Dramaturgical work for the mise en sense. Two cases in the Argentine Contemporary Theatre of Cordoba
In this paper we analyze stagings by Argentine directors from the city of Cordoba: by Gonzalo Marull’s play Clase, written by Guillermo Calderón, and Daniela Martín’s Recetaria. Estados en ebullición, a collective dramaturgy. The purpose of the work is to analyze the directorial practices in the pro...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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CETYCLI
2024
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| Acceso en línea: | https://badebec.unr.edu.ar/index.php/badebec/article/view/631 |
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I15-R206-article-631 |
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I15-R206-article-6312024-04-16T13:55:24Z Dramaturgical work for the mise en sense. Two cases in the Argentine Contemporary Theatre of Cordoba El trabajo dramatúrgico para la puesta en sense. Dos casos en el teatro contemporáneo argentino de Córdoba Marin, Fwala-lo Teatro contemporáneo Dirección teatral Dramaturgia Puesta en escena Proceso creativo Contemporary theatre Theatre direction Dramaturgy Staging Creative process In this paper we analyze stagings by Argentine directors from the city of Cordoba: by Gonzalo Marull’s play Clase, written by Guillermo Calderón, and Daniela Martín’s Recetaria. Estados en ebullición, a collective dramaturgy. The purpose of the work is to analyze the directorial practices in the processes of creation and the conceptions that lead their activities. The particularity of the cases lies, for the former, in the presence of dramatic text at the beginning of the process and, for the latter, in the very absence of a fixed writing. Both proposal can be understood under Peter Boenisch’s concept of mise en sens or mise en dissensual sense. En el trabajo analizamos puestas en escena de directores argentinos de la ciudad de Córdoba: de Gonzalo Marull la obra Clase, escrita por Guillermo Calderón y de Daniela Martin, Recetaria. Estados en ebullición, de dramaturgia colectiva. El propósito del trabajo es analizar las prácticas directoriales en los procesos de creación y las concepciones que guían el quehacer. La particularidad de los casos reside, para el primero, en la presencia del texto dramático al inicio del proceso y, para el segundo, el trabajo desde la ausencia de una escritura fijada. Ambas propuestas pueden entenderse a la luz del concepto de puesta en sense, o puesta en sentido disensual, de Peter Boenisch. CETYCLI 2024-04-15 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo revisado por pares application/pdf https://badebec.unr.edu.ar/index.php/badebec/article/view/631 Badebec; Vol. 13 Núm. 26 (2024): Marzo (2024); 72-97 1853-9580 spa https://badebec.unr.edu.ar/index.php/badebec/article/view/631/567 |
| institution |
Universidad Nacional de Rosario |
| institution_str |
I-15 |
| repository_str |
R-206 |
| container_title_str |
Badebec |
| language |
Español |
| format |
Artículo revista |
| topic |
Teatro contemporáneo Dirección teatral Dramaturgia Puesta en escena Proceso creativo Contemporary theatre Theatre direction Dramaturgy Staging Creative process |
| spellingShingle |
Teatro contemporáneo Dirección teatral Dramaturgia Puesta en escena Proceso creativo Contemporary theatre Theatre direction Dramaturgy Staging Creative process Marin, Fwala-lo Dramaturgical work for the mise en sense. Two cases in the Argentine Contemporary Theatre of Cordoba |
| topic_facet |
Teatro contemporáneo Dirección teatral Dramaturgia Puesta en escena Proceso creativo Contemporary theatre Theatre direction Dramaturgy Staging Creative process |
| author |
Marin, Fwala-lo |
| author_facet |
Marin, Fwala-lo |
| author_sort |
Marin, Fwala-lo |
| title |
Dramaturgical work for the mise en sense. Two cases in the Argentine Contemporary Theatre of Cordoba |
| title_short |
Dramaturgical work for the mise en sense. Two cases in the Argentine Contemporary Theatre of Cordoba |
| title_full |
Dramaturgical work for the mise en sense. Two cases in the Argentine Contemporary Theatre of Cordoba |
| title_fullStr |
Dramaturgical work for the mise en sense. Two cases in the Argentine Contemporary Theatre of Cordoba |
| title_full_unstemmed |
Dramaturgical work for the mise en sense. Two cases in the Argentine Contemporary Theatre of Cordoba |
| title_sort |
dramaturgical work for the mise en sense. two cases in the argentine contemporary theatre of cordoba |
| description |
In this paper we analyze stagings by Argentine directors from the city of Cordoba: by Gonzalo Marull’s play Clase, written by Guillermo Calderón, and Daniela Martín’s Recetaria. Estados en ebullición, a collective dramaturgy. The purpose of the work is to analyze the directorial practices in the processes of creation and the conceptions that lead their activities. The particularity of the cases lies, for the former, in the presence of dramatic text at the beginning of the process and, for the latter, in the very absence of a fixed writing. Both proposal can be understood under Peter Boenisch’s concept of mise en sens or mise en dissensual sense. |
| publisher |
CETYCLI |
| publishDate |
2024 |
| url |
https://badebec.unr.edu.ar/index.php/badebec/article/view/631 |
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2024-08-12T21:41:54Z |
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