Archaeology of art. The imaginary and the real in rock art

Rock art constitutes a universe of images that continues having a disturbing character for the archaeological research. Its study is not independent from the epistemologic-cultural horizons that have developed since it was discovered and admitted its genuineness. This paper examines reflectively dif...

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Autor principal: Rocchietti, Ana María
Formato: Artículo revista
Lenguaje:Español
Publicado: Facultad de Filosofía y Humanidades. Museo de Antropología 2009
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Acceso en línea:https://revistas.unc.edu.ar/index.php/antropologia/article/view/5404
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spelling I10-R372-article-54042024-11-04T18:05:42Z Archaeology of art. The imaginary and the real in rock art Arqueología del arte. Lo imaginario y lo real en el arte rupestre Rocchietti, Ana María arte rupestre imaginario real teoría rock art imaginary reality theory symbolical walls Rock art constitutes a universe of images that continues having a disturbing character for the archaeological research. Its study is not independent from the epistemologic-cultural horizons that have developed since it was discovered and admitted its genuineness. This paper examines reflectively different aspects of its problematic nature. Rock art supposes the importance of bear, colour and texture, administration of light and shadow, perceptive frames that offer the diaclasas and drip of water. The walls symbolize and give an imaginary; do not «sustain» only. The signs in the rock go back «marks» or registrations in which the real-objective disappears; construct a real new (dreams, fantasies, disclosures). Its real character is decided by officiant like part of a process of truth. Rock art has a no normative «quality» in the dimension of it variations and, therefore, it is anticultural. El arte rupestre constituye un universo de imágenes que sigue teniendo un carácter perturbador para la investigación arqueológica. Su estudio no es independiente de los horizontes epistemológico-culturales que se han desarrollado desde que fuera descubierto y admitida su autenticidad. Este trabajo tiene por finalidad examinar reflexivamente distintos aspectos de su problemática. El arte rupestre supone la importancia del soporte, su aporte de color y textura, de administración de la luz y la sombra, de los marcos perceptivos que ofrecen las diaclasas y las huellas de los chorreos de agua. Las paredes simbolizan y aportan un imaginario, no «sostienen» solamente. Los signos en la roca se vuelven «marcas» o inscripciones en las cuales lo real-objetivo desaparece, se sustituye por un real nuevo (sueños, fantasías, revelaciones). Su carácter real lo decidió el oficiante como parte de un proceso de verdad. El arte rupestre tiene una cualidad «no normativa» en la dimensión de sus variaciones y, por lo tanto, es genéricamente anticultural. Facultad de Filosofía y Humanidades. Museo de Antropología 2009-12-21 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer reviewed article Artículo revisado por pares Artigo revisado por pares application/pdf https://revistas.unc.edu.ar/index.php/antropologia/article/view/5404 10.31048/1852.4826.v2.n1.5404 Revista del Museo de Antropología; Vol. 2 No. 1 (2009); 23-38 Revista del Museo de Antropología; Vol. 2 Núm. 1 (2009); 23-38 Revista del Museo de Antropología; v. 2 n. 1 (2009); 23-38 1852-4826 1852-060X 10.31048/1852.4826.v2.n1 spa https://revistas.unc.edu.ar/index.php/antropologia/article/view/5404/5848 Derechos de autor 2009 Ana María Rocchietti
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-372
container_title_str Revista del Museo de Antropología
language Español
format Artículo revista
topic arte rupestre
imaginario
real
teoría
rock art
imaginary
reality
theory
symbolical walls
spellingShingle arte rupestre
imaginario
real
teoría
rock art
imaginary
reality
theory
symbolical walls
Rocchietti, Ana María
Archaeology of art. The imaginary and the real in rock art
topic_facet arte rupestre
imaginario
real
teoría
rock art
imaginary
reality
theory
symbolical walls
author Rocchietti, Ana María
author_facet Rocchietti, Ana María
author_sort Rocchietti, Ana María
title Archaeology of art. The imaginary and the real in rock art
title_short Archaeology of art. The imaginary and the real in rock art
title_full Archaeology of art. The imaginary and the real in rock art
title_fullStr Archaeology of art. The imaginary and the real in rock art
title_full_unstemmed Archaeology of art. The imaginary and the real in rock art
title_sort archaeology of art. the imaginary and the real in rock art
description Rock art constitutes a universe of images that continues having a disturbing character for the archaeological research. Its study is not independent from the epistemologic-cultural horizons that have developed since it was discovered and admitted its genuineness. This paper examines reflectively different aspects of its problematic nature. Rock art supposes the importance of bear, colour and texture, administration of light and shadow, perceptive frames that offer the diaclasas and drip of water. The walls symbolize and give an imaginary; do not «sustain» only. The signs in the rock go back «marks» or registrations in which the real-objective disappears; construct a real new (dreams, fantasies, disclosures). Its real character is decided by officiant like part of a process of truth. Rock art has a no normative «quality» in the dimension of it variations and, therefore, it is anticultural.
publisher Facultad de Filosofía y Humanidades. Museo de Antropología
publishDate 2009
url https://revistas.unc.edu.ar/index.php/antropologia/article/view/5404
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first_indexed 2024-09-03T20:01:45Z
last_indexed 2025-03-27T05:33:39Z
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