Maquillaje mórbido para Eva: Perlongher y la mistificación peronista

This paper analyzes the fictionalization of Eva Perón as imagined by Perlongher in relation with the essayistic production of the author. In this sense, the erotic personification of “Evita is alive” is used as a polemic device in the homosexual struggle ́s arguments over identity, as well as the re...

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Autor principal: Villalba, Gonzalo E.
Formato: Artículo revista
Lenguaje:Español
Publicado: CETYCLI 2015
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Acceso en línea:https://badebec.unr.edu.ar/index.php/badebec/article/view/287
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spelling I15-R206-article-2872018-03-28T19:30:47Z Maquillaje mórbido para Eva: Perlongher y la mistificación peronista Villalba, Gonzalo E. Política Maquillaje Peronismo Marginal Revolucionario Politics Makeup Peronism Marginal Revolutionary This paper analyzes the fictionalization of Eva Perón as imagined by Perlongher in relation with the essayistic production of the author. In this sense, the erotic personification of “Evita is alive” is used as a polemic device in the homosexual struggle ́s arguments over identity, as well as the revolutionary re- reading about Peronism, which the new Left of the seventies supported. This fiction of a lascivious Eva opens the way to recover her marginal past, whose elision from official history admits the moral retreat in the presence of patriarchal frontiers that the discipline of the Peronist party imposes. Hence the story of Perlongher allows reading Eva ́s makeup as functional to the propaganda of revolutionary Peronism, based on the groundbreaking illusion that is created by the political novelty of female participation given to Eva. Simultaneously, this allows reading in “Evita is alive” the narrative articulation between the minor figure of Eva as a promiscuous woman in relation with the premise of sexual transgression which characterizes the revolutionary militancy of Perlongher. El trabajo analiza la ficcionalización de Eva Perón imaginada por Perlongher en relación con la producción ensayística del autor. En ese sentido, la personificación erótica de “Evita vive” sirve de artilugio polémico para los planteos identitarios de la lucha homosexual como, también, la relectura revolucionaria sobre el peronismo que sostiene la nueva izquierda de los setenta. Esta ficción de Eva lasciva posibilita recuperar su pasado marginal, cuya elisión de la historia oficial reconoce el repliegue moral ante los lindes patriarcales que impone la disciplina partidaria peronista. De ahí que el cuento de Perlongher permita leer el maquillaje de Eva funcional a la propaganda de peronismo revolucionario, basada en la ilusión rupturista que crea la novedad política de participación femenina concedida a Eva. Al mismo tiempo, ello posibilita leer en “Evita vive” la articulación narrativa entre la figura menor de Eva como mujer promiscua en relación con la premisa de transgresión sexual que caracteriza la militancia revolucionaria de Perlongher. CETYCLI 2015-03-21 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo revisado por pares application/pdf https://badebec.unr.edu.ar/index.php/badebec/article/view/287 10.35305/b.v4i08.287 Badebec; Vol. 4 Núm. 08 (2015): Marzo 2015 1853-9580 spa https://badebec.unr.edu.ar/index.php/badebec/article/view/287/265
institution Universidad Nacional de Rosario
institution_str I-15
repository_str R-206
container_title_str Badebec
language Español
format Artículo revista
topic Política
Maquillaje
Peronismo
Marginal
Revolucionario
Politics
Makeup
Peronism
Marginal
Revolutionary
spellingShingle Política
Maquillaje
Peronismo
Marginal
Revolucionario
Politics
Makeup
Peronism
Marginal
Revolutionary
Villalba, Gonzalo E.
Maquillaje mórbido para Eva: Perlongher y la mistificación peronista
topic_facet Política
Maquillaje
Peronismo
Marginal
Revolucionario
Politics
Makeup
Peronism
Marginal
Revolutionary
author Villalba, Gonzalo E.
author_facet Villalba, Gonzalo E.
author_sort Villalba, Gonzalo E.
title Maquillaje mórbido para Eva: Perlongher y la mistificación peronista
title_short Maquillaje mórbido para Eva: Perlongher y la mistificación peronista
title_full Maquillaje mórbido para Eva: Perlongher y la mistificación peronista
title_fullStr Maquillaje mórbido para Eva: Perlongher y la mistificación peronista
title_full_unstemmed Maquillaje mórbido para Eva: Perlongher y la mistificación peronista
title_sort maquillaje mórbido para eva: perlongher y la mistificación peronista
description This paper analyzes the fictionalization of Eva Perón as imagined by Perlongher in relation with the essayistic production of the author. In this sense, the erotic personification of “Evita is alive” is used as a polemic device in the homosexual struggle ́s arguments over identity, as well as the revolutionary re- reading about Peronism, which the new Left of the seventies supported. This fiction of a lascivious Eva opens the way to recover her marginal past, whose elision from official history admits the moral retreat in the presence of patriarchal frontiers that the discipline of the Peronist party imposes. Hence the story of Perlongher allows reading Eva ́s makeup as functional to the propaganda of revolutionary Peronism, based on the groundbreaking illusion that is created by the political novelty of female participation given to Eva. Simultaneously, this allows reading in “Evita is alive” the narrative articulation between the minor figure of Eva as a promiscuous woman in relation with the premise of sexual transgression which characterizes the revolutionary militancy of Perlongher.
publisher CETYCLI
publishDate 2015
url https://badebec.unr.edu.ar/index.php/badebec/article/view/287
work_keys_str_mv AT villalbagonzaloe maquillajemorbidoparaevaperlongherylamistificacionperonista
first_indexed 2023-05-11T18:50:32Z
last_indexed 2023-05-11T18:50:32Z
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