The joint security area in the nacionalist cinema of South Korea

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The Korean War (1950-1953) resulted in the creation of a border that separated the Korean peninsula into two parts: North and South. The northern side backed by communist ideology, while the southern side by the capitalist. After the conclusion of the civil war, a state of tension emerged in the bor...

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Autor principal: Ávila Juarez, José Óscar
Formato: Artículo revista
Lenguaje:Español
Publicado: Universidad Nacional de Rosario 2019
Materias:
Korea
War
Border
Tensión
Hope
Guerra
Frontera
Esperanza
Corea
Acceso en línea:https://perspectivasrcs.unr.edu.ar/index.php/PRCS/article/view/72
Aporte de:
Perspectivas – Revista de Ciencias Sociales de Universidad Nacional de Rosario
id I15-R203-article-72
record_format ojs
spelling I15-R203-article-722022-07-09T04:19:41Z The joint security area in the nacionalist cinema of South Korea El área de seguridad conjunta en el cine nacionalista de Corea del Sur Ávila Juarez, José Óscar Korea War Border Tensión Hope Guerra Frontera Tensión Esperanza Corea The Korean War (1950-1953) resulted in the creation of a border that separated the Korean peninsula into two parts: North and South. The northern side backed by communist ideology, while the southern side by the capitalist. After the conclusion of the civil war, a state of tension emerged in the border area, which dominated the relationship for several decades. Precisely, the Joint Security Area film (Park Chan Wook, 2000) presents this confrontation through the friendship of four soldiers, two from the South and two from the North. Circumstantially, they build a friendship that is truncated by the ideological hatreds that frame their respective countries. The intermediation of the United Nations Organization depicted by an official with Korean roots, draws more ideological conflict, because she discovers the truth of the event that was about to cause a war between the Koreas, but at the same time, reveals the ideological rivalry that persists in the peninsula. Director Park emphasizes that obstacles to unification persist. However, with the final scenes, where he shows the friends smiling, the filmmaker ponders the hope of a change in the relationship of the two Koreas.  La guerra de Corea entre 1950 y 1953 dio como resultado la creación de una frontera que separó en dos partes la península coreana: Norte y Sur. El lado norteño respaldado por la ideología comunista, mientras que el sureño por la capitalista. A partir de la conclusión de la guerra civil se activó en el área fronteriza un estado de tensión, mismo que dominó la relación por varias décadas. Precisamente, la película Área de seguridad conjunta de Park Chan-Wook, presenta dicho enfrentamiento por medio de la amistad de cuatro soldados, dos del Sur y dos del Norte. Encontrados de manera circunstancial, construyen una amistad que se ve truncada por los odios ideológicos que enmarcan sus respectivos países. La intermediación de la Organización de las Naciones Unidas2 a través de una funcionaria con raíces coreanas, dibuja más el conflicto ideológico, descubre la verdad del suceso que estuvo a punto de provocar una guerra entre las Coreas, pero al mismo tiempo, devela la rivalidad ideológica que persiste en la península. Al tener este desenlace la trama cinematográfica, el director Park enfatiza que persisten trabas para la unificación. Sin embargo, con las escenas finales, donde muestra a los amigos sonriendo, el cineasta pondera la esperanza de un cambio en la relación de las dos Coreas. Universidad Nacional de Rosario 2019-12-20 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://perspectivasrcs.unr.edu.ar/index.php/PRCS/article/view/72 10.35305/prcs.v0i8.72 Perspectivas Revista de Ciencias Sociales; Vol. 4 No. 8 (2019): Perspectivas Revista de Ciencias Sociales No. 8 Julio-Diciembre 2019; 454-465 Perspectivas Revista de Ciencias Sociales; Vol. 4 Núm. 8 (2019): Perspectivas Revista de Ciencias Sociales No. 8 Julio-Diciembre 2019; 454-465 2525-1112 spa https://perspectivasrcs.unr.edu.ar/index.php/PRCS/article/view/72/58 Derechos de autor 2019 Perspectivas Revista de Ciencias Sociales
institution Universidad Nacional de Rosario
institution_str I-15
repository_str R-203
container_title_str Perspectivas – Revista de Ciencias Sociales
language Español
format Artículo revista
topic Korea
War
Border
Tensión
Hope
Guerra
Frontera
Tensión
Esperanza
Corea
spellingShingle Korea
War
Border
Tensión
Hope
Guerra
Frontera
Tensión
Esperanza
Corea
Ávila Juarez, José Óscar
The joint security area in the nacionalist cinema of South Korea
topic_facet Korea
War
Border
Tensión
Hope
Guerra
Frontera
Tensión
Esperanza
Corea
author Ávila Juarez, José Óscar
author_facet Ávila Juarez, José Óscar
author_sort Ávila Juarez, José Óscar
title The joint security area in the nacionalist cinema of South Korea
title_short The joint security area in the nacionalist cinema of South Korea
title_full The joint security area in the nacionalist cinema of South Korea
title_fullStr The joint security area in the nacionalist cinema of South Korea
title_full_unstemmed The joint security area in the nacionalist cinema of South Korea
title_sort joint security area in the nacionalist cinema of south korea
description The Korean War (1950-1953) resulted in the creation of a border that separated the Korean peninsula into two parts: North and South. The northern side backed by communist ideology, while the southern side by the capitalist. After the conclusion of the civil war, a state of tension emerged in the border area, which dominated the relationship for several decades. Precisely, the Joint Security Area film (Park Chan Wook, 2000) presents this confrontation through the friendship of four soldiers, two from the South and two from the North. Circumstantially, they build a friendship that is truncated by the ideological hatreds that frame their respective countries. The intermediation of the United Nations Organization depicted by an official with Korean roots, draws more ideological conflict, because she discovers the truth of the event that was about to cause a war between the Koreas, but at the same time, reveals the ideological rivalry that persists in the peninsula. Director Park emphasizes that obstacles to unification persist. However, with the final scenes, where he shows the friends smiling, the filmmaker ponders the hope of a change in the relationship of the two Koreas. 
publisher Universidad Nacional de Rosario
publishDate 2019
url https://perspectivasrcs.unr.edu.ar/index.php/PRCS/article/view/72
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first_indexed 2023-05-11T18:44:53Z
last_indexed 2023-05-11T18:44:53Z
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