Of Attachments and Disengagements. Discussions around Folklore, Nationalism and Identity in the Last Quarter of the 20th Century

The field of Folklore was historically a space of articulation between nationalist movements, substantialist ideologies about national identities and the construction of national projects. These discussions were in Argentina as well where the linkage between certain ways of conceptualizing Folklore...

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Autor principal: Fischman, Fernando
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro de Investigaciones de la Facultad de Filosofía y Humanidades 2019
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Acceso en línea:https://revistas.unc.edu.ar/index.php/recial/article/view/27004
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spelling I10-R377-article-270042020-07-09T23:15:38Z Of Attachments and Disengagements. Discussions around Folklore, Nationalism and Identity in the Last Quarter of the 20th Century De vinculaciones y desvinculaciones. Discusiones en torno al folklore, el nacionalismo y la identidad en el último cuarto del Siglo XX Fischman, Fernando folklore; identity; nationalism; poetics; Martha Blache folklore identidad nacionalismo poética Martha Blache The field of Folklore was historically a space of articulation between nationalist movements, substantialist ideologies about national identities and the construction of national projects. These discussions were in Argentina as well where the linkage between certain ways of conceptualizing Folklore resulted in a correspondence between an iconography and a repertoire of expressive forms with an idea of ​​national identity. Beginning in the 1970s, some of the foundations on which Folklore studies had been founded and developed in the country began to be rethought. In that context, Martha Blache proposed a reformulation of some of the concepts established in a double dialogic interaction: with social scientists located in the academy and with folklorologists located in artistic training institutions. This article analyzes three nodal issues that Blache addressed in her writings: 1-the link between Folklore and nationalism, 2-the definition of the concept of Folklore and 3-the relationship between Folklore and identity. It also proposes guidelines for further discussion based on these proposals made in the last quarter of the 20th century. El campo del Folklore fue históricamente un espacio de articulación entre movimientos nacionalistas, ideologías sustancialistas acerca de las identidades nacionales y la construcción de proyectos de nación. Estas discusiones no fueron ajenas en la Argentina donde la asociación entre ciertas vertientes y formas de conceptualizar el Folklore dio como resultado la correspondencia entre una iconografía y un repertorio de formas expresivas con una idea de identidad nacional. A partir de la década de 1970 se comenzaron a repensar algunas de las bases sobre las que se habían fundado y desarrollado los estudios folklóricos en el país. En ese contexto, Martha Blache propuso una reformulación de algunos de los conceptos establecidos en una doble interacción dialógica, con los cientistas sociales localizados en la academia y con los folklorólogos situados en instituciones de formación artística. Este artículo analiza tres cuestiones nodales que abordó Blache en sus escritos: 1-la vinculación entre Folklore y nacionalismo, 2-la definición del concepto de Folklore y 3-la relación entre Folklore e identidad. Asimismo, propone orientaciones para seguir debatiendo a partir de estas propuestas realizadas en el último cuarto del siglo XX. Centro de Investigaciones de la Facultad de Filosofía y Humanidades 2019-12-18 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html https://revistas.unc.edu.ar/index.php/recial/article/view/27004 10.53971/2718.658x.v10.n16.27004 Recial; Vol. 10 Núm. 16 (2019): Dossier: Nuevas articulaciones entre Folclore, Política y Nación en América Latina 2718-658X 1853-4112 10.53971/2718.658x.v10.n16 spa https://revistas.unc.edu.ar/index.php/recial/article/view/27004/28654 https://revistas.unc.edu.ar/index.php/recial/article/view/27004/28655
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-377
container_title_str Recial
language Español
format Artículo revista
topic folklore; identity; nationalism; poetics; Martha Blache
folklore
identidad
nacionalismo
poética
Martha Blache
spellingShingle folklore; identity; nationalism; poetics; Martha Blache
folklore
identidad
nacionalismo
poética
Martha Blache
Fischman, Fernando
Of Attachments and Disengagements. Discussions around Folklore, Nationalism and Identity in the Last Quarter of the 20th Century
topic_facet folklore; identity; nationalism; poetics; Martha Blache
folklore
identidad
nacionalismo
poética
Martha Blache
author Fischman, Fernando
author_facet Fischman, Fernando
author_sort Fischman, Fernando
title Of Attachments and Disengagements. Discussions around Folklore, Nationalism and Identity in the Last Quarter of the 20th Century
title_short Of Attachments and Disengagements. Discussions around Folklore, Nationalism and Identity in the Last Quarter of the 20th Century
title_full Of Attachments and Disengagements. Discussions around Folklore, Nationalism and Identity in the Last Quarter of the 20th Century
title_fullStr Of Attachments and Disengagements. Discussions around Folklore, Nationalism and Identity in the Last Quarter of the 20th Century
title_full_unstemmed Of Attachments and Disengagements. Discussions around Folklore, Nationalism and Identity in the Last Quarter of the 20th Century
title_sort of attachments and disengagements. discussions around folklore, nationalism and identity in the last quarter of the 20th century
description The field of Folklore was historically a space of articulation between nationalist movements, substantialist ideologies about national identities and the construction of national projects. These discussions were in Argentina as well where the linkage between certain ways of conceptualizing Folklore resulted in a correspondence between an iconography and a repertoire of expressive forms with an idea of ​​national identity. Beginning in the 1970s, some of the foundations on which Folklore studies had been founded and developed in the country began to be rethought. In that context, Martha Blache proposed a reformulation of some of the concepts established in a double dialogic interaction: with social scientists located in the academy and with folklorologists located in artistic training institutions. This article analyzes three nodal issues that Blache addressed in her writings: 1-the link between Folklore and nationalism, 2-the definition of the concept of Folklore and 3-the relationship between Folklore and identity. It also proposes guidelines for further discussion based on these proposals made in the last quarter of the 20th century.
publisher Centro de Investigaciones de la Facultad de Filosofía y Humanidades
publishDate 2019
url https://revistas.unc.edu.ar/index.php/recial/article/view/27004
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