La vorágine by José Eustasio Rivera:: impetuous whirl of voices.

Starting from the novel of José Eustasio Rivera, we recognize the multiple presence of voices coming from the characters whose echo filters through the main character's polyphonic conscience. La Vorágine picks up in replica and rejoinder the voice of Arturo Cova and that of the narrator / compi...

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Autor principal: Blanco Puentes, Juan Alberto
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro Interdisciplinario de Literatura Hispanoamericana (CILHA) 2012
Materias:
Acceso en línea:https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/4137
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id I11-R112article-4137
record_format ojs
institution Universidad Nacional de Cuyo
institution_str I-11
repository_str R-112
container_title_str Cuadernos del CILHA
language Español
format Artículo revista
topic Literatura colombiana
Novela polifónica
Personaje
Exilio
Naturaleza (in)humana
Colombian literature
Novel polyphonic
Character
Exile
(In)Human nature
spellingShingle Literatura colombiana
Novela polifónica
Personaje
Exilio
Naturaleza (in)humana
Colombian literature
Novel polyphonic
Character
Exile
(In)Human nature
Blanco Puentes, Juan Alberto
La vorágine by José Eustasio Rivera:: impetuous whirl of voices.
topic_facet Literatura colombiana
Novela polifónica
Personaje
Exilio
Naturaleza (in)humana
Colombian literature
Novel polyphonic
Character
Exile
(In)Human nature
author Blanco Puentes, Juan Alberto
author_facet Blanco Puentes, Juan Alberto
author_sort Blanco Puentes, Juan Alberto
title La vorágine by José Eustasio Rivera:: impetuous whirl of voices.
title_short La vorágine by José Eustasio Rivera:: impetuous whirl of voices.
title_full La vorágine by José Eustasio Rivera:: impetuous whirl of voices.
title_fullStr La vorágine by José Eustasio Rivera:: impetuous whirl of voices.
title_full_unstemmed La vorágine by José Eustasio Rivera:: impetuous whirl of voices.
title_sort la vorágine by josé eustasio rivera:: impetuous whirl of voices.
description Starting from the novel of José Eustasio Rivera, we recognize the multiple presence of voices coming from the characters whose echo filters through the main character's polyphonic conscience. La Vorágine picks up in replica and rejoinder the voice of Arturo Cova and that of the narrator / compiler, the voices urban that eradicate the characters, the economic voices that transform the rural space, the voices of the exploitation and the foreign influence, the voices of the destruction in front of the voices of the nature and the voices of the history: it conquers, modernity and violence. All in counterpoint foreshadow the limits of the Nation.
publisher Centro Interdisciplinario de Literatura Hispanoamericana (CILHA)
publishDate 2012
url https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/4137
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