Rhetoric of the body / genre rhetoric Displacing-naming-dwelling

This article reflects upon the work of two Argentinean narrators, Sylvia Molloy and Elena Bossi, who in their last novels develop a microcosm where every character or every narrator knows something but decomposes the stories, fragments them, puts them outside the conventional law of the genre.The co...

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Autor principal: Barei, Silvia N.
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro Interdisciplinario de Literatura Hispanoamericana (CILHA) 2013
Materias:
Acceso en línea:https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/4061
Aporte de:
id I11-R112article-4061
record_format ojs
institution Universidad Nacional de Cuyo
institution_str I-11
repository_str R-112
container_title_str Cuadernos del CILHA
language Español
format Artículo revista
topic Retórica
Género
Novela
Cuerpos
Rhetoric
Genre
Novels
Bodies
spellingShingle Retórica
Género
Novela
Cuerpos
Rhetoric
Genre
Novels
Bodies
Barei, Silvia N.
Rhetoric of the body / genre rhetoric Displacing-naming-dwelling
topic_facet Retórica
Género
Novela
Cuerpos
Rhetoric
Genre
Novels
Bodies
author Barei, Silvia N.
author_facet Barei, Silvia N.
author_sort Barei, Silvia N.
title Rhetoric of the body / genre rhetoric Displacing-naming-dwelling
title_short Rhetoric of the body / genre rhetoric Displacing-naming-dwelling
title_full Rhetoric of the body / genre rhetoric Displacing-naming-dwelling
title_fullStr Rhetoric of the body / genre rhetoric Displacing-naming-dwelling
title_full_unstemmed Rhetoric of the body / genre rhetoric Displacing-naming-dwelling
title_sort rhetoric of the body / genre rhetoric displacing-naming-dwelling
description This article reflects upon the work of two Argentinean narrators, Sylvia Molloy and Elena Bossi, who in their last novels develop a microcosm where every character or every narrator knows something but decomposes the stories, fragments them, puts them outside the conventional law of the genre.The contemporaneity of Desarticulaciones ("Dislocations", Molloy 2010) and Otro lugar ("Other place", Bossi 2008), allows thinking about them in what they have in common but also in their conflicts and their ways of placing bodies in familiar spaces. One of them centred in the unstable subjectivity of someone who is ill, and the other one in the "failures" of a family tradition, both register an area of social discourse that narrates vague rumours, personal stories, life fragments, and show their ability to work in mutations, displacements and interstices of genre.
publisher Centro Interdisciplinario de Literatura Hispanoamericana (CILHA)
publishDate 2013
url https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/4061
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first_indexed 2022-06-20T13:45:16Z
last_indexed 2022-06-20T13:45:16Z
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