Field inside and city outside: Julia Solomonoff´s cinema gender positions
This essay analyzes the space incursions and the meanings of Julia Solomonoff's cinema to consider the aspects that a filmic perspective can grant to a certain politics of fictional bodies as a field of disputes and problems related to gender, sexuality and migration. Hermanas (2005), El último...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba
2020
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/toma1/article/view/30776 |
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I10-R367-article-307762021-12-02T04:17:31Z Field inside and city outside: Julia Solomonoff´s cinema gender positions Campo adentro y ciudad afuera: posiciones de género en el cine de Julia Solomonoff Martinelli, Lucas Sebastián Argentinian cinema Julia Solomonoff Gender Sexuality Politics Cine argentino Julia Solomonoff Género Sexualidades Política This essay analyzes the space incursions and the meanings of Julia Solomonoff's cinema to consider the aspects that a filmic perspective can grant to a certain politics of fictional bodies as a field of disputes and problems related to gender, sexuality and migration. Hermanas (2005), El último verano de la boyita (2009) y Nadie nos mira (2017) are feature films that propose special models to consider the forms of politics that cinema can assume regarding social issues and, in this way, extend the field of aesthetic towards a common implication. __ ARK: http://id.caicyt.gov.ar/ark:/s22504524/ps9f8n5s1 Este ensayo analiza las posiciones y las significaciones del cine de Julia Solomonoff para considerar los aspectos que una perspectiva fílmica puede otorgar a cierta política de los cuerpos ficcionales como un terreno de disputas y problemáticas relativas al género, la sexualidad y la migración. Hermanas (2005), El último verano de la boyita (2009) y Nadie nos mira (2017) son largometrajes que proponen modelos especiales para considerar las formas de politicidad que el cine puede asumir respecto a cuestiones sociales y, de este modo, extender la experiencia estética hacia una implicancia de lo común. __ ARK: http://id.caicyt.gov.ar/ark:/s22504524/ps9f8n5s1 Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba 2020-11-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html application/epub+zip https://revistas.unc.edu.ar/index.php/toma1/article/view/30776 10.55442/tomauno.n8.2020.30776 Toma Uno; No. 8 (2020): Gender, Dissent and Diversities in Cinema and Audiovisual Arts TOMA UNO; Núm. 8 (2020): Género, disidencias y diversidades en el Cine y las Artes Audiovisuales 2250-4524 2313-9692 10.55442/tomauno.n8.2020 spa https://revistas.unc.edu.ar/index.php/toma1/article/view/30776/31460 https://revistas.unc.edu.ar/index.php/toma1/article/view/30776/31461 https://revistas.unc.edu.ar/index.php/toma1/article/view/30776/31462 http://creativecommons.org/licenses/by-nc-nd/2.5/ar/ |
| institution |
Universidad Nacional de Córdoba |
| institution_str |
I-10 |
| repository_str |
R-367 |
| container_title_str |
TOMA UNO |
| language |
Español |
| format |
Artículo revista |
| topic |
Argentinian cinema Julia Solomonoff Gender Sexuality Politics Cine argentino Julia Solomonoff Género Sexualidades Política |
| spellingShingle |
Argentinian cinema Julia Solomonoff Gender Sexuality Politics Cine argentino Julia Solomonoff Género Sexualidades Política Martinelli, Lucas Sebastián Field inside and city outside: Julia Solomonoff´s cinema gender positions |
| topic_facet |
Argentinian cinema Julia Solomonoff Gender Sexuality Politics Cine argentino Julia Solomonoff Género Sexualidades Política |
| author |
Martinelli, Lucas Sebastián |
| author_facet |
Martinelli, Lucas Sebastián |
| author_sort |
Martinelli, Lucas Sebastián |
| title |
Field inside and city outside: Julia Solomonoff´s cinema gender positions |
| title_short |
Field inside and city outside: Julia Solomonoff´s cinema gender positions |
| title_full |
Field inside and city outside: Julia Solomonoff´s cinema gender positions |
| title_fullStr |
Field inside and city outside: Julia Solomonoff´s cinema gender positions |
| title_full_unstemmed |
Field inside and city outside: Julia Solomonoff´s cinema gender positions |
| title_sort |
field inside and city outside: julia solomonoff´s cinema gender positions |
| description |
This essay analyzes the space incursions and the meanings of Julia Solomonoff's cinema to consider the aspects that a filmic perspective can grant to a certain politics of fictional bodies as a field of disputes and problems related to gender, sexuality and migration. Hermanas (2005), El último verano de la boyita (2009) y Nadie nos mira (2017) are feature films that propose special models to consider the forms of politics that cinema can assume regarding social issues and, in this way, extend the field of aesthetic towards a common implication.
__
ARK: http://id.caicyt.gov.ar/ark:/s22504524/ps9f8n5s1 |
| publisher |
Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba |
| publishDate |
2020 |
| url |
https://revistas.unc.edu.ar/index.php/toma1/article/view/30776 |
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AT martinellilucassebastian fieldinsideandcityoutsidejuliasolomonoffscinemagenderpositions AT martinellilucassebastian campoadentroyciudadafueraposicionesdegeneroenelcinedejuliasolomonoff |
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2024-09-03T22:57:07Z |
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2024-09-03T22:57:07Z |
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