2023-06-26T22:55:24Z
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