Córdoba, two thousand and one. Standing in front of the crisis: Common discursive emergency through photography and video
The convergence of a political, economical and social moment –the big Argentinian crisis of 2001, and the resistance experiences – together with the technological availability of digital photo and video, allowed the appearance of discursive practices of common characteristics that can be recognized...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba
2017
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/toma1/article/view/17197 |
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I10-R367-article-17197 |
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I10-R367-article-171972020-11-01T03:56:20Z Córdoba, two thousand and one. Standing in front of the crisis: Common discursive emergency through photography and video Córdoba, dos mil uno, de pie frente a la crisis: Una emergencia discursiva común con fotografía y video Cáceres, María Alicia Community production Photography and audiovisual media Discursive emergency Sociocultural production Social intervention Realización comunitaria Fotografía y audiovisual Emergencia discursiva Producción sociocultural Intervención en lo social The convergence of a political, economical and social moment –the big Argentinian crisis of 2001, and the resistance experiences – together with the technological availability of digital photo and video, allowed the appearance of discursive practices of common characteristics that can be recognized as a group. This work analyzes a series of social intervention practices with photography and audiovisual media that took place in Córdoba's territory during that period. Although they were very different, they were all framed within the educational, aesthetics and communication fields. Exploring different ways of self reference, the goal in terms of production of meaning was mainly to give visibility to certain social problems, disputing the popular sector’s representation, and to strengthen communities organization instances. This article will try to approach the political dimension of these practices, questioning in what aspects or dimensions these experiences transform the dispute or resistance of the community. In order to do this, there are four aspects where political issues are made manifest as a potential transforming force of reality. La convergencia de un momento político, económico y social -la gran crisis argentina de 2001 y las experiencias de resistencia- sumado a la disponibilidad tecnológica de la fotografía y el video digitales, permitió la emergencia de prácticas de producción discursiva con rasgos comunes que permiten reconocerlas como un conjunto. El presente trabajo se ocupa de una serie de prácticas de intervención en lo social con fotografía y medios audiovisuales que se desarrollaron en el territorio cordobés durante ese período. Aunque en apariencia fueron muy diversas, las mismas compartían la pertenencia múltiple al campo de lo educativo, lo estético, lo comunicativo y de la intervención en lo social. Explorando distintos modos de la autorreferencialidad, el objetivo de la producción de sentido se orientaba preponderantemente a dar visibilidad a determinadas problemáticas sociales, a disputar la representatividad de los sectores populares y a fortalecer instancias organizativas de la comunidad. El presente artículo intentará aproximarse a la dimensión política de estas prácticas indagando en qué aspectos o dimensiones de las experiencias se manifiesta la disputa por la transformación o la resistencia desde la propia comunidad. Para ello se abordan cuatro aspectos donde se reconoce que lo político se ve manifestado en tanto potencial fuerza transformadora de la realidad. Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba 2017-06-15 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/toma1/article/view/17197 10.55442/tomauno.n5.2016.17197 Toma Uno; No. 5 (2016): Cines plurales: experiencias comunitarias de producción audiovisual; 13-32 TOMA UNO; Núm. 5 (2016): Cines plurales: experiencias comunitarias de producción audiovisual; 13-32 2250-4524 2313-9692 10.55442/tomauno.n5.2016 spa https://revistas.unc.edu.ar/index.php/toma1/article/view/17197/17627 Derechos de autor 2017 TOMA UNO |
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Universidad Nacional de Córdoba |
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I-10 |
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R-367 |
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TOMA UNO |
| language |
Español |
| format |
Artículo revista |
| topic |
Community production Photography and audiovisual media Discursive emergency Sociocultural production Social intervention Realización comunitaria Fotografía y audiovisual Emergencia discursiva Producción sociocultural Intervención en lo social |
| spellingShingle |
Community production Photography and audiovisual media Discursive emergency Sociocultural production Social intervention Realización comunitaria Fotografía y audiovisual Emergencia discursiva Producción sociocultural Intervención en lo social Cáceres, María Alicia Córdoba, two thousand and one. Standing in front of the crisis: Common discursive emergency through photography and video |
| topic_facet |
Community production Photography and audiovisual media Discursive emergency Sociocultural production Social intervention Realización comunitaria Fotografía y audiovisual Emergencia discursiva Producción sociocultural Intervención en lo social |
| author |
Cáceres, María Alicia |
| author_facet |
Cáceres, María Alicia |
| author_sort |
Cáceres, María Alicia |
| title |
Córdoba, two thousand and one. Standing in front of the crisis: Common discursive emergency through photography and video |
| title_short |
Córdoba, two thousand and one. Standing in front of the crisis: Common discursive emergency through photography and video |
| title_full |
Córdoba, two thousand and one. Standing in front of the crisis: Common discursive emergency through photography and video |
| title_fullStr |
Córdoba, two thousand and one. Standing in front of the crisis: Common discursive emergency through photography and video |
| title_full_unstemmed |
Córdoba, two thousand and one. Standing in front of the crisis: Common discursive emergency through photography and video |
| title_sort |
córdoba, two thousand and one. standing in front of the crisis: common discursive emergency through photography and video |
| description |
The convergence of a political, economical and social moment –the big Argentinian crisis of 2001, and the resistance experiences – together with the technological availability of digital photo and video, allowed the appearance of discursive practices of common characteristics that can be recognized as a group. This work analyzes a series of social intervention practices with photography and audiovisual media that took place in Córdoba's territory during that period. Although they were very different, they were all framed within the educational, aesthetics and communication fields. Exploring different ways of self reference, the goal in terms of production of meaning was mainly to give visibility to certain social problems, disputing the popular sector’s representation, and to strengthen communities organization instances. This article will try to approach the political dimension of these practices, questioning in what aspects or dimensions these experiences transform the dispute or resistance of the community. In order to do this, there are four aspects where political issues are made manifest as a potential transforming force of reality. |
| publisher |
Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba |
| publishDate |
2017 |
| url |
https://revistas.unc.edu.ar/index.php/toma1/article/view/17197 |
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