Anti-racist Artistic Practices: Moisés Patrício and Mirta Toledo

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In this paper I will attempt to figure out the modalities that anti-racist practices take from a decolonial perspective through a comparative case study of the works of Moisés Patrício (São Paulo, 1984) and Mirta Toledo (Buenos Aires, 1952). Patrício is an artist and teacher of African descent who l...

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Autor principal: Bugnone, Ana
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro Interdisciplinario de Literatura Hispanoamericana (CILHA) 2019
Materias:
Prácticas artísticas
Antirracismo
Etnicidad
Eurocentrismo
Artistic practices
Anti-racism
Ethnicity
Eurocentrism
Acceso en línea:https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/1940
Aporte de:
Cuadernos del CILHA de Universidad Nacional de Cuyo
id I11-R112article-1940
record_format ojs
institution Universidad Nacional de Cuyo
institution_str I-11
repository_str R-112
container_title_str Cuadernos del CILHA
language Español
format Artículo revista
topic Prácticas artísticas
Antirracismo
Etnicidad
Eurocentrismo
Artistic practices
Anti-racism
Ethnicity
Eurocentrism
spellingShingle Prácticas artísticas
Antirracismo
Etnicidad
Eurocentrismo
Artistic practices
Anti-racism
Ethnicity
Eurocentrism
Bugnone, Ana
Anti-racist Artistic Practices: Moisés Patrício and Mirta Toledo
topic_facet Prácticas artísticas
Antirracismo
Etnicidad
Eurocentrismo
Artistic practices
Anti-racism
Ethnicity
Eurocentrism
author Bugnone, Ana
author_facet Bugnone, Ana
author_sort Bugnone, Ana
title Anti-racist Artistic Practices: Moisés Patrício and Mirta Toledo
title_short Anti-racist Artistic Practices: Moisés Patrício and Mirta Toledo
title_full Anti-racist Artistic Practices: Moisés Patrício and Mirta Toledo
title_fullStr Anti-racist Artistic Practices: Moisés Patrício and Mirta Toledo
title_full_unstemmed Anti-racist Artistic Practices: Moisés Patrício and Mirta Toledo
title_sort anti-racist artistic practices: moisés patrício and mirta toledo
description In this paper I will attempt to figure out the modalities that anti-racist practices take from a decolonial perspective through a comparative case study of the works of Moisés Patrício (São Paulo, 1984) and Mirta Toledo (Buenos Aires, 1952). Patrício is an artist and teacher of African descent who links his artistic practice with a project that focuses on exposing and tensing the currently existing racism in Brazil, especially in São Paulo. It is interesting to analyze his performances in which the emphasis put on the black culture elements and body in Brazil is stressed. Toledo is an Argentinean artist who lived in the United States and now lives in Buenos Aires, daughter of an Afro-Guarani man. She works with several creative practices such as sculpture, painting, collage and writing. Her works are focused on highlighting ethnic diversity and her indigenous roots while questioning the pro-European ideal in image construction. To achieve this, I will present the modalities that both of their discursive and artistic practices take in relation to an anti-racist stance. I will do so to compare them and understand the way in which said practices are linked to the politics of each of their specific current and historical context s, and to determine if these practices create new modalities of visual production today, opposing to the prevailing hegemonic national discourses about the ‘mixture of races’ in Brazil and the purely European descent in Argentina.
publisher Centro Interdisciplinario de Literatura Hispanoamericana (CILHA)
publishDate 2019
url https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/1940
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first_indexed 2022-06-20T13:45:02Z
last_indexed 2022-06-20T13:45:02Z
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