Film and multi-platform production: Expression and representation of their time
In this paper, we intend to observe today's society in relation to the paradigm of convergence, as context of production for current film directors. We will analyze the concept of convergence from a technical and sociological perspective, in order to track the social place of cinema throughout...
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Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba
2012
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Acceso en línea: | https://revistas.unc.edu.ar/index.php/toma1/article/view/8577 |
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I10-R367-article-85772020-11-01T03:56:58Z Film and multi-platform production: Expression and representation of their time El cine y la producción multiplataforma: Expresión y representación de su tiempo Marrocco, María Celeste Cross media Audiovisual Multiplataforma Cine Medios Digitales Cross media Audiovisual Multiplatform Cinema Digital Media In this paper, we intend to observe today's society in relation to the paradigm of convergence, as context of production for current film directors. We will analyze the concept of convergence from a technical and sociological perspective, in order to track the social place of cinema throughout its development and finally observe the experiences that this medium develops today to stay connected with the society that surrounds it. To this purpose we will review the film Life in a day by Kevin MacDonald (2011) as an example of these narrative experiences. En este trabajo, procuraremos observar cuál es la realidad de la sociedad actual en relación al paradigma de la convergencia, como contexto de producción para los realizadores cinematográficos actuales. Analizaremos el propio concepto de convergencia desde una perspectiva sociológica y técnica, para luego rastrear el lugar social del cine a lo largo de su desarrollo y finalmentever cuáles son las experiencias que hoy desarrolla este medio para mantenerse en vinculación con el sentir de la sociedad que lo rodea. Para hacerlo, revisaremos, a modo de ejemplo de estas experiencias narrativas, el filme La vida en un día de Kevin MacDonald (2011). Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba 2012-09-29 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/toma1/article/view/8577 10.55442/tomauno.n1.2012.8577 Toma Uno; No. 1 (2012): La representación de la realidad; 153-166 TOMA UNO; Núm. 1 (2012): La representación de la realidad; 153-166 2250-4524 2313-9692 10.55442/tomauno.n1.2012 spa https://revistas.unc.edu.ar/index.php/toma1/article/view/8577/9442 |
institution |
Universidad Nacional de Córdoba |
institution_str |
I-10 |
repository_str |
R-367 |
container_title_str |
TOMA UNO |
language |
Español |
format |
Artículo revista |
topic |
Cross media Audiovisual Multiplataforma Cine Medios Digitales Cross media Audiovisual Multiplatform Cinema Digital Media |
spellingShingle |
Cross media Audiovisual Multiplataforma Cine Medios Digitales Cross media Audiovisual Multiplatform Cinema Digital Media Marrocco, María Celeste Film and multi-platform production: Expression and representation of their time |
topic_facet |
Cross media Audiovisual Multiplataforma Cine Medios Digitales Cross media Audiovisual Multiplatform Cinema Digital Media |
author |
Marrocco, María Celeste |
author_facet |
Marrocco, María Celeste |
author_sort |
Marrocco, María Celeste |
title |
Film and multi-platform production: Expression and representation of their time |
title_short |
Film and multi-platform production: Expression and representation of their time |
title_full |
Film and multi-platform production: Expression and representation of their time |
title_fullStr |
Film and multi-platform production: Expression and representation of their time |
title_full_unstemmed |
Film and multi-platform production: Expression and representation of their time |
title_sort |
film and multi-platform production: expression and representation of their time |
description |
In this paper, we intend to observe today's society in relation to the paradigm of convergence, as context of production for current film directors. We will analyze the concept of convergence from a technical and sociological perspective, in order to track the social place of cinema throughout its development and finally observe the experiences that this medium develops today to stay connected with the society that surrounds it. To this purpose we will review the film Life in a day by Kevin MacDonald (2011) as an example of these narrative experiences. |
publisher |
Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba |
publishDate |
2012 |
url |
https://revistas.unc.edu.ar/index.php/toma1/article/view/8577 |
work_keys_str_mv |
AT marroccomariaceleste filmandmultiplatformproductionexpressionandrepresentationoftheirtime AT marroccomariaceleste elcineylaproduccionmultiplataformaexpresionyrepresentaciondesutiempo |
first_indexed |
2024-09-03T22:57:27Z |
last_indexed |
2024-09-03T22:57:27Z |
_version_ |
1809217483829149696 |