Troveros orientales contemporáneos, nuevas escuchas y lecturas
From the concept of the staging of poetry's voice we propose to revisit listening and reading the contemporary Uruguayan poetry, bringing in the voices of those called "troveros orientales" (the literal translation would be "oriental minstrels" due to the fact that Uruguay s...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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CETYCLI
2014
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| Acceso en línea: | https://badebec.unr.edu.ar/index.php/badebec/article/view/102 |
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I15-R206-article-102 |
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I15-R206-article-1022018-02-15T17:55:10Z Troveros orientales contemporáneos, nuevas escuchas y lecturas Bravo, Luis poesía uruguaya puesta en voz troveros - nuevas lecturas Uruguayan poetry staging of poetry's voice minstrels (troveros) revisiting reading From the concept of the staging of poetry's voice we propose to revisit listening and reading the contemporary Uruguayan poetry, bringing in the voices of those called "troveros orientales" (the literal translation would be "oriental minstrels" due to the fact that Uruguay sits on the eastern or oriental side of the Uruguay river across from Argentina). They combined the oral format, rooted in the gauchos' tradition and the renewed staging of the voice in the oral poetry during the mid sixties, presenting challenges that shook deeply seated prejudices on both sides of the cultural spectrum: those of the cultured metropolis and its canonic academia and those arising from the conservative country tradition. In a cultural territory still firmly entrenched in the dichotomies country/city, high/low culture, new forms of poetry kept surging, creating a path of renovation in a genre always ahead of the aesthetic changes and ruptures, while being increasingly marginalized from the editorial market. Desde el concepto de puesta en voz de la poesía se replantea la escucha y la relectura de la poesía uruguaya contemporánea, haciendo ingresar las voces de quienes se denominan “troveros orientales”. La conjugación del soporte oral, enraizado en una tradición de origen gauchesco, y su renovada puesta en voz hacia mediados de la década del sesenta, propuso desafíos que sacudieron arraigados prejuicios a un lado y otro del espectro cultural: el de la metrópolis letrada y sus academicismos canónicos por un lado, y el de los que provenían de una conservadora tradición campera, por otro. En un territorio cultural que aún mantenía las dicotomías campo-ciudad, alta y baja cultura, surgían nuevas formas de emisión poética que pergeñaban una senda de renovación en un género siempre adelantado a los cambios y las rupturas estéticas, a la vez que crecientemente desplazado del mercado editorial. CETYCLI 2014-09-21 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://badebec.unr.edu.ar/index.php/badebec/article/view/102 10.35305/b.v4i07.102 Badebec; Vol. 4 Núm. 07 (2014): Septiembre 2014 1853-9580 spa https://badebec.unr.edu.ar/index.php/badebec/article/view/102/92 |
| institution |
Universidad Nacional de Rosario |
| institution_str |
I-15 |
| repository_str |
R-206 |
| container_title_str |
Badebec |
| language |
Español |
| format |
Artículo revista |
| topic |
poesía uruguaya puesta en voz troveros - nuevas lecturas Uruguayan poetry staging of poetry's voice minstrels (troveros) revisiting reading |
| spellingShingle |
poesía uruguaya puesta en voz troveros - nuevas lecturas Uruguayan poetry staging of poetry's voice minstrels (troveros) revisiting reading Bravo, Luis Troveros orientales contemporáneos, nuevas escuchas y lecturas |
| topic_facet |
poesía uruguaya puesta en voz troveros - nuevas lecturas Uruguayan poetry staging of poetry's voice minstrels (troveros) revisiting reading |
| author |
Bravo, Luis |
| author_facet |
Bravo, Luis |
| author_sort |
Bravo, Luis |
| title |
Troveros orientales contemporáneos, nuevas escuchas y lecturas |
| title_short |
Troveros orientales contemporáneos, nuevas escuchas y lecturas |
| title_full |
Troveros orientales contemporáneos, nuevas escuchas y lecturas |
| title_fullStr |
Troveros orientales contemporáneos, nuevas escuchas y lecturas |
| title_full_unstemmed |
Troveros orientales contemporáneos, nuevas escuchas y lecturas |
| title_sort |
troveros orientales contemporáneos, nuevas escuchas y lecturas |
| description |
From the concept of the staging of poetry's voice we propose to revisit listening and reading the contemporary Uruguayan poetry, bringing in the voices of those called "troveros orientales" (the literal translation would be "oriental minstrels" due to the fact that Uruguay sits on the eastern or oriental side of the Uruguay river across from Argentina). They combined the oral format, rooted in the gauchos' tradition and the renewed staging of the voice in the oral poetry during the mid sixties, presenting challenges that shook deeply seated prejudices on both sides of the cultural spectrum: those of the cultured metropolis and its canonic academia and those arising from the conservative country tradition. In a cultural territory still firmly entrenched in the dichotomies country/city, high/low culture, new forms of poetry kept surging, creating a path of renovation in a genre always ahead of the aesthetic changes and ruptures, while being increasingly marginalized from the editorial market. |
| publisher |
CETYCLI |
| publishDate |
2014 |
| url |
https://badebec.unr.edu.ar/index.php/badebec/article/view/102 |
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AT bravoluis troverosorientalescontemporaneosnuevasescuchasylecturas |
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2023-05-11T18:49:47Z |
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2023-05-11T18:49:47Z |
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