Movimientos de tierra (Earthworks)

Since the mid-sixties, contemporary art has developed a specific practice, the so-called Land Art or Earthwork (earth movements) which involves rigorous observation, activities on different territories resembling those of ethnografic studies, and exhaustive record and collection of archives dealing...

Descripción completa

Guardado en:
Detalles Bibliográficos
Autor principal: Bernabé, Mónica
Formato: Artículo revista
Lenguaje:Español
Publicado: Facultad de Arquitectura, Planeamiento y Diseño | Universidad Nacional de Rosario 2018
Materias:
narrative
document
entropy
territory
inequality
narrativa
documento
entropía
territorio
desigualdad
Acceso en línea:https://www.ayp.fapyd.unr.edu.ar/index.php/ayp/article/view/72
Aporte de:
A&P Continuidad de Universidad Nacional de Rosario
id I15-R196-article-72
record_format ojs
spelling I15-R196-article-722019-09-20T09:42:53Z Movimientos de tierra (Earthworks) Earthworks Bernabé, Mónica narrative document entropy territory inequality narrativa documento entropía territorio desigualdad Since the mid-sixties, contemporary art has developed a specific practice, the so-called Land Art or Earthwork (earth movements) which involves rigorous observation, activities on different territories resembling those of ethnografic studies, and exhaustive record and collection of archives dealing specifically with areas affected by uncontrolled capitalism expansion. Particularly, the American sixties avant-garde not only recorded the transformation of space produced by the postwar urbanization boom but also developed a transdisciplinary means for landscape shaping. In this regard, this paper analyzes what is referred to as documentary narrative, i. e., the widening of literature boundaries in some present writing practices. Its authors keep on searching for ways able to represent reality from an entropic approach in order to attain views of the displacements and the transformation of the landscape in areas in which neoliberalism becomes a building boom linked to extractive activities such as Argentina’s soybean agricultural business which has introduced transgenic crops from its outset. This article takes texts of Argentine writers Sergio Chejfec and Daniel García Helder as models of documentary narrative. Desde mediados de los sesenta el arte contemporáneo ha desarrollado una práctica específica denominada Land Art o, también, Earthwork (movimientos de tierra) en la que convergen un riguroso trabajo de observación, prácticas casi etnográficas sobre diferentes territorios y un exhaustivo registro y acopio de material de archivo, en particular, sobre las zonas afectadas por la expansión descontrolada del capitalismo. En particular, las vanguardias de los sesenta estadounidenses registraron la transformación del espacio que produjo el boom de las urbanizaciones de la posguerra y desarrollaron una modalidad transdisciplinar de configuración de paisajes. En esta línea, analizamos la expansión de los límites de la literatura en algunas prácticas de escritura del presente a las que denominamos narrativa documental. Sus autores siguen preguntando por los modos de representar la realidad desde una perspectiva entrópica con el objetivo de tomar vistas de los desplazamientos y la transformación del paisaje en las zonas en que el neoliberalismo se traduce en boom constructivo vinculado a actividades extractivas como, para dar un ejemplo, la del agro-negocio sojero en la Argentina que se inicia con la introducción de los cultivos transgénicos. El trabajo toma como modelos de narrativa documental a los textos de los escritores argentinos Sergio Chejfec y Daniel García Helder.   Facultad de Arquitectura, Planeamiento y Diseño | Universidad Nacional de Rosario 2018-06-12 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://www.ayp.fapyd.unr.edu.ar/index.php/ayp/article/view/72 A&P Continuidad; Vol. 3 Núm. 5 (2016): PAISAJES: TERRITORIO, CIUDAD, ARQUITECTURA; 72-83 2362-6097 2362-6089 spa https://www.ayp.fapyd.unr.edu.ar/index.php/ayp/article/view/72/46 Derechos de autor 2016 A&P Continuidad https://creativecommons.org/licenses/by-nc-nd/4.0/
institution Universidad Nacional de Rosario
institution_str I-15
repository_str R-196
container_title_str A&P Continuidad
language Español
format Artículo revista
topic narrative
document
entropy
territory
inequality
narrativa
documento
entropía
territorio
desigualdad
spellingShingle narrative
document
entropy
territory
inequality
narrativa
documento
entropía
territorio
desigualdad
Bernabé, Mónica
Movimientos de tierra (Earthworks)
topic_facet narrative
document
entropy
territory
inequality
narrativa
documento
entropía
territorio
desigualdad
author Bernabé, Mónica
author_facet Bernabé, Mónica
author_sort Bernabé, Mónica
title Movimientos de tierra (Earthworks)
title_short Movimientos de tierra (Earthworks)
title_full Movimientos de tierra (Earthworks)
title_fullStr Movimientos de tierra (Earthworks)
title_full_unstemmed Movimientos de tierra (Earthworks)
title_sort movimientos de tierra (earthworks)
description Since the mid-sixties, contemporary art has developed a specific practice, the so-called Land Art or Earthwork (earth movements) which involves rigorous observation, activities on different territories resembling those of ethnografic studies, and exhaustive record and collection of archives dealing specifically with areas affected by uncontrolled capitalism expansion. Particularly, the American sixties avant-garde not only recorded the transformation of space produced by the postwar urbanization boom but also developed a transdisciplinary means for landscape shaping. In this regard, this paper analyzes what is referred to as documentary narrative, i. e., the widening of literature boundaries in some present writing practices. Its authors keep on searching for ways able to represent reality from an entropic approach in order to attain views of the displacements and the transformation of the landscape in areas in which neoliberalism becomes a building boom linked to extractive activities such as Argentina’s soybean agricultural business which has introduced transgenic crops from its outset. This article takes texts of Argentine writers Sergio Chejfec and Daniel García Helder as models of documentary narrative.
publisher Facultad de Arquitectura, Planeamiento y Diseño | Universidad Nacional de Rosario
publishDate 2018
url https://www.ayp.fapyd.unr.edu.ar/index.php/ayp/article/view/72
work_keys_str_mv AT bernabemonica movimientosdetierraearthworks
AT bernabemonica earthworks
first_indexed 2023-05-11T18:38:12Z
last_indexed 2023-05-11T18:38:12Z
_version_ 1765624032764362752

Ejemplares similares