Mirando El Cielo (1968-1969)

This essay aims to study the three issues of El Cielo (1968-1969), a literary review published by César Aira and Arturo Carrera, and introduces some of the links among different contemporary projects, both cultural and publishing. El Cielo included some unpublished literary works, literary translati...

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Detalles Bibliográficos
Autor principal: Roman, Claudia A.
Formato: Artículo revista
Lenguaje:Español
Publicado: CETYCLI 2016
Materias:
Revistas culturales
Poesía
Literatura argentina
Surrealismo
Cultura pop
Cultural Magazines
Poetry
Argentine Literature
Surrealism
Pop Culture
Acceso en línea:https://badebec.unr.edu.ar/index.php/badebec/article/view/206
Aporte de:
Badebec de Universidad Nacional de Rosario
id I15-R206-article-206
record_format ojs
spelling I15-R206-article-2062018-03-25T08:57:31Z Mirando El Cielo (1968-1969) Roman, Claudia A. Revistas culturales Poesía Literatura argentina Surrealismo Cultura pop Cultural Magazines Poetry Argentine Literature Surrealism Pop Culture This essay aims to study the three issues of El Cielo (1968-1969), a literary review published by César Aira and Arturo Carrera, and introduces some of the links among different contemporary projects, both cultural and publishing. El Cielo included some unpublished literary works, literary translations, and some visual art and literary criticism. All these texts are set together under a constructive principle that is rather poetic than communicational. In this approach, El Cielo chose to settle between two avant-gardes: Surrealism and Pop Culture. The aesthetic affiliations shown by the magazine are also proof of this choice. All these features were developed and can be traced later on in Aira’s and Carrera’s literary works. Este artículo se propone estudiar los tres números publicados de la revista El Cielo (1968-1969), dirigida conjuntamente por César Aira y Arturo Carrera, y presentar algunos rasgos que la ponen en diálogo con otros proyectos culturales y editoriales contemporáneos. La revista incluyó algunas colaboraciones literarias inéditas, traducciones, trabajos de crítica literaria y plástica, bajo un principio poético antes que comunicacional. En ese movimiento, El Cielo eligió ubicarse entre dos vanguardias, el surrealismo y la cultura pop. Esta elección se verifica también en las relaciones de afiliación estética que propone la revista. Todos estos elementos se desplegaron más tarde en los proyectos literarios que desarrollarían tanto Aira como Carrera. CETYCLI 2016-09-21 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo revisado por pares application/pdf https://badebec.unr.edu.ar/index.php/badebec/article/view/206 10.35305/b.v6i11.206 Badebec; Vol. 6 Núm. 11 (2016): Septiembre 2016 1853-9580 spa https://badebec.unr.edu.ar/index.php/badebec/article/view/206/191
institution Universidad Nacional de Rosario
institution_str I-15
repository_str R-206
container_title_str Badebec
language Español
format Artículo revista
topic Revistas culturales
Poesía
Literatura argentina
Surrealismo
Cultura pop
Cultural Magazines
Poetry
Argentine Literature
Surrealism
Pop Culture
spellingShingle Revistas culturales
Poesía
Literatura argentina
Surrealismo
Cultura pop
Cultural Magazines
Poetry
Argentine Literature
Surrealism
Pop Culture
Roman, Claudia A.
Mirando El Cielo (1968-1969)
topic_facet Revistas culturales
Poesía
Literatura argentina
Surrealismo
Cultura pop
Cultural Magazines
Poetry
Argentine Literature
Surrealism
Pop Culture
author Roman, Claudia A.
author_facet Roman, Claudia A.
author_sort Roman, Claudia A.
title Mirando El Cielo (1968-1969)
title_short Mirando El Cielo (1968-1969)
title_full Mirando El Cielo (1968-1969)
title_fullStr Mirando El Cielo (1968-1969)
title_full_unstemmed Mirando El Cielo (1968-1969)
title_sort mirando el cielo (1968-1969)
description This essay aims to study the three issues of El Cielo (1968-1969), a literary review published by César Aira and Arturo Carrera, and introduces some of the links among different contemporary projects, both cultural and publishing. El Cielo included some unpublished literary works, literary translations, and some visual art and literary criticism. All these texts are set together under a constructive principle that is rather poetic than communicational. In this approach, El Cielo chose to settle between two avant-gardes: Surrealism and Pop Culture. The aesthetic affiliations shown by the magazine are also proof of this choice. All these features were developed and can be traced later on in Aira’s and Carrera’s literary works.
publisher CETYCLI
publishDate 2016
url https://badebec.unr.edu.ar/index.php/badebec/article/view/206
work_keys_str_mv AT romanclaudiaa mirandoelcielo19681969
first_indexed 2023-05-11T18:50:18Z
last_indexed 2023-05-11T18:50:18Z
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