El teatro de José Dimayuga y la vida nueva
José Dimayuga explores the impositions on the lives of his protagonists in Affectionately, her Midwife (1992) and Orders of the Heart (2005). The encounter of the female characters with queer agents generates a reflection about the condition of women in the works. Utterance in the first person and t...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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CETYCLI
2016
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| Acceso en línea: | https://badebec.unr.edu.ar/index.php/badebec/article/view/226 |
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I15-R206-article-2262018-03-26T07:23:09Z El teatro de José Dimayuga y la vida nueva Arteaga Martínez, Alejandro Escrituras del yo Machismo Senectud Travestismo Lesbianismo Writing in First Person Machismo Old Age Transvestism Lesbianism José Dimayuga explores the impositions on the lives of his protagonists in Affectionately, her Midwife (1992) and Orders of the Heart (2005). The encounter of the female characters with queer agents generates a reflection about the condition of women in the works. Utterance in the first person and the queer person’s intrusion allow questioning the self, the home and the world from the present and from memory. Within the frameworks of theatrical semiotics and autobiographical theory, Dimayuga’s works are presented as a reflection about identity and freedom, because characters eventually recognize themselves as makers of their own destiny. José Dimayuga explora las imposiciones sobre la vida de sus protagonistas en Afectuosamente, su comadre (1992) y Las órdenes del corazón (2005). El encuentro de los personajes femeninos con otros representativos de lo queer genera una reflexión sobre el presente de las mujeres en las obras. El discurso en primera persona y la intrusión del sujeto queer permiten cuestionar al individuo, la casa y el mundo desde el presente y la memoria. Dentro de los marcos de la semiótica teatral y de la teoría autobiográfica, las obras de Dimayuga se presentan como una reflexión sobre la identidad y la libertad, pues los personajes acaban por reconocerse como hacedores de su propio destino CETYCLI 2016-09-21 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://badebec.unr.edu.ar/index.php/badebec/article/view/226 10.35305/b.v6i11.226 Badebec; Vol. 6 Núm. 11 (2016): Septiembre 2016 1853-9580 spa https://badebec.unr.edu.ar/index.php/badebec/article/view/226/206 |
| institution |
Universidad Nacional de Rosario |
| institution_str |
I-15 |
| repository_str |
R-206 |
| container_title_str |
Badebec |
| language |
Español |
| format |
Artículo revista |
| topic |
Escrituras del yo Machismo Senectud Travestismo Lesbianismo Writing in First Person Machismo Old Age Transvestism Lesbianism |
| spellingShingle |
Escrituras del yo Machismo Senectud Travestismo Lesbianismo Writing in First Person Machismo Old Age Transvestism Lesbianism Arteaga Martínez, Alejandro El teatro de José Dimayuga y la vida nueva |
| topic_facet |
Escrituras del yo Machismo Senectud Travestismo Lesbianismo Writing in First Person Machismo Old Age Transvestism Lesbianism |
| author |
Arteaga Martínez, Alejandro |
| author_facet |
Arteaga Martínez, Alejandro |
| author_sort |
Arteaga Martínez, Alejandro |
| title |
El teatro de José Dimayuga y la vida nueva |
| title_short |
El teatro de José Dimayuga y la vida nueva |
| title_full |
El teatro de José Dimayuga y la vida nueva |
| title_fullStr |
El teatro de José Dimayuga y la vida nueva |
| title_full_unstemmed |
El teatro de José Dimayuga y la vida nueva |
| title_sort |
el teatro de josé dimayuga y la vida nueva |
| description |
José Dimayuga explores the impositions on the lives of his protagonists in Affectionately, her Midwife (1992) and Orders of the Heart (2005). The encounter of the female characters with queer agents generates a reflection about the condition of women in the works. Utterance in the first person and the queer person’s intrusion allow questioning the self, the home and the world from the present and from memory. Within the frameworks of theatrical semiotics and autobiographical theory, Dimayuga’s works are presented as a reflection about identity and freedom, because characters eventually recognize themselves as makers of their own destiny. |
| publisher |
CETYCLI |
| publishDate |
2016 |
| url |
https://badebec.unr.edu.ar/index.php/badebec/article/view/226 |
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AT arteagamartinezalejandro elteatrodejosedimayugaylavidanueva |
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2023-05-11T18:50:21Z |
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2023-05-11T18:50:21Z |
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