The Quai Branly-Jean Chirac Museum. The museology normative discourse

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Today, as in the past, many museums of ethnography or museums of the world’s cultures, continues to stage a hegemonic established social order. In them the normative discourse of the Eurocentric culture manages to impose itself from the conception of its narrative structure, the selection of its obj...

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Autor principal: Galindo, Luis Adrián
Formato: Artículo revista
Lenguaje:Español
Publicado: Facultad de Filosofía y Humanidades. Museo de Antropología 2019
Materias:
eurocentrismo
museología
diversidad cultural
interculturalidad
museums
cultural diversity
Quai Branly Museum
museology.
Acceso en línea:https://revistas.unc.edu.ar/index.php/antropologia/article/view/18036
Aporte de:
Revista del Museo de Antropología de Universidad Nacional de Córdoba
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spelling I10-R372-article-180362024-11-04T18:48:36Z The Quai Branly-Jean Chirac Museum. The museology normative discourse El Museo de Quai Branly-Jean Chirac. El discurso normativo de la museología Galindo, Luis Adrián eurocentrismo museología diversidad cultural interculturalidad museums cultural diversity Quai Branly Museum museology. Today, as in the past, many museums of ethnography or museums of the world’s cultures, continues to stage a hegemonic established social order. In them the normative discourse of the Eurocentric culture manages to impose itself from the conception of its narrative structure, the selection of its objects of exhibition and the staging, thus strengthening the neoliberal thought that promotes the cultural diversity as the summation of the cultures which share the same territory, without contradictions, without asymmetries, without social tensions, in an apparent «social peace» and in a natural relationship with the environment. The Quai Branly-Jean Chirac Museum is a good example of this. Hoy como en el pasado, muchos museos etnográficos o de las culturas en el mundo, continúan escenificando un orden social establecido hegemónicamente. En ellos el discurso normativo de la museología eurocentrista logra imponerse a partir de la concepción de su estructura narrativa, la selección de sus objetos de exhibición y la puesta en escena, fortaleciendo así el pensamiento neoliberal que promulga la diversidad cultural como la sumatoria de culturas que comparten un mismo territorio, sin contradicciones, sin asimetrías, sin tensiones sociales, en una “paz social” aparente y en una relación natural con el entorno. El Museo de Quai Branly-Jean Chirac es un buen ejemplo de ello. Facultad de Filosofía y Humanidades. Museo de Antropología 2019-04-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer reviewed article Artículo revisado por pares Artigo revisado por pares application/pdf https://revistas.unc.edu.ar/index.php/antropologia/article/view/18036 10.31048/1852.4826.v12.n1.18036 Revista del Museo de Antropología; Vol. 12 No. 1 (2019); 101-104 Revista del Museo de Antropología; Vol. 12 Núm. 1 (2019); 101-104 Revista del Museo de Antropología; v. 12 n. 1 (2019); 101-104 1852-4826 1852-060X 10.31048/1852.4826.v12.n1 spa https://revistas.unc.edu.ar/index.php/antropologia/article/view/18036/23586 Derechos de autor 2019 Luis Adrián Galindo
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-372
container_title_str Revista del Museo de Antropología
language Español
format Artículo revista
topic eurocentrismo
museología
diversidad cultural
interculturalidad
museums
cultural diversity
Quai Branly Museum
museology.
spellingShingle eurocentrismo
museología
diversidad cultural
interculturalidad
museums
cultural diversity
Quai Branly Museum
museology.
Galindo, Luis Adrián
The Quai Branly-Jean Chirac Museum. The museology normative discourse
topic_facet eurocentrismo
museología
diversidad cultural
interculturalidad
museums
cultural diversity
Quai Branly Museum
museology.
author Galindo, Luis Adrián
author_facet Galindo, Luis Adrián
author_sort Galindo, Luis Adrián
title The Quai Branly-Jean Chirac Museum. The museology normative discourse
title_short The Quai Branly-Jean Chirac Museum. The museology normative discourse
title_full The Quai Branly-Jean Chirac Museum. The museology normative discourse
title_fullStr The Quai Branly-Jean Chirac Museum. The museology normative discourse
title_full_unstemmed The Quai Branly-Jean Chirac Museum. The museology normative discourse
title_sort quai branly-jean chirac museum. the museology normative discourse
description Today, as in the past, many museums of ethnography or museums of the world’s cultures, continues to stage a hegemonic established social order. In them the normative discourse of the Eurocentric culture manages to impose itself from the conception of its narrative structure, the selection of its objects of exhibition and the staging, thus strengthening the neoliberal thought that promotes the cultural diversity as the summation of the cultures which share the same territory, without contradictions, without asymmetries, without social tensions, in an apparent «social peace» and in a natural relationship with the environment. The Quai Branly-Jean Chirac Museum is a good example of this.
publisher Facultad de Filosofía y Humanidades. Museo de Antropología
publishDate 2019
url https://revistas.unc.edu.ar/index.php/antropologia/article/view/18036
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first_indexed 2024-09-03T20:01:19Z
last_indexed 2025-03-27T05:32:44Z
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