Looking at the past to understand the present: Chronicles of a dream (Viñoles and Tononi, 2005) subjective approach to a democratic concern

This article proposes a look at the cinema on the recent past in Uruguay through a case analysis of the film Crónicas de un sueño by Mariana Viñoles and Stefano Tononi (2005), with the intention of highlighting the narrative construction of the recent past -the period marked by State terrorism (1968...

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Detalles Bibliográficos
Autor principal: Cassariego, Francesca
Formato: Artículo revista
Lenguaje:Español
Publicado: Editorial de la Facultad de Artes, Universidad Nacional de Córdoba 2023
Materias:
CInema
Documentary
Recent Past
Elections
Post-dictatorship generation
Cine
Documental
Pasado reciente
Elecciones
Generación Posdictadura
Acceso en línea:https://revistas.unc.edu.ar/index.php/toma1/article/view/42873
Aporte de:
TOMA UNO de Universidad Nacional de Córdoba
id I10-R367-article-42873
record_format ojs
spelling I10-R367-article-428732024-11-24T18:51:36Z Looking at the past to understand the present: Chronicles of a dream (Viñoles and Tononi, 2005) subjective approach to a democratic concern Mirar el pasado para entender el presente: abordaje subjetivo de un proceso democrático en Crónica de un sueño (Viñoles y Tononi, 2005) Cassariego, Francesca CInema Documentary Recent Past Elections Post-dictatorship generation Cine Documental Pasado reciente Elecciones Generación Posdictadura This article proposes a look at the cinema on the recent past in Uruguay through a case analysis of the film Crónicas de un sueño by Mariana Viñoles and Stefano Tononi (2005), with the intention of highlighting the narrative construction of the recent past -the period marked by State terrorism (1968-1985)-. The transitional process carried out in Uruguay produced many years of social silencing. This fact generated a break in the transmission of memory and a lack of social listening to the particularities of this experience. The post-dictatorship generation is made up of those who were born during the period of State terrorism and who inherited the marks of the recent past and the weight of impunity. Mariana Viñoles, co-director of Crónicas de un sueño (Viñoles and Tononi, 2005) belongs to this group of people who lived their childhood under dictatorship and their adolescence marked by impunity. This research is also carried out by a person who was a direct victim of State terrorism during her childhood and who only after more than 40 years begins to ask herself why so much silence and what the women of this generation have done on a cinematographic level. En este artículo se propone una mirada al cine sobre el pasado reciente en Uruguay a través de un análisis de caso de la película Crónica de un sueño de Mariana Viñoles y Stefano Tononi (2005), con la intención de poner en evidencia la construcción narrativa que se hace sobre el pasado reciente –período marcado por el terrorismo de Estado (1968-1985)–. El proceso transicional llevado a cabo en Uruguay produjo muchos años de silenciamiento social. La generación de posdictadura está constituída por aquellas personas que nacieron durante el terrorismo de Estado y que heredaron las marcas del pasado reciente y el peso de la impunidad. Este hecho generó un quiebre en la transmisión de la memoria y una falta de escucha social a las particularidades de esta experiencia. Mariana Viñoles, codirectora de Crónica de un sueño, pertenece a este grupo de personas que vivieron su infancia en dictadura y su adolescencia marcada por la impunidad respecto a los delitos de lesa humanidad. Esta investigación es realizada, además, desde la perspectiva de una persona que fue víctima directa del terrorismo de Estado durante su infancia y que recién después de más de cuarenta años se comienza a preguntar por qué tanto silencio y qué han realizado a nivel cinematográfico las mujeres de esta generación.    Editorial de la Facultad de Artes, Universidad Nacional de Córdoba 2023-11-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html application/epub+zip https://revistas.unc.edu.ar/index.php/toma1/article/view/42873 10.55442/tomauno.n11.2023.42873 Toma Uno; No. 11 (2023): 40 años de democracia: imaginarios y narrativas en cine y artes audiovisuales; 83-100 TOMA UNO; Núm. 11 (2023): 40 años de democracia: imaginarios y narrativas en cine y artes audiovisuales; 83-100 2250-4524 2313-9692 10.55442/tomauno.n11.2023 spa https://revistas.unc.edu.ar/index.php/toma1/article/view/42873/42958 https://revistas.unc.edu.ar/index.php/toma1/article/view/42873/42959 https://revistas.unc.edu.ar/index.php/toma1/article/view/42873/42960 Derechos de autor 2023 Florencia Cassariego http://creativecommons.org/licenses/by-nc-nd/2.5/ar/
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-367
container_title_str TOMA UNO
language Español
format Artículo revista
topic CInema
Documentary
Recent Past
Elections
Post-dictatorship generation
Cine
Documental
Pasado reciente
Elecciones
Generación Posdictadura
spellingShingle CInema
Documentary
Recent Past
Elections
Post-dictatorship generation
Cine
Documental
Pasado reciente
Elecciones
Generación Posdictadura
Cassariego, Francesca
Looking at the past to understand the present: Chronicles of a dream (Viñoles and Tononi, 2005) subjective approach to a democratic concern
topic_facet CInema
Documentary
Recent Past
Elections
Post-dictatorship generation
Cine
Documental
Pasado reciente
Elecciones
Generación Posdictadura
author Cassariego, Francesca
author_facet Cassariego, Francesca
author_sort Cassariego, Francesca
title Looking at the past to understand the present: Chronicles of a dream (Viñoles and Tononi, 2005) subjective approach to a democratic concern
title_short Looking at the past to understand the present: Chronicles of a dream (Viñoles and Tononi, 2005) subjective approach to a democratic concern
title_full Looking at the past to understand the present: Chronicles of a dream (Viñoles and Tononi, 2005) subjective approach to a democratic concern
title_fullStr Looking at the past to understand the present: Chronicles of a dream (Viñoles and Tononi, 2005) subjective approach to a democratic concern
title_full_unstemmed Looking at the past to understand the present: Chronicles of a dream (Viñoles and Tononi, 2005) subjective approach to a democratic concern
title_sort looking at the past to understand the present: chronicles of a dream (viñoles and tononi, 2005) subjective approach to a democratic concern
description This article proposes a look at the cinema on the recent past in Uruguay through a case analysis of the film Crónicas de un sueño by Mariana Viñoles and Stefano Tononi (2005), with the intention of highlighting the narrative construction of the recent past -the period marked by State terrorism (1968-1985)-. The transitional process carried out in Uruguay produced many years of social silencing. This fact generated a break in the transmission of memory and a lack of social listening to the particularities of this experience. The post-dictatorship generation is made up of those who were born during the period of State terrorism and who inherited the marks of the recent past and the weight of impunity. Mariana Viñoles, co-director of Crónicas de un sueño (Viñoles and Tononi, 2005) belongs to this group of people who lived their childhood under dictatorship and their adolescence marked by impunity. This research is also carried out by a person who was a direct victim of State terrorism during her childhood and who only after more than 40 years begins to ask herself why so much silence and what the women of this generation have done on a cinematographic level.
publisher Editorial de la Facultad de Artes, Universidad Nacional de Córdoba
publishDate 2023
url https://revistas.unc.edu.ar/index.php/toma1/article/view/42873
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first_indexed 2024-09-03T22:57:22Z
last_indexed 2025-02-05T22:22:17Z
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