Painting in the Expanded Field

The present essay examines the historical and logical conditions of the existence of painting as an expanded field. After developing the concept of pluralism, the expanded field of painting is presented through the use of the Greimas rectangle. This expanded field incorporates the notions of origina...

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Autor principal:	Fares, Gustavo
Formato:	Artículo revista
Lenguaje:	Español
Publicado:	Comité Editor IHA - Instituto de Historia del Arte - Facultad de Filosofía y Letras - Universidad Nacional de Cuyo 2019
Materias:	Pintura Campo Pluralismo Greimas Historia Painting Field Pluralism History História Peinture Terrain Pluralisme Histoire Ð–Ð˜Ð’ÐžÐŸÐ˜Ð¡Ð¬ ÐŸÐžÐ›Ð• ÐŸÐ›Ð®Ð ÐÐ›Ð˜Ð—Ðœ Ð“Ð Ð•Ð™ÐœÐÐ¡ Ð˜Ð¡Ð¢ÐžÐ Ð˜Ð¯
Acceso en línea:	https://revistas.uncu.edu.ar/ojs3/index.php/cuadernoshistoarte/article/view/2376
Aporte de:	CUADERNOS DE HISTORIA DEL ARTE de Universidad Nacional de Cuyo

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institution	Universidad Nacional de Cuyo
institution_str	I-11
repository_str	R-101
container_title_str	CUADERNOS DE HISTORIA DEL ARTE
language	Español
format	Artículo revista
topic	Pintura Campo Pluralismo Greimas Historia Painting Field Pluralism Greimas History Pintura Campo Pluralismo Greimas História Peinture Terrain Pluralisme Greimas Histoire Ð–Ð˜Ð’ÐžÐŸÐ˜Ð¡Ð¬ ÐŸÐžÐ›Ð• ÐŸÐ›Ð®Ð ÐÐ›Ð˜Ð—Ðœ Ð“Ð Ð•Ð™ÐœÐÐ¡ Ð˜Ð¡Ð¢ÐžÐ Ð˜Ð¯
spellingShingle	Pintura Campo Pluralismo Greimas Historia Painting Field Pluralism Greimas History Pintura Campo Pluralismo Greimas História Peinture Terrain Pluralisme Greimas Histoire Ð–Ð˜Ð’ÐžÐŸÐ˜Ð¡Ð¬ ÐŸÐžÐ›Ð• ÐŸÐ›Ð®Ð ÐÐ›Ð˜Ð—Ðœ Ð“Ð Ð•Ð™ÐœÐÐ¡ Ð˜Ð¡Ð¢ÐžÐ Ð˜Ð¯ Fares, Gustavo Painting in the Expanded Field
topic_facet	Pintura Campo Pluralismo Greimas Historia Painting Field Pluralism Greimas History Pintura Campo Pluralismo Greimas História Peinture Terrain Pluralisme Greimas Histoire Ð–Ð˜Ð’ÐžÐŸÐ˜Ð¡Ð¬ ÐŸÐžÐ›Ð• ÐŸÐ›Ð®Ð ÐÐ›Ð˜Ð—Ðœ Ð“Ð Ð•Ð™ÐœÐÐ¡ Ð˜Ð¡Ð¢ÐžÐ Ð˜Ð¯
author	Fares, Gustavo
author_facet	Fares, Gustavo
author_sort	Fares, Gustavo
title	Painting in the Expanded Field
title_short	Painting in the Expanded Field
title_full	Painting in the Expanded Field
title_fullStr	Painting in the Expanded Field
title_full_unstemmed	Painting in the Expanded Field
title_sort	painting in the expanded field
description	The present essay examines the historical and logical conditions of the existence of painting as an expanded field. After developing the concept of pluralism, the expanded field of painting is presented through the use of the Greimas rectangle. This expanded field incorporates the notions of originality / reproducibility, multidimensional related spaces, and history and chronology. The resulting field relates painting to other artistic manifestations previously seen as different or even opposed to it in today's society and makes it possible to re-invest in the medium with the characteristics that it has lost or gave away throughout time. The expanded field also allows to examine transformations and movements in more than one dimension at the same time, changes from one expressive form to another, from one object to another, and still allows for the possible addition of other artistic manifestations related to the expanded field.
publisher	Comité Editor IHA - Instituto de Historia del Arte - Facultad de Filosofía y Letras - Universidad Nacional de Cuyo
publishDate	2019
url	https://revistas.uncu.edu.ar/ojs3/index.php/cuadernoshistoarte/article/view/2376
work_keys_str_mv	AT faresgustavo paintingintheexpandedfield AT faresgustavo lapinturaenelcampoexpandido AT faresgustavo lapeinturedanslechampetendu AT faresgustavo pinturanocampoexpandido AT faresgustavo ððð2ð3⁄4ððnnœð2nðnnˆðnðμð1⁄2ð1⁄2ð3⁄4ð1⁄4ðð3⁄4ððμ
first_indexed	2022-06-20T13:36:04Z
last_indexed	2022-06-20T13:36:04Z
bdutipo_str	Revistas
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Painting in the Expanded Field

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