Words to see and touch: a dialogue with Incaic culture in Cecilia Vicuña’s poetry

Poet, performer and transnational artist, Cecilia Vicuña (Santiago de Chile, 1948) has developed a multifaceted work in which the experimentation with the most diverse materials, registers and formats stands out. Hers is a work that crosses different themes and geographies, always rehearsing new way...

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Autor principal: Puppo, María Lucía
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro de Literatura Comparada 2019
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Acceso en línea:https://revistas.uncu.edu.ar/ojs3/index.php/boletinliteratura/article/view/2758
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record_format ojs
institution Universidad Nacional de Cuyo
institution_str I-11
repository_str R-92
container_title_str Boletín de Literatura Comparada
language Español
format Artículo revista
topic Cecilia Vicuña
Poesía latinoamericana
Siglo XX
Relaciones interartísticas
Visualidad
Tactilidad
Cecilia Vicuña
Twentieth century
Latin América Poetry
Interartistics relations
Visuality
Tactility
spellingShingle Cecilia Vicuña
Poesía latinoamericana
Siglo XX
Relaciones interartísticas
Visualidad
Tactilidad
Cecilia Vicuña
Twentieth century
Latin América Poetry
Interartistics relations
Visuality
Tactility
Puppo, María Lucía
Words to see and touch: a dialogue with Incaic culture in Cecilia Vicuña’s poetry
topic_facet Cecilia Vicuña
Poesía latinoamericana
Siglo XX
Relaciones interartísticas
Visualidad
Tactilidad
Cecilia Vicuña
Twentieth century
Latin América Poetry
Interartistics relations
Visuality
Tactility
author Puppo, María Lucía
author_facet Puppo, María Lucía
author_sort Puppo, María Lucía
title Words to see and touch: a dialogue with Incaic culture in Cecilia Vicuña’s poetry
title_short Words to see and touch: a dialogue with Incaic culture in Cecilia Vicuña’s poetry
title_full Words to see and touch: a dialogue with Incaic culture in Cecilia Vicuña’s poetry
title_fullStr Words to see and touch: a dialogue with Incaic culture in Cecilia Vicuña’s poetry
title_full_unstemmed Words to see and touch: a dialogue with Incaic culture in Cecilia Vicuña’s poetry
title_sort words to see and touch: a dialogue with incaic culture in cecilia vicuña’s poetry
description Poet, performer and transnational artist, Cecilia Vicuña (Santiago de Chile, 1948) has developed a multifaceted work in which the experimentation with the most diverse materials, registers and formats stands out. Hers is a work that crosses different themes and geographies, always rehearsing new ways to visualize and deepen its Andean roots. In this paper we propose an approach to La Wik'uña (1990), the first book of the author published in Chile, where the pre-Columbian legacy is explored through the recovery of symbols, words, rituals and beliefs of the Inca, Quechua and Guarani cultures. It is a text that, as clarified in a final note by the author, was created together with the essay Abstract Stone. The Inca sculpture: a contemporary vision (1989) of the artist César Paternosto (La Plata, 1931), by then her husband. Our aim is to explore the contact zones between visuality, materiality and writing in the compositions of La Wik'uña through the examination of a series of images and strategies that converge in a "visual- tactile semiotics" of poetry, analogous to the one that Paternosto recognized in Inca architecture.
publisher Centro de Literatura Comparada
publishDate 2019
url https://revistas.uncu.edu.ar/ojs3/index.php/boletinliteratura/article/view/2758
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