The river and its dispossessions. Aesthetic perspectives of dispossession in Colombia

This paper seeks to deepen the study of narratives of dispossession in Colombia understood as narratives that shape a category linked to the will to write the dispossession, to expose its modulations, show its variations and reveal the vicissitudes of victims and victimizers through writing whether...

Descripción completa

Guardado en:
Detalles Bibliográficos
Autor principal: Henao, Simón
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro Interdisciplinario de Literatura Hispanoamericana (CILHA) 2021
Materias:
Acceso en línea:https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/3252
Aporte de:
id I11-R112article-3252
record_format ojs
institution Universidad Nacional de Cuyo
institution_str I-11
repository_str R-112
container_title_str Cuadernos del CILHA
language Español
format Artículo revista
topic Literatura colombiana
Arte colombiano
Siglo XXI
Desaparición
Despojo
Colombian literature
Colombian art
XXI century
Disappearance
Dispossession
spellingShingle Literatura colombiana
Arte colombiano
Siglo XXI
Desaparición
Despojo
Colombian literature
Colombian art
XXI century
Disappearance
Dispossession
Henao, Simón
The river and its dispossessions. Aesthetic perspectives of dispossession in Colombia
topic_facet Literatura colombiana
Arte colombiano
Siglo XXI
Desaparición
Despojo
Colombian literature
Colombian art
XXI century
Disappearance
Dispossession
author Henao, Simón
author_facet Henao, Simón
author_sort Henao, Simón
title The river and its dispossessions. Aesthetic perspectives of dispossession in Colombia
title_short The river and its dispossessions. Aesthetic perspectives of dispossession in Colombia
title_full The river and its dispossessions. Aesthetic perspectives of dispossession in Colombia
title_fullStr The river and its dispossessions. Aesthetic perspectives of dispossession in Colombia
title_full_unstemmed The river and its dispossessions. Aesthetic perspectives of dispossession in Colombia
title_sort river and its dispossessions. aesthetic perspectives of dispossession in colombia
description This paper seeks to deepen the study of narratives of dispossession in Colombia understood as narratives that shape a category linked to the will to write the dispossession, to expose its modulations, show its variations and reveal the vicissitudes of victims and victimizers through writing whether fiction, testimony or chronicle, as well as through film, dramaturgy and plastic arts. Using concepts such as community, dispossession and testimony, will be questioned works by Teatro La Candelaria, Patricia Nieto, Clemencia Echeverri and Juan Manuel Echavarría, pieces and works with diverse languages linked to the river as a disappearing technology that pose different positions against the dispossession and mechanisms of its representation.
publisher Centro Interdisciplinario de Literatura Hispanoamericana (CILHA)
publishDate 2021
url https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/3252
work_keys_str_mv AT henaosimon theriveranditsdispossessionsaestheticperspectivesofdispossessionincolombia
AT henaosimon elrioysusdespojosperspectivasesteticasdeladesposesionencolombia
AT henaosimon riveranditsdispossessionsaestheticperspectivesofdispossessionincolombia
first_indexed 2022-06-20T13:45:05Z
last_indexed 2022-06-20T13:45:05Z
bdutipo_str Revistas
_version_ 1764819785465462785