The demand of novel. Limitations on reception of Rodolfo Walsh in the late sixties

In 1967, the publication of Un kilo de oro -which contains four stories in stylistic continuity with the six of Los oficios terrestres (1965)- causes a reclaim of a novel, directed from cultural journalism to the author, until then just recognized by his mastery of the mystery nouvelle in the first...

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Autor principal: Luppi, Juan Pablo
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro Interdisciplinario de Literatura Hispanoamericana (CILHA) 2016
Materias:
Acceso en línea:https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/1515
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id I11-R112article-1515
record_format ojs
institution Universidad Nacional de Cuyo
institution_str I-11
repository_str R-112
container_title_str Cuadernos del CILHA
language Español
format Artículo revista
topic Estilo
Falta
Ficción
Proyecto
Recepción
Fiction
Lack
Proyect
Reception
Style
spellingShingle Estilo
Falta
Ficción
Proyecto
Recepción
Fiction
Lack
Proyect
Reception
Style
Luppi, Juan Pablo
The demand of novel. Limitations on reception of Rodolfo Walsh in the late sixties
topic_facet Estilo
Falta
Ficción
Proyecto
Recepción
Fiction
Lack
Proyect
Reception
Style
author Luppi, Juan Pablo
author_facet Luppi, Juan Pablo
author_sort Luppi, Juan Pablo
title The demand of novel. Limitations on reception of Rodolfo Walsh in the late sixties
title_short The demand of novel. Limitations on reception of Rodolfo Walsh in the late sixties
title_full The demand of novel. Limitations on reception of Rodolfo Walsh in the late sixties
title_fullStr The demand of novel. Limitations on reception of Rodolfo Walsh in the late sixties
title_full_unstemmed The demand of novel. Limitations on reception of Rodolfo Walsh in the late sixties
title_sort demand of novel. limitations on reception of rodolfo walsh in the late sixties
description In 1967, the publication of Un kilo de oro -which contains four stories in stylistic continuity with the six of Los oficios terrestres (1965)- causes a reclaim of a novel, directed from cultural journalism to the author, until then just recognized by his mastery of the mystery nouvelle in the first book, Variaciones en rojo (1953), and relatively by Operación masacre (1957) catalogued outside the novel as non-fiction. In reviews and interviews between 1965 and 1967, the argentine cultural field receives Walsh`s literature as shutter of the novel, applying to the author the image of uncertain or spoiled novelist, highlighting exclusively (or ignoring, according to ideological priority) his testimonial work. We inquire those limitations of reception as a critical problem where are formulated the prejudgments of literary institution, like a contrast threshold to discover the novel projected by Walsh in different supports and forms that exceed parameters of his time. 
publisher Centro Interdisciplinario de Literatura Hispanoamericana (CILHA)
publishDate 2016
url https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/1515
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