Una vida que juega con la muerte o sobre Los topos de Félix Bruzzone
I propose to analyze Los Topos (2008) by Félix Bruzzone, looking at the similiarities that his narratives shares with the other narratives of children of disappeared, and also, thinking about their divergence. Although his books and performances are crossed by the absence of the parents and by the u...
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Universidad Nacional de Rosario. Facultad de Humanidades y Artes. Escuela de Letras
2020
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I15-R212-article-832020-10-30T18:13:37Z Una vida que juega con la muerte o sobre Los topos de Félix Bruzzone Daona, Victoria Hijo de desaparecidos Narrativas Identidad Subjetividad Devenir Dissapeared´son Narratives Indentity Subjectivity Becoming I propose to analyze Los Topos (2008) by Félix Bruzzone, looking at the similiarities that his narratives shares with the other narratives of children of disappeared, and also, thinking about their divergence. Although his books and performances are crossed by the absence of the parents and by the uncertainty that his multiple narrators - all children of disappeared persons - have about all those disappearances; the family novel is always fragmented and, in the background, so the reconstruction of this genealogy is incomplete. What differentiates his production from all those other narratives, is the fact that his narrators are not specialists of their parents. Bruzzone creates a poetic about uncertainty. His narratives inquire about the constitution of identities in personal and collective processes that are crossed by violence, not only the violence of State Terrorism, but also that which assumes more current forms, linked to captivity, kidnapping of persons and transvestite’s death. En este artículo propongo analizar Los Topos (2008) de Félix Bruzzone tomando como punto de partida los ejes que comparte con las otras narrativas del género de los/as hijos, para luego poder pensar su divergencia. Si bien sus libros y performances están atravesados por la ausencia de los padres y por la incertidumbre que sus múltiples narradores –todos hijos de desaparecidos- tienen ante los hechos vinculados a esas desapariciones; la historia familiar se presenta siempre fragmentada y en un segundo plano, por lo que la acción de reconstrucción de esa genealogía resulta incompleta. Lo que diferencia a su producción de otras narrativas de hijos/as, es que sus narradores no buscan saber todo sobre sus padres. Bruzzone crea una poética en torno a esa incertidumbre. Las preguntas que el texto provoca tienen que ver con la constitución de las identidades en procesos personales y colectivos que están atravesados por la violencia, no sólo la del Terrorismo de Estado, sino también aquella que asume formas más actuales, vinculadas principalmente con los cautiverios, la trata de personas y los travesticidios. Universidad Nacional de Rosario. Facultad de Humanidades y Artes. Escuela de Letras 2020-10-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://sagarevistadeletras.unr.edu.ar/index.php/revista/article/view/83 10.35305/sa.vi11.83 Saga. Revista de Letras; Núm. 11 (2019): Segundo semestre ; 233-251 2408-4409 spa https://sagarevistadeletras.unr.edu.ar/index.php/revista/article/view/83/76 https://creativecommons.org/licenses/by-sa/4.0/ |
institution |
Universidad Nacional de Rosario |
institution_str |
I-15 |
repository_str |
R-212 |
container_title_str |
Saga. Revista de Letras |
language |
Español |
format |
Artículo revista |
topic |
Hijo de desaparecidos Narrativas Identidad Subjetividad Devenir Dissapeared´son Narratives Indentity Subjectivity Becoming |
spellingShingle |
Hijo de desaparecidos Narrativas Identidad Subjetividad Devenir Dissapeared´son Narratives Indentity Subjectivity Becoming Daona, Victoria Una vida que juega con la muerte o sobre Los topos de Félix Bruzzone |
topic_facet |
Hijo de desaparecidos Narrativas Identidad Subjetividad Devenir Dissapeared´son Narratives Indentity Subjectivity Becoming |
author |
Daona, Victoria |
author_facet |
Daona, Victoria |
author_sort |
Daona, Victoria |
title |
Una vida que juega con la muerte o sobre Los topos de Félix Bruzzone |
title_short |
Una vida que juega con la muerte o sobre Los topos de Félix Bruzzone |
title_full |
Una vida que juega con la muerte o sobre Los topos de Félix Bruzzone |
title_fullStr |
Una vida que juega con la muerte o sobre Los topos de Félix Bruzzone |
title_full_unstemmed |
Una vida que juega con la muerte o sobre Los topos de Félix Bruzzone |
title_sort |
una vida que juega con la muerte o sobre los topos de félix bruzzone |
description |
I propose to analyze Los Topos (2008) by Félix Bruzzone, looking at the similiarities that his narratives shares with the other narratives of children of disappeared, and also, thinking about their divergence. Although his books and performances are crossed by the absence of the parents and by the uncertainty that his multiple narrators - all children of disappeared persons - have about all those disappearances; the family novel is always fragmented and, in the background, so the reconstruction of this genealogy is incomplete. What differentiates his production from all those other narratives, is the fact that his narrators are not specialists of their parents. Bruzzone creates a poetic about uncertainty. His narratives inquire about the constitution of identities in personal and collective processes that are crossed by violence, not only the violence of State Terrorism, but also that which assumes more current forms, linked to captivity, kidnapping of persons and transvestite’s death. |
publisher |
Universidad Nacional de Rosario. Facultad de Humanidades y Artes. Escuela de Letras |
publishDate |
2020 |
url |
https://sagarevistadeletras.unr.edu.ar/index.php/revista/article/view/83 |
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first_indexed |
2023-05-11T18:51:39Z |
last_indexed |
2023-05-11T18:51:39Z |
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