El haiku como germen de matices. Notas para una diaforalogía

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The haiku offers the possibility of expansion into more extensive structures due to its brief composition. As Beatriz Sarlo stated —in relation to the writing of Juan José Saer—the haiku is “a seed of narration and description.” Or —in the words of Roland Barthes— “[a wheat] germ, a brief plot.” See...

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Autor principal: Ortiz, Daniela Isabel
Formato: Artículo revista
Lenguaje:Español
Publicado: CETYCLI 2019
Materias:
Barthes
Haiku
Narración
Saer
Diaforalogía
Acceso en línea:https://badebec.unr.edu.ar/index.php/badebec/article/view/418
Aporte de:
Badebec de Universidad Nacional de Rosario
id I15-R206-article-418
record_format ojs
spelling I15-R206-article-4182019-09-29T14:10:56Z El haiku como germen de matices. Notas para una diaforalogía Ortiz, Daniela Isabel Barthes Haiku Narración Saer Diaforalogía The haiku offers the possibility of expansion into more extensive structures due to its brief composition. As Beatriz Sarlo stated —in relation to the writing of Juan José Saer—the haiku is “a seed of narration and description.” Or —in the words of Roland Barthes— “[a wheat] germ, a brief plot.” Seeing the haiku as a seed of writing implies it harbors narrative and descriptive possibilities within itself by means of nuance present in its arrangement. Three manners of looking at the haiku are hereby proposed, each stemming from the Barthesian thought: firstly, the haiku as tangibilia, which is to say as reference to concrete things or objects, and the perceptive possibilities that this provokes; secondly, the “awakening” before the event: the haiku as a “mental shakedown,” a type of satori; finally, the haiku as time that passes. By means of these notes, the reader is invited to participate in a diaphorology that studies the nuances of the haiku and the writings from which it originates. A partir de su breve composición, el haiku ofrece la posibilidad de una expansión en estructuras más extensas. Es así que el haiku es, como lo dice Beatriz Sarlo —a propósito de la escritura de Juan José Saer—, “una semilla de narración-descripcion”. O, en palabras de Roland Barthes, un “germen, un argumento breve”: el haiku como germen de escritura, es decir, como discurso que alberga en sí mismo posibilidades narrativas-descriptivas a partir de los matices que dispone. Desde el pensamiento barthesiano proponemos entoncces pensar el haiku desde tres aspectos: en primer lugar, el haiku como tangibilia, es decir, la presencia de palabras que tienen como referencia cosas concretas u objetos, y las posibilidades perceptivas que esto provoca; en segundo lugar, el “despertar” ante el acontecimiento: el haiku como “sacudimiento mental”, una especie de satori; finalmente, el haiku como el tiempo que hace. A partir de estas notas, inivitamos a pensar una diaforalogía que estudie los matices en torno al haiku y las escrituras que este origina. CETYCLI 2019-09-24 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://badebec.unr.edu.ar/index.php/badebec/article/view/418 10.35305/b.v9i17.418 Badebec; Vol. 9 Núm. 17 (2019): Septiembre 2019; 217-225 1853-9580 spa https://badebec.unr.edu.ar/index.php/badebec/article/view/418/381
institution Universidad Nacional de Rosario
institution_str I-15
repository_str R-206
container_title_str Badebec
language Español
format Artículo revista
topic Barthes
Haiku
Narración
Saer
Diaforalogía
spellingShingle Barthes
Haiku
Narración
Saer
Diaforalogía
Ortiz, Daniela Isabel
El haiku como germen de matices. Notas para una diaforalogía
topic_facet Barthes
Haiku
Narración
Saer
Diaforalogía
author Ortiz, Daniela Isabel
author_facet Ortiz, Daniela Isabel
author_sort Ortiz, Daniela Isabel
title El haiku como germen de matices. Notas para una diaforalogía
title_short El haiku como germen de matices. Notas para una diaforalogía
title_full El haiku como germen de matices. Notas para una diaforalogía
title_fullStr El haiku como germen de matices. Notas para una diaforalogía
title_full_unstemmed El haiku como germen de matices. Notas para una diaforalogía
title_sort el haiku como germen de matices. notas para una diaforalogía
description The haiku offers the possibility of expansion into more extensive structures due to its brief composition. As Beatriz Sarlo stated —in relation to the writing of Juan José Saer—the haiku is “a seed of narration and description.” Or —in the words of Roland Barthes— “[a wheat] germ, a brief plot.” Seeing the haiku as a seed of writing implies it harbors narrative and descriptive possibilities within itself by means of nuance present in its arrangement. Three manners of looking at the haiku are hereby proposed, each stemming from the Barthesian thought: firstly, the haiku as tangibilia, which is to say as reference to concrete things or objects, and the perceptive possibilities that this provokes; secondly, the “awakening” before the event: the haiku as a “mental shakedown,” a type of satori; finally, the haiku as time that passes. By means of these notes, the reader is invited to participate in a diaphorology that studies the nuances of the haiku and the writings from which it originates.
publisher CETYCLI
publishDate 2019
url https://badebec.unr.edu.ar/index.php/badebec/article/view/418
work_keys_str_mv AT ortizdanielaisabel elhaikucomogermendematicesnotasparaunadiaforalogia
first_indexed 2023-05-11T18:50:46Z
last_indexed 2023-05-11T18:50:46Z
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