The importance of the body in performances and emerging forms of theatricality in the Buenos Aires counterculture of the 1980s
The years of the Argentine democratic opening are characterized by the deployment of a heterogeneity of experiences of performances and forms of theatricality in various centers of the Buenos Aires counterculture, which share as a distinctive aspect the interest in experimenting with corporeality. T...
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Formato: | Artículo revista |
Lenguaje: | Español |
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Centro Interdisciplinario de Literatura Hispanoamericana (CILHA)
2021
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Acceso en línea: | https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/5014 |
Aporte de: |
id |
I11-R112article-5014 |
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record_format |
ojs |
institution |
Universidad Nacional de Cuyo |
institution_str |
I-11 |
repository_str |
R-112 |
container_title_str |
Cuadernos del CILHA |
language |
Español |
format |
Artículo revista |
topic |
Cuerpo Performance Años 80 Teatralidad Body Performance 80's Theatricality |
spellingShingle |
Cuerpo Performance Años 80 Teatralidad Body Performance 80's Theatricality Singer, Mariela The importance of the body in performances and emerging forms of theatricality in the Buenos Aires counterculture of the 1980s |
topic_facet |
Cuerpo Performance Años 80 Teatralidad Body Performance 80's Theatricality |
author |
Singer, Mariela |
author_facet |
Singer, Mariela |
author_sort |
Singer, Mariela |
title |
The importance of the body in performances and emerging forms of theatricality in the Buenos Aires counterculture of the 1980s |
title_short |
The importance of the body in performances and emerging forms of theatricality in the Buenos Aires counterculture of the 1980s |
title_full |
The importance of the body in performances and emerging forms of theatricality in the Buenos Aires counterculture of the 1980s |
title_fullStr |
The importance of the body in performances and emerging forms of theatricality in the Buenos Aires counterculture of the 1980s |
title_full_unstemmed |
The importance of the body in performances and emerging forms of theatricality in the Buenos Aires counterculture of the 1980s |
title_sort |
importance of the body in performances and emerging forms of theatricality in the buenos aires counterculture of the 1980s |
description |
The years of the Argentine democratic opening are characterized by the deployment of a heterogeneity of experiences of performances and forms of theatricality in various centers of the Buenos Aires counterculture, which share as a distinctive aspect the interest in experimenting with corporeality. The experiences of those years renew the exploratory climate of the 1960s, which both locally and internationally gave importance to performance as a mode of artistic expression and recovered avant-garde concerns of the early twentieth century. The New York neo-avant-garde of that time is a landmark in the performative turn in the arts and the importance given to the body as a support for performances. This text addresses the role of corporeality in the performances and forms of theatricality emerging in the post-dictatorship 80s, connecting the study of this context with that of aspects of the 60s aesthetic-political context. |
publisher |
Centro Interdisciplinario de Literatura Hispanoamericana (CILHA) |
publishDate |
2021 |
url |
https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/5014 |
work_keys_str_mv |
AT singermariela theimportanceofthebodyinperformancesandemergingformsoftheatricalityinthebuenosairescountercultureofthe1980s AT singermariela laimportanciadelcuerpoenperformancesyformasdelateatralidademergentesenlacontraculturaportenadelosanos80 AT singermariela importanceofthebodyinperformancesandemergingformsoftheatricalityinthebuenosairescountercultureofthe1980s |
first_indexed |
2022-06-20T13:46:08Z |
last_indexed |
2022-06-20T13:46:08Z |
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Revistas |
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1764819785662595073 |