Stroke, distortion, aberraction (Francis Alÿs)
The essay analyzes the video work of visual artist Francis Alÿs. From Deleuze's aesthetic-philosophical perspective on cinema, this work proposes an approach to Alÿs's work based on the concept of image-affection. The argument of this article seeks to show that the relationship betwen perf...
Guardado en:
| Autor principal: | |
|---|---|
| Formato: | Artículo revista |
| Lenguaje: | Español |
| Publicado: |
Centro Interdisciplinario de Literatura Hispanoamericana (CILHA)
2021
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| Materias: | |
| Acceso en línea: | https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/5129 |
| Aporte de: |
| id |
I11-R112article-5129 |
|---|---|
| record_format |
ojs |
| institution |
Universidad Nacional de Cuyo |
| institution_str |
I-11 |
| repository_str |
R-112 |
| container_title_str |
Cuadernos del CILHA |
| language |
Español |
| format |
Artículo revista |
| topic |
Afección Imagen-movimiento Video-arte Affectation Movement-Image Contemporary Art |
| spellingShingle |
Afección Imagen-movimiento Video-arte Affectation Movement-Image Contemporary Art Barrios Lara, José Luis Stroke, distortion, aberraction (Francis Alÿs) |
| topic_facet |
Afección Imagen-movimiento Video-arte Affectation Movement-Image Contemporary Art |
| author |
Barrios Lara, José Luis |
| author_facet |
Barrios Lara, José Luis |
| author_sort |
Barrios Lara, José Luis |
| title |
Stroke, distortion, aberraction (Francis Alÿs) |
| title_short |
Stroke, distortion, aberraction (Francis Alÿs) |
| title_full |
Stroke, distortion, aberraction (Francis Alÿs) |
| title_fullStr |
Stroke, distortion, aberraction (Francis Alÿs) |
| title_full_unstemmed |
Stroke, distortion, aberraction (Francis Alÿs) |
| title_sort |
stroke, distortion, aberraction (francis alÿs) |
| description |
The essay analyzes the video work of visual artist Francis Alÿs. From Deleuze's aesthetic-philosophical perspective on cinema, this work proposes an approach to Alÿs's work based on the concept of image-affection. The argument of this article seeks to show that the relationship betwen performance and movement-image generates a paradox between the poetic image and the documentary image, which turns the image into an intensive surface, where affectation matters more than the representation. |
| publisher |
Centro Interdisciplinario de Literatura Hispanoamericana (CILHA) |
| publishDate |
2021 |
| url |
https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/5129 |
| work_keys_str_mv |
AT barrioslarajoseluis strokedistortionaberractionfrancisalys AT barrioslarajoseluis trazodistorsionaberracionfrancisalys |
| first_indexed |
2022-06-20T13:46:12Z |
| last_indexed |
2022-06-20T13:46:12Z |
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Revistas |
| _version_ |
1764819785668886529 |