Marosa di Giorgio´s queer genre

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Taking theoretical distinctions about prose and lyric texts as point of departure, my contention will be that there is an intention to narrate that Marosa di Giorgio´s (1934-2004) texts betray and honor at the same time. This instable position is also the product of a second layer on the text: the r...

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Autor principal: Amícola, José
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro Interdisciplinario de Literatura Hispanoamericana (CILHA) 2013
Materias:
Queer
Sexualidad
Flores
Equivalencia
Flujo
Sexuality
Flowers
Equivalence
Fluid
Acceso en línea:https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/4063
Aporte de:
Cuadernos del CILHA de Universidad Nacional de Cuyo
id I11-R112article-4063
record_format ojs
institution Universidad Nacional de Cuyo
institution_str I-11
repository_str R-112
container_title_str Cuadernos del CILHA
language Español
format Artículo revista
topic Queer
Sexualidad
Flores
Equivalencia
Flujo
Queer
Sexuality
Flowers
Equivalence
Fluid
spellingShingle Queer
Sexualidad
Flores
Equivalencia
Flujo
Queer
Sexuality
Flowers
Equivalence
Fluid
Amícola, José
Marosa di Giorgio´s queer genre
topic_facet Queer
Sexualidad
Flores
Equivalencia
Flujo
Queer
Sexuality
Flowers
Equivalence
Fluid
author Amícola, José
author_facet Amícola, José
author_sort Amícola, José
title Marosa di Giorgio´s queer genre
title_short Marosa di Giorgio´s queer genre
title_full Marosa di Giorgio´s queer genre
title_fullStr Marosa di Giorgio´s queer genre
title_full_unstemmed Marosa di Giorgio´s queer genre
title_sort marosa di giorgio´s queer genre
description Taking theoretical distinctions about prose and lyric texts as point of departure, my contention will be that there is an intention to narrate that Marosa di Giorgio´s (1934-2004) texts betray and honor at the same time. This instable position is also the product of a second layer on the text: the recitative instance. With an approach systematized by the Tartu School, I will show the Equivalence Principle as a token to recognize the poetical basis of one queer text from Marosa di Giorgio´s Camino de las pedrerías [The Way of the Precious Stones], 1997), where the apparition of ubiquitous flowers in the texts of the Uruguayan author will serve as mark of the Equivalence Principle. The genre that she invents is, in my opinion, the Form that announces the new Content: the new space for a queer sexuality which is not only an obscene but also a heretical gender event. This profanation of the religious tradition is here a parody of mystical texts. Sex appears then as a nomad and fluid stream, like the liquids of the woman’ s body in all her writings. The fluency of the prose text corresponds with the fluidity of the thematic elements.
publisher Centro Interdisciplinario de Literatura Hispanoamericana (CILHA)
publishDate 2013
url https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/4063
work_keys_str_mv AT amicolajose marosadigiorgiosqueergenre
AT amicolajose elgeneroqueerdemarosadigiorgio
first_indexed 2022-06-20T13:45:17Z
last_indexed 2022-06-20T13:45:17Z
bdutipo_str Revistas
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