Memoria de lo real en Potlatch de Arturo Carrera

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When Mallarmé wrote “A flower!” and “the absent one from all bouquets” was produced in his text, he was proclaiming the realization of words, their reification, where all communication ran the inherent risk of not saying anything else. To name nothingness, though, is impossible. Perhaps the real ope...

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Autor principal: Mattoni, Silvio
Formato: Artículo revista
Lenguaje:Español
Publicado: CETYCLI 2012
Materias:
Arturo Carrera
Poesía
Potlatch
Poetry
Acceso en línea:https://badebec.unr.edu.ar/index.php/badebec/article/view/43
Aporte de:
Badebec de Universidad Nacional de Rosario
id I15-R206-article-43
record_format ojs
spelling I15-R206-article-432018-02-07T03:58:20Z Memoria de lo real en Potlatch de Arturo Carrera Mattoni, Silvio Arturo Carrera Poesía Potlatch Arturo Carrera Poetry Potlatch When Mallarmé wrote “A flower!” and “the absent one from all bouquets” was produced in his text, he was proclaiming the realization of words, their reification, where all communication ran the inherent risk of not saying anything else. To name nothingness, though, is impossible. Perhaps the real opens a path in the poem, through other devices, translating the thing that dematerialized the world, making of money the number of what is, the monetary counting of forgetting, childhood, and death. It is in this sense that we a ttempt a reading of this experience in Arturo Carrera´s book Potlatch, which proposes from its title an idea of poetry as excessive communication, and not as a threatening silence that is to come. It is as if in the polyphonic scene of the poem, inhabited by multiple and varied testimonies, the names of all the flowers of language and of the world were said, and from this resulted not an absence of all bouquets but a new, mixed perfume, found perhaps in the rhythm, the graphing, the interrupted continuity of poetry. Cuando Mallarmé dijo “¡una flor!” y se produjo en su texto “la ausente de todo ramo”, proclamaba la realización de las palabras, su cosificación, donde toda comunicación enfrentaba su riesgo de no decir más nada. Decir la nada, sin embargo, es imposible. Y quizás lo real se abra paso en el poema, con otras operaciones, traduciendo la cosa que desmaterializó el mundo, haciendo del dinero la cifra de lo que es, el conteo monetario del olvido, la infancia y la muerte. En tal sentido, trataremos de hacer una lectura de la experiencia en el libro Potlatch de Arturo Carrea, que desde su título propone una idea de la poesía como comunicación excesiva, y no como un amenazante silencio por venir. Es como si en la escena polifónica del poema, poblada de múltiples y variados testimonios, se dijeran los nombres de todas las flores del idioma y del mundo, y de allí resultara no el vacío de todo ramo, sino un perfume nuevo, mixto, que acaso estaba en el ritmo, en la grafía, en la continuidad entrecortada de la poesía. CETYCLI 2012-09-21 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://badebec.unr.edu.ar/index.php/badebec/article/view/43 10.35305/b.v2i03.43 Badebec; Vol. 2 Núm. 03 (2012): Septiembre 2012 1853-9580 spa https://badebec.unr.edu.ar/index.php/badebec/article/view/43/37
institution Universidad Nacional de Rosario
institution_str I-15
repository_str R-206
container_title_str Badebec
language Español
format Artículo revista
topic Arturo Carrera
Poesía
Potlatch
Arturo Carrera
Poetry
Potlatch
spellingShingle Arturo Carrera
Poesía
Potlatch
Arturo Carrera
Poetry
Potlatch
Mattoni, Silvio
Memoria de lo real en Potlatch de Arturo Carrera
topic_facet Arturo Carrera
Poesía
Potlatch
Arturo Carrera
Poetry
Potlatch
author Mattoni, Silvio
author_facet Mattoni, Silvio
author_sort Mattoni, Silvio
title Memoria de lo real en Potlatch de Arturo Carrera
title_short Memoria de lo real en Potlatch de Arturo Carrera
title_full Memoria de lo real en Potlatch de Arturo Carrera
title_fullStr Memoria de lo real en Potlatch de Arturo Carrera
title_full_unstemmed Memoria de lo real en Potlatch de Arturo Carrera
title_sort memoria de lo real en potlatch de arturo carrera
description When Mallarmé wrote “A flower!” and “the absent one from all bouquets” was produced in his text, he was proclaiming the realization of words, their reification, where all communication ran the inherent risk of not saying anything else. To name nothingness, though, is impossible. Perhaps the real opens a path in the poem, through other devices, translating the thing that dematerialized the world, making of money the number of what is, the monetary counting of forgetting, childhood, and death. It is in this sense that we a ttempt a reading of this experience in Arturo Carrera´s book Potlatch, which proposes from its title an idea of poetry as excessive communication, and not as a threatening silence that is to come. It is as if in the polyphonic scene of the poem, inhabited by multiple and varied testimonies, the names of all the flowers of language and of the world were said, and from this resulted not an absence of all bouquets but a new, mixed perfume, found perhaps in the rhythm, the graphing, the interrupted continuity of poetry.
publisher CETYCLI
publishDate 2012
url https://badebec.unr.edu.ar/index.php/badebec/article/view/43
work_keys_str_mv AT mattonisilvio memoriadelorealenpotlatchdearturocarrera
first_indexed 2023-05-11T18:49:55Z
last_indexed 2023-05-11T18:49:55Z
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