Deconstructing aspects of Galina Tolmacheva’s myth and the Independent Theater in Mendoza in the mid-twentieth century: women's voices and silences in the theatrical epochal discourse and its continuity in our days

Mostrar todas las versiones(2)

Between 1930 and 1960 the theatrical activity that takes place in Mendoza results in it’s affirmation and professionalization. This is due, among other things, to the rise of the Independent Theater, the Harvest Festival celebration and the founding of the Drama School in 1949, that will depend on t...

Descripción completa

Guardado en:
Detalles Bibliográficos
Autores principales: Sarale, Marina, Gómez, Ariana Lucía
Formato: Artículo revista
Lenguaje:Español
Publicado: Instituto de Literaturas Modernas 2019
Materias:
Género
Ética
Teatro independiente
Universidad
Stanislavski
Genders
Ethics
Independent Theatre
University
Acceso en línea:https://revistas.uncu.edu.ar/ojs3/index.php/literaturasmodernas/article/view/2718
Aporte de:
Revista de literaturas modernas de Universidad Nacional de Cuyo
id I11-R93article-2718
record_format ojs
institution Universidad Nacional de Cuyo
institution_str I-11
repository_str R-93
container_title_str Revista de literaturas modernas
language Español
format Artículo revista
topic Género
Ética
Teatro independiente
Universidad
Stanislavski
Genders
Ethics
Independent Theatre
University
Stanislavski
spellingShingle Género
Ética
Teatro independiente
Universidad
Stanislavski
Genders
Ethics
Independent Theatre
University
Stanislavski
Sarale, Marina
Gómez, Ariana Lucía
Deconstructing aspects of Galina Tolmacheva’s myth and the Independent Theater in Mendoza in the mid-twentieth century: women's voices and silences in the theatrical epochal discourse and its continuity in our days
topic_facet Género
Ética
Teatro independiente
Universidad
Stanislavski
Genders
Ethics
Independent Theatre
University
Stanislavski
author Sarale, Marina
Gómez, Ariana Lucía
author_facet Sarale, Marina
Gómez, Ariana Lucía
author_sort Sarale, Marina
title Deconstructing aspects of Galina Tolmacheva’s myth and the Independent Theater in Mendoza in the mid-twentieth century: women's voices and silences in the theatrical epochal discourse and its continuity in our days
title_short Deconstructing aspects of Galina Tolmacheva’s myth and the Independent Theater in Mendoza in the mid-twentieth century: women's voices and silences in the theatrical epochal discourse and its continuity in our days
title_full Deconstructing aspects of Galina Tolmacheva’s myth and the Independent Theater in Mendoza in the mid-twentieth century: women's voices and silences in the theatrical epochal discourse and its continuity in our days
title_fullStr Deconstructing aspects of Galina Tolmacheva’s myth and the Independent Theater in Mendoza in the mid-twentieth century: women's voices and silences in the theatrical epochal discourse and its continuity in our days
title_full_unstemmed Deconstructing aspects of Galina Tolmacheva’s myth and the Independent Theater in Mendoza in the mid-twentieth century: women's voices and silences in the theatrical epochal discourse and its continuity in our days
title_sort deconstructing aspects of galina tolmacheva’s myth and the independent theater in mendoza in the mid-twentieth century: women's voices and silences in the theatrical epochal discourse and its continuity in our days
description Between 1930 and 1960 the theatrical activity that takes place in Mendoza results in it’s affirmation and professionalization. This is due, among other things, to the rise of the Independent Theater, the Harvest Festival celebration and the founding of the Drama School in 1949, that will depend on the National University of Cuyo; its training matrix is based on the notion of ethics by Konstantin Stanislavski (Russia 1863-1938), publized in Mendoza by Galina Tolmacheva. We will try to pinpoint the feminine voices and silences in the theatrical discourse of the time within the singularities that take place in that ephocal moment, as well as in relation to Independent Theater / Superior School of Theater.
publisher Instituto de Literaturas Modernas
publishDate 2019
url https://revistas.uncu.edu.ar/ojs3/index.php/literaturasmodernas/article/view/2718
work_keys_str_mv AT saralemarina deconstructingaspectsofgalinatolmachevasmythandtheindependenttheaterinmendozainthemidtwentiethcenturywomensvoicesandsilencesinthetheatricalepochaldiscourseanditscontinuityinourdays
AT gomezarianalucia deconstructingaspectsofgalinatolmachevasmythandtheindependenttheaterinmendozainthemidtwentiethcenturywomensvoicesandsilencesinthetheatricalepochaldiscourseanditscontinuityinourdays
AT saralemarina deconstruyendoaspectosdelmitodegalinatolmachevayelteatroindependienteenmendozaamediadosdelsigloxxvocesysilenciosfemeninoseneldiscursoteatraldelaepocaysucontinuidadennuestrosdias
AT gomezarianalucia deconstruyendoaspectosdelmitodegalinatolmachevayelteatroindependienteenmendozaamediadosdelsigloxxvocesysilenciosfemeninoseneldiscursoteatraldelaepocaysucontinuidadennuestrosdias
first_indexed 2022-06-20T13:33:05Z
last_indexed 2022-06-20T13:33:05Z
bdutipo_str Revistas
_version_ 1764819785926836225

Ejemplares similares