The design of the machine "entre-lugar"

This text takes up the concept of entre-lugar coined by Silviano Santiago, to think aboutthe manner of a mythical machine, always empty center. Thus, the archeology of a entre-lugarthat can only be defined from its effects, its singular brightness in the constellation of some of themost significant...

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Autor principal: Antelo, Raúl
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro Interdisciplinario de Literatura Hispanoamericana (CILHA) 2016
Materias:
Acceso en línea:https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/1524
Aporte de:
id I11-R112article-1524
record_format ojs
institution Universidad Nacional de Cuyo
institution_str I-11
repository_str R-112
container_title_str Cuadernos del CILHA
language Español
format Artículo revista
topic Silviano Santiago
Máquina mitológica
Poscolonialismo
Silviano Santiago
Entre-lugar
Mythological machine
¨Postcolonialism
spellingShingle Silviano Santiago
Máquina mitológica
Poscolonialismo
Silviano Santiago
Entre-lugar
Mythological machine
¨Postcolonialism
Antelo, Raúl
The design of the machine "entre-lugar"
topic_facet Silviano Santiago
Máquina mitológica
Poscolonialismo
Silviano Santiago
Entre-lugar
Mythological machine
¨Postcolonialism
author Antelo, Raúl
author_facet Antelo, Raúl
author_sort Antelo, Raúl
title The design of the machine "entre-lugar"
title_short The design of the machine "entre-lugar"
title_full The design of the machine "entre-lugar"
title_fullStr The design of the machine "entre-lugar"
title_full_unstemmed The design of the machine "entre-lugar"
title_sort design of the machine "entre-lugar"
description This text takes up the concept of entre-lugar coined by Silviano Santiago, to think aboutthe manner of a mythical machine, always empty center. Thus, the archeology of a entre-lugarthat can only be defined from its effects, its singular brightness in the constellation of some of themost significant texts of the postcolonial discussion is presented. Thus, more mimicry mimicry, thebetween-place appears as a priori emancipatory that the very proliferation of artifacts generatedby the anachronism of images that brings itself, can not think outside the problematic historicitytheir contingents joints.
publisher Centro Interdisciplinario de Literatura Hispanoamericana (CILHA)
publishDate 2016
url https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/1524
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