Cultural associationism and academic musical consumption in Bahía Blanca (1930-1959)

This article aims to analyze the cultural associationism that had the objective of promoting academic music in Bahía Blanca during the mid-20th century and focuses mainly on the Asociación Bernardino Rivadavia (ABR) and the Asociación Cultural (AC). With different profiles and objectives, both insti...

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Autor principal: Caubet, María Noelia
Formato: Artículo revista
Lenguaje:Español
Publicado: ISHiR/CONICET 2020
Acceso en línea:https://web3.rosario-conicet.gov.ar/ojs/index.php/revistaISHIR/article/view/1133
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Revista Estudios del ISHIR (CONICET) de Universidad Nacional de Rosario
id I15-R239-article-1133
record_format ojs
spelling I15-R239-article-11332020-10-13T22:17:40Z Cultural associationism and academic musical consumption in Bahía Blanca (1930-1959) “Civilizar el oído”. Asociacionismo cultural y consumos musicales académicos en Bahía Blanca (1930-1959) Caubet, María Noelia This article aims to analyze the cultural associationism that had the objective of promoting academic music in Bahía Blanca during the mid-20th century and focuses mainly on the Asociación Bernardino Rivadavia (ABR) and the Asociación Cultural (AC). With different profiles and objectives, both institutions advertised these events in a sustained and continues manner. Given this framework, it is proposed that the associations built shared social and cultural parameters and, in turn, configured groups of identification and social belonging. Although their institutional projects were linked to the ideals of civilization and progress, they differed in terms of the aesthetic programs they promoted and the circuits they generated. El presente artículo pretende analizar el asociacionismo cultural en Bahía Blanca que tuvo como objeto a la promoción de la música académica a mediados del siglo XX y se enfoca, principalmente, en la Asociación Bernardino Rivadavia (ABR) y en la Asociación Cultural (AC). Con distintos perfiles y objetivos, ambas instituciones se ocuparon de su difusión de manera sostenida y continua durante todo el período analizado. En este marco, se plantea que las asociaciones construían parámetros sociales y culturales compartidos y, a su vez, configuraban grupos de identificación y de pertenencia social. Aunque sus proyectos institucionales se enlazaban con los ideales de civilización y progreso, presentaban divergencias en cuanto a los programas estéticos que promovían y a los circuitos que generaban. ISHiR/CONICET 2020-07-31 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo evaluado por pares application/pdf https://web3.rosario-conicet.gov.ar/ojs/index.php/revistaISHIR/article/view/1133 10.35305/eishir.v10i27.1133 Estudios del ISHiR; Vol. 10 Núm. 27 (2020): Estudios del ISHIR Estudios del ISHiR; Vol. 10 No. 27 (2020): Estudios del ISHIR 2250-4397 spa https://web3.rosario-conicet.gov.ar/ojs/index.php/revistaISHIR/article/view/1133/1248 http://creativecommons.org/licenses/by-nc-nd/4.0
institution Universidad Nacional de Rosario
institution_str I-15
repository_str R-239
container_title_str Revista Estudios del ISHIR (CONICET)
language Español
format Artículo revista
author Caubet, María Noelia
spellingShingle Caubet, María Noelia
Cultural associationism and academic musical consumption in Bahía Blanca (1930-1959)
author_facet Caubet, María Noelia
author_sort Caubet, María Noelia
title Cultural associationism and academic musical consumption in Bahía Blanca (1930-1959)
title_short Cultural associationism and academic musical consumption in Bahía Blanca (1930-1959)
title_full Cultural associationism and academic musical consumption in Bahía Blanca (1930-1959)
title_fullStr Cultural associationism and academic musical consumption in Bahía Blanca (1930-1959)
title_full_unstemmed Cultural associationism and academic musical consumption in Bahía Blanca (1930-1959)
title_sort cultural associationism and academic musical consumption in bahía blanca (1930-1959)
description This article aims to analyze the cultural associationism that had the objective of promoting academic music in Bahía Blanca during the mid-20th century and focuses mainly on the Asociación Bernardino Rivadavia (ABR) and the Asociación Cultural (AC). With different profiles and objectives, both institutions advertised these events in a sustained and continues manner. Given this framework, it is proposed that the associations built shared social and cultural parameters and, in turn, configured groups of identification and social belonging. Although their institutional projects were linked to the ideals of civilization and progress, they differed in terms of the aesthetic programs they promoted and the circuits they generated.
publisher ISHiR/CONICET
publishDate 2020
url https://web3.rosario-conicet.gov.ar/ojs/index.php/revistaISHIR/article/view/1133
work_keys_str_mv AT caubetmarianoelia culturalassociationismandacademicmusicalconsumptioninbahiablanca19301959
AT caubetmarianoelia civilizareloidoasociacionismoculturalyconsumosmusicalesacademicosenbahiablanca19301959
first_indexed 2023-06-26T22:55:04Z
last_indexed 2023-06-26T22:55:04Z
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