The transforming power of animation on Street Art

This essay addresses to the connection between graffiti and animation. Firstly, it will be examined how Street Artists have approached to animation, to center attention to the animated murals by Blu. Secondly, this essay will focus on auteur short films that have explored Street Art, transforming it...

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Autor principal: Lorenzo Hernández, María
Formato: Artículo revista
Lenguaje:Español
Publicado: Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba 2022
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Acceso en línea:https://revistas.unc.edu.ar/index.php/toma1/article/view/39182
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spelling I10-R367-article-391822023-10-31T00:38:10Z The transforming power of animation on Street Art El poder transformador de la animación sobre el arte urbano Lorenzo Hernández, María Animation cinema Street Art muralist experimentation photographic documentation Cine de animación arte urbano muralista experimentación documentación fotográfica This essay addresses to the connection between graffiti and animation. Firstly, it will be examined how Street Artists have approached to animation, to center attention to the animated murals by Blu. Secondly, this essay will focus on auteur short films that have explored Street Art, transforming its visual language through different animation processes, such as Valencian animator Silvia Carpizo, who has explored in her short films the narrative possibilities of murals from Escif (Valencia) and the East Side Gallery (Berlin); Mario Rulloni and Juan Pablo Zaramella, who animated the city of Buenos Aires through a series of stencils; and the experimental animation by María Lorenzo, which take from a compilation archive of photographs to animate Valencia. Este artículo presenta el trabajo de artistas que han interconectado el mundo del grafiti con el de la animación. Primeramente, atenderemos al acercamiento que han efectuado los artistas urbanos en dirección a la animación, para centrarnos en la aportación del muralista Blu a esta. En segundo lugar, profundizaremos en cortometrajes de autor que han explorado el mundo del arte urbano, transformando su lenguaje visual mediante diferentes procesos de animación, como los trabajos de la animadora valenciana Silvia Carpizo que ha explorado en sus cortometrajes las posibilidades narrativas de los murales de Escif (Valencia) y de la East Side Gallery (Berlín); el interesante experimento de Mario Rulloni y Juan Pablo Zaramella de animar la ciudad de Buenos Aires mediante una serie de estarcidos; y la animación experimental de María Lorenzo que parte de un archivo recopilatorio de fotografías para animar el arte urbano de la ciudad de Valencia. Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba 2022-11-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html application/epub+zip https://revistas.unc.edu.ar/index.php/toma1/article/view/39182 10.55442/tomauno.n10.2022.39182 ark:/s22504524/pyqall4xk Toma Uno; No. 10 (2022): Animation as artistic, cultural, social and communication phenomenon TOMA UNO; Núm. 10 (2022): La animación como fenómeno artístico, cultural, social y comunicacional 2250-4524 2313-9692 10.55442/tomauno.n10. ark:/s22504524/8qc9hzlqk spa https://revistas.unc.edu.ar/index.php/toma1/article/view/39182/39212 https://revistas.unc.edu.ar/index.php/toma1/article/view/39182/39213 https://revistas.unc.edu.ar/index.php/toma1/article/view/39182/39214 http://creativecommons.org/licenses/by-nc-nd/2.5/ar/
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-367
container_title_str TOMA UNO
language Español
format Artículo revista
topic Animation cinema
Street Art
muralist
experimentation
photographic documentation
Cine de animación
arte urbano
muralista
experimentación
documentación fotográfica
spellingShingle Animation cinema
Street Art
muralist
experimentation
photographic documentation
Cine de animación
arte urbano
muralista
experimentación
documentación fotográfica
Lorenzo Hernández, María
The transforming power of animation on Street Art
topic_facet Animation cinema
Street Art
muralist
experimentation
photographic documentation
Cine de animación
arte urbano
muralista
experimentación
documentación fotográfica
author Lorenzo Hernández, María
author_facet Lorenzo Hernández, María
author_sort Lorenzo Hernández, María
title The transforming power of animation on Street Art
title_short The transforming power of animation on Street Art
title_full The transforming power of animation on Street Art
title_fullStr The transforming power of animation on Street Art
title_full_unstemmed The transforming power of animation on Street Art
title_sort transforming power of animation on street art
description This essay addresses to the connection between graffiti and animation. Firstly, it will be examined how Street Artists have approached to animation, to center attention to the animated murals by Blu. Secondly, this essay will focus on auteur short films that have explored Street Art, transforming its visual language through different animation processes, such as Valencian animator Silvia Carpizo, who has explored in her short films the narrative possibilities of murals from Escif (Valencia) and the East Side Gallery (Berlin); Mario Rulloni and Juan Pablo Zaramella, who animated the city of Buenos Aires through a series of stencils; and the experimental animation by María Lorenzo, which take from a compilation archive of photographs to animate Valencia.
publisher Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba
publishDate 2022
url https://revistas.unc.edu.ar/index.php/toma1/article/view/39182
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first_indexed 2024-09-03T22:57:18Z
last_indexed 2024-09-03T22:57:18Z
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