To emerge inside/from Córdoba (2010-2015): a list that provokes a whirl
Wondering about emerging filmmaking experiences within the distribution of the sensible in Córdoba on the 2010 – 2015 period resulted a defying task, since in the those few years a centrifugal movement transformed the local audiovisual territory. The both quantitative and qualitative explosion of fi...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba
2018
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/toma1/article/view/20904 |
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I10-R367-article-209042020-11-01T03:56:09Z To emerge inside/from Córdoba (2010-2015): a list that provokes a whirl Emerger de/desde Córdoba (2010-2015): una lista que provoca vértigo Siragusa, Cristina Yaya, Marcela Michelazo, Sergio García, Viviana Vallejo, Agustín Maccario, Florencia Cinematografía Región Largometraje Filmografía Lista Wondering about emerging filmmaking experiences within the distribution of the sensible in Córdoba on the 2010 – 2015 period resulted a defying task, since in the those few years a centrifugal movement transformed the local audiovisual territory. The both quantitative and qualitative explosion of filmography that opted for the feature film as a way to express stories may be conceived as a particular moment in Cordobesian film history, and it implied the development of technical and narrative processes which where of greater magnitude to those which existed beforehand. Undertaking this kind of researching exercise did not only require data exploration, collection and construction; but also it was indispensable to build a conceptually wide and flexible netting about the items that could be included on the list in order to carry it out. A film catalog of broad scope, which highlights on the volume of production, but also on the stylistic plurality that was exhibited on different screens. That is why, paraphrasing Eco (2009), it was decided to organize information recognizing its open quality, which implies that it can always be further enriched with a new element. Interrogarse acerca de las experiencias cinematográficas emergentes dentro del régimen de lo sensible de Córdoba durante el periodo 2010-2015 fue una tarea desafiante dado que durante los últimos años se desplegó un movimiento centrífugo que transformó el territorio audiovisual local. La explosión cuanti-cualitativa de filmografía que apostó al largometraje como un modo de expresar sus historias puede concebirse como un momento particular en la historia cinematográfica cordobesa que implicó el despliegue de procesos técnicos y narrativos de mayor envergadura a lo generado hasta entonces. Llevar adelante este tipo de ejercicio investigativo requería no sólo la exploración, recogida y construcción de datos, sino que para que fuera posible llevarlo a cabo era indispensable construir un entramado conceptualmente amplio y flexible acerca de los casos que podían ser incluidos en la lista. Un catálogo fílmico amplio en su número, lo cual pone en evidencia el volumen de la producción, como en la pluralidad estilística que se exhibió en diversas pantallas. Es por ello, parafraseando a Eco (2009), que se optó por organizar la información reconociendo su carácter abierto, lo cual implica que siempre puede enriquecerse con un nuevo elemento. Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba 2018-11-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/toma1/article/view/20904 10.55442/tomauno.n6.2018.20904 Toma Uno; No. 6 (2018): Breakthrough cinemas: New ways of making and thinking about cinema throughout history.; 163-170 TOMA UNO; Núm. 6 (2018): Cines de ruptura: Nuevas formas de hacer y pensar el cine a lo largo de la historia; 163-170 2250-4524 2313-9692 10.55442/tomauno.n6.2018 spa https://revistas.unc.edu.ar/index.php/toma1/article/view/20904/20504 Derechos de autor 2018 Cristina Siragusa, Marcela Yaya, Sergio Michelazo, Viviana García, Agustín Vallejo, Florencia Maccario http://creativecommons.org/licenses/by-nc-nd/2.5/ar/ |
| institution |
Universidad Nacional de Córdoba |
| institution_str |
I-10 |
| repository_str |
R-367 |
| container_title_str |
TOMA UNO |
| language |
Español |
| format |
Artículo revista |
| topic |
Cinematografía Región Largometraje Filmografía Lista |
| spellingShingle |
Cinematografía Región Largometraje Filmografía Lista Siragusa, Cristina Yaya, Marcela Michelazo, Sergio García, Viviana Vallejo, Agustín Maccario, Florencia To emerge inside/from Córdoba (2010-2015): a list that provokes a whirl |
| topic_facet |
Cinematografía Región Largometraje Filmografía Lista |
| author |
Siragusa, Cristina Yaya, Marcela Michelazo, Sergio García, Viviana Vallejo, Agustín Maccario, Florencia |
| author_facet |
Siragusa, Cristina Yaya, Marcela Michelazo, Sergio García, Viviana Vallejo, Agustín Maccario, Florencia |
| author_sort |
Siragusa, Cristina |
| title |
To emerge inside/from Córdoba (2010-2015): a list that provokes a whirl |
| title_short |
To emerge inside/from Córdoba (2010-2015): a list that provokes a whirl |
| title_full |
To emerge inside/from Córdoba (2010-2015): a list that provokes a whirl |
| title_fullStr |
To emerge inside/from Córdoba (2010-2015): a list that provokes a whirl |
| title_full_unstemmed |
To emerge inside/from Córdoba (2010-2015): a list that provokes a whirl |
| title_sort |
to emerge inside/from córdoba (2010-2015): a list that provokes a whirl |
| description |
Wondering about emerging filmmaking experiences within the distribution of the sensible in Córdoba on the 2010 – 2015 period resulted a defying task, since in the those few years a centrifugal movement transformed the local audiovisual territory. The both quantitative and qualitative explosion of filmography that opted for the feature film as a way to express stories may be conceived as a particular moment in Cordobesian film history, and it implied the development of technical and narrative processes which where of greater magnitude to those which existed beforehand. Undertaking this kind of researching exercise did not only require data exploration, collection and construction; but also it was indispensable to build a conceptually wide and flexible netting about the items that could be included on the list in order to carry it out. A film catalog of broad scope, which highlights on the volume of production, but also on the stylistic plurality that was exhibited on different screens. That is why, paraphrasing Eco (2009), it was decided to organize information recognizing its open quality, which implies that it can always be further enriched with a new element. |
| publisher |
Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba |
| publishDate |
2018 |
| url |
https://revistas.unc.edu.ar/index.php/toma1/article/view/20904 |
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