Cocteau’s wife in Almodóvar: The Human Voice
With unmistakable references to his personal cinematographic poetics, Pedro Almodóvar offers us the medium-length film The Human Voice (2020) as a rereading and appropriation of the homonymous play La Voix humaine, by Jean Cocteau. It is interesting to observe the presence of typically Almodovarian...
| Autor principal: | |
|---|---|
| Formato: | Artículo revista |
| Lenguaje: | Español |
| Publicado: |
Facultad de Filosofía y Letras, Universidad Nacional de Cuyo
2021
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| Materias: | |
| Acceso en línea: | https://revistas.uncu.edu.ar/ojs3/index.php/boletingec/article/view/5546 |
| Aporte de: | Aportado por :
Boletín GEC de
Universidad Nacional de Cuyo .
|
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I11-R103article-5546 |
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Universidad Nacional de Cuyo |
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I-11 |
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Boletín GEC |
| language |
Español |
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Artículo revista |
| topic |
adaptación cinematográfica Pedro Almodóvar Jean Cocteau film adaptation Pedro Almodóvar Jean Cocteau |
| spellingShingle |
adaptación cinematográfica Pedro Almodóvar Jean Cocteau film adaptation Pedro Almodóvar Jean Cocteau Alcalde, Verónica Cocteau’s wife in Almodóvar: The Human Voice |
| topic_facet |
adaptación cinematográfica Pedro Almodóvar Jean Cocteau film adaptation Pedro Almodóvar Jean Cocteau |
| author |
Alcalde, Verónica |
| author_facet |
Alcalde, Verónica |
| author_sort |
Alcalde, Verónica |
| title |
Cocteau’s wife in Almodóvar: The Human Voice |
| title_short |
Cocteau’s wife in Almodóvar: The Human Voice |
| title_full |
Cocteau’s wife in Almodóvar: The Human Voice |
| title_fullStr |
Cocteau’s wife in Almodóvar: The Human Voice |
| title_full_unstemmed |
Cocteau’s wife in Almodóvar: The Human Voice |
| title_sort |
cocteau’s wife in almodóvar: the human voice |
| description |
With unmistakable references to his personal cinematographic poetics, Pedro Almodóvar offers us the medium-length film The Human Voice (2020) as a rereading and appropriation of the homonymous play La Voix humaine, by Jean Cocteau. It is interesting to observe the presence of typically Almodovarian signs and inquire about the resignification that they give to the original work, especially to the leading female character. Without a doubt, Cocteau´s wife and Almodóvar´s are not the same despite the fact that the Spanish filmmaker recovers the French playwright´s monologue and the theme of the piece. A proof of this is the open ending, almost subversive and humorous, in which the woman not only survives but also decides to take the reins of her new life with emphasis. |
| publisher |
Facultad de Filosofía y Letras, Universidad Nacional de Cuyo |
| publishDate |
2021 |
| url |
https://revistas.uncu.edu.ar/ojs3/index.php/boletingec/article/view/5546 |
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2022-06-20T13:38:44Z |
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2022-06-20T13:38:44Z |
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Revistas |
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