Hildegard Rosentha ldiscovers Brazilian Modernity
Hildegard Rosenthal (1913-1990) undertook the first systematic photographic project on São Paulo at the end of the 1930s /beginning of the 1940s. She exemplifies an extensive group of photographers of European origin (in large part, Jews) who "discov...
Guardado en:
| Autor principal: | |
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| Formato: | Artículo revista |
| Lenguaje: | Español |
| Publicado: |
Centro Interdisciplinario de Literatura Hispanoamericana (CILHA)
2019
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| Materias: | |
| Acceso en línea: | https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/1912 |
| Aporte de: |
| id |
I11-R112article-1912 |
|---|---|
| record_format |
ojs |
| institution |
Universidad Nacional de Cuyo |
| institution_str |
I-11 |
| repository_str |
R-112 |
| container_title_str |
Cuadernos del CILHA |
| language |
Español |
| format |
Artículo revista |
| topic |
Rosenthal Hildegard São Paulo en la fotografía Modernidad (Brasil) y la fotografía. Rosenthal Hildegard São Paulo in photography Modernity (Brazil) Photography |
| spellingShingle |
Rosenthal Hildegard São Paulo en la fotografía Modernidad (Brasil) y la fotografía. Rosenthal Hildegard São Paulo in photography Modernity (Brazil) Photography Foster, David Hildegard Rosentha ldiscovers Brazilian Modernity |
| topic_facet |
Rosenthal Hildegard São Paulo en la fotografía Modernidad (Brasil) y la fotografía. Rosenthal Hildegard São Paulo in photography Modernity (Brazil) Photography |
| author |
Foster, David |
| author_facet |
Foster, David |
| author_sort |
Foster, David |
| title |
Hildegard Rosentha ldiscovers Brazilian Modernity |
| title_short |
Hildegard Rosentha ldiscovers Brazilian Modernity |
| title_full |
Hildegard Rosentha ldiscovers Brazilian Modernity |
| title_fullStr |
Hildegard Rosentha ldiscovers Brazilian Modernity |
| title_full_unstemmed |
Hildegard Rosentha ldiscovers Brazilian Modernity |
| title_sort |
hildegard rosentha ldiscovers brazilian modernity |
| description |
Hildegard Rosenthal (1913-1990) undertook the first systematic photographic project on São Paulo at the end of the 1930s /beginning of the 1940s. She exemplifies an extensive group of photographers of European origin (in large part, Jews) who "discovered" the city of São Paulo, especially during the apex of the project of modernity that was taking roots in that urban area. This essay examines
some of the parameters of Rosenthal’s work that has had so much resonance in the history of Brazilian photography. |
| publisher |
Centro Interdisciplinario de Literatura Hispanoamericana (CILHA) |
| publishDate |
2019 |
| url |
https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/1912 |
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AT fosterdavid hildegardrosenthaldiscoversbrazilianmodernity AT fosterdavid hildegardrosenthaldescubrelamodernidadbrasilena |
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2022-06-20T13:45:00Z |
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2022-06-20T13:45:00Z |
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Revistas |
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1764819785456025601 |