A jewel of the Second Spanish Renaissance in Rosario. The Fountain of the Spaniards

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The Fuente de los Españoles, a gift of the Spanish community on the Second Centennial of Rosario in October 1925, inaugurated in the Parque Independencia on July 7, 1929, gathers multiple histories. That of glazed ceramics developed by the Arabs in the peninsula, transfigured in its motifs by Italia...

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Autor principal: Rigotti, Ana María
Formato: Artículo revista
Lenguaje:Español
Publicado: Universidad Nacional de Rosario 2021
Materias:
Parque
Fuente
Cerámica
Talavera
Inmigrantes
Hispanidad
Rosario
Park
Fountain
Ceramic
Inmigrants
Hispanic
Acceso en línea:https://cuadernosdelciesal.unr.edu.ar/index.php/inicio/article/view/26
Aporte de:
Cuadernos del CIESAL de Universidad Nacional de Rosario
id I15-R228-article-26
record_format ojs
spelling I15-R228-article-262023-07-13T21:38:56Z A jewel of the Second Spanish Renaissance in Rosario. The Fountain of the Spaniards Una joya del Segundo Renacimiento Español en Rosario. La Fuente de los Españoles Rigotti, Ana María Parque Fuente Cerámica Talavera Inmigrantes Hispanidad Rosario Park Fountain Ceramic Talavera Inmigrants Hispanic Rosario The Fuente de los Españoles, a gift of the Spanish community on the Second Centennial of Rosario in October 1925, inaugurated in the Parque Independencia on July 7, 1929, gathers multiple histories. That of glazed ceramics developed by the Arabs in the peninsula, transfigured in its motifs by Italian influence and resurrected in the context of the Second Spanish Renaissance by the alfar of J. Ruiz de Luna, winner of the competition for its execution. The celebration of a false centennial to publicize the works undertaken by Mayor M. Pignetto, an occasion for immigrant associations to compete with the institutions of traditional families. The curious convergence of local aesthetic nationalism with the spiritual vindication of the “hispanidad”, one of whose main cultists, R. de Maeztu, was present at the inauguration. The story of urban parks as a sign of civility where hygienism, new social practices and the pedagogy of taste converge. Finally the misadventures of the fountain, considered the greatest in the world of its kind, until its early reopening. La Fuente de los Españoles, donada por la colectividad con motivo del Segundo Centenario de Rosario en octubre de 1925, inaugurada en el Parque Independencia el 7 de julio de 1929, reúne en sí múltiples historias. La de la cerámica esmaltada, desarrollada por los árabes en la península, transfigurada en sus motivos por influencia italiana y resucitada en el contexto del Segundo Renacimiento Español por el alfar de J. Ruiz de Luna, ganador del concurso para su ejecución. La de la celebración de un falso centenario para publicitar las obras encaradas por el intendente M. Pignetto, ocasión para que las asociaciones de inmigrantes compitan con las instituciones de las familias tradicionales. La de la curiosa convergencia del nacionalismo estético local con la reivindicación espiritual de la hispanidad uno de cuyos principales cultores, R. de Maeztu, estuvo presente en la inauguración. La de los parques urbanos como signo de civilidad donde convergen higienismo, nuevas prácticas sociales y pedagogía del gusto. Finalmente las desventuras de la pieza, considerada como la más grandiosa del mundo en su tipo, hasta su pronta reinauguración. Universidad Nacional de Rosario 2021-12-18 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html https://cuadernosdelciesal.unr.edu.ar/index.php/inicio/article/view/26 10.35305/cc.vi20.26 Cuadernos del Ciesal; Núm. 20 (2021) 1853-8827 spa https://cuadernosdelciesal.unr.edu.ar/index.php/inicio/article/view/26/27 https://cuadernosdelciesal.unr.edu.ar/index.php/inicio/article/view/26/28 Derechos de autor 2021 Cuadernos del Ciesal https://creativecommons.org/licenses/by-nc-sa/4.0
institution Universidad Nacional de Rosario
institution_str I-15
repository_str R-228
container_title_str Cuadernos del CIESAL
language Español
format Artículo revista
topic Parque
Fuente
Cerámica
Talavera
Inmigrantes
Hispanidad
Rosario
Park
Fountain
Ceramic
Talavera
Inmigrants
Hispanic
Rosario
spellingShingle Parque
Fuente
Cerámica
Talavera
Inmigrantes
Hispanidad
Rosario
Park
Fountain
Ceramic
Talavera
Inmigrants
Hispanic
Rosario
Rigotti, Ana María
A jewel of the Second Spanish Renaissance in Rosario. The Fountain of the Spaniards
topic_facet Parque
Fuente
Cerámica
Talavera
Inmigrantes
Hispanidad
Rosario
Park
Fountain
Ceramic
Talavera
Inmigrants
Hispanic
Rosario
author Rigotti, Ana María
author_facet Rigotti, Ana María
author_sort Rigotti, Ana María
title A jewel of the Second Spanish Renaissance in Rosario. The Fountain of the Spaniards
title_short A jewel of the Second Spanish Renaissance in Rosario. The Fountain of the Spaniards
title_full A jewel of the Second Spanish Renaissance in Rosario. The Fountain of the Spaniards
title_fullStr A jewel of the Second Spanish Renaissance in Rosario. The Fountain of the Spaniards
title_full_unstemmed A jewel of the Second Spanish Renaissance in Rosario. The Fountain of the Spaniards
title_sort jewel of the second spanish renaissance in rosario. the fountain of the spaniards
description The Fuente de los Españoles, a gift of the Spanish community on the Second Centennial of Rosario in October 1925, inaugurated in the Parque Independencia on July 7, 1929, gathers multiple histories. That of glazed ceramics developed by the Arabs in the peninsula, transfigured in its motifs by Italian influence and resurrected in the context of the Second Spanish Renaissance by the alfar of J. Ruiz de Luna, winner of the competition for its execution. The celebration of a false centennial to publicize the works undertaken by Mayor M. Pignetto, an occasion for immigrant associations to compete with the institutions of traditional families. The curious convergence of local aesthetic nationalism with the spiritual vindication of the “hispanidad”, one of whose main cultists, R. de Maeztu, was present at the inauguration. The story of urban parks as a sign of civility where hygienism, new social practices and the pedagogy of taste converge. Finally the misadventures of the fountain, considered the greatest in the world of its kind, until its early reopening.
publisher Universidad Nacional de Rosario
publishDate 2021
url https://cuadernosdelciesal.unr.edu.ar/index.php/inicio/article/view/26
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AT rigottianamaria jewelofthesecondspanishrenaissanceinrosariothefountainofthespaniards
first_indexed 2023-05-18T23:05:03Z
last_indexed 2023-07-13T23:03:04Z
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