he adventures of Águeda and her “Alter ego” character in the Peruvian comic

The article proposes a set of factors for which recently Águeda Noriega (b. 1974), at the beginning of the new millennium, is the first Peruvian artist dedicated professionally as a cartoonist. Due to the same factors, Águeda is also the creator of the first female character in the comic strip Alter...

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Detalles Bibliográficos
Autor principal: Sagástegui, Carla
Formato: Artículo revista
Lenguaje:Español
Publicado: Facultad de Filosofía y Humanidades. Escuela de Historia 2021
Materias:
comic
cartoonist woman
female character
Cómic
Mujer historietista
Personaje femenino
Acceso en línea:https://revistas.unc.edu.ar/index.php/RIHALC/article/view/35846
Aporte de:
Revista de la Red Intercátedras de Historia de América Latina Contemporánea de Universidad Nacional de Córdoba
id I10-R364-article-35846
record_format ojs
spelling I10-R364-article-358462021-12-06T12:58:40Z he adventures of Águeda and her “Alter ego” character in the Peruvian comic Las aventuras de Águeda y su personaje “Alter ego” en la historieta peruana Sagástegui, Carla comic cartoonist woman female character Cómic Mujer historietista Personaje femenino The article proposes a set of factors for which recently Águeda Noriega (b. 1974), at the beginning of the new millennium, is the first Peruvian artist dedicated professionally as a cartoonist. Due to the same factors, Águeda is also the creator of the first female character in the comic strip Alter Ego. For this, it is exposed how the male professionalization of the Peruvian comic strip and the invisibility of women occurred; then, the characteristic features of her female protagonists according to the comic genres that she develops; the contribution of political humor and her work in the press, concluding with a study of Alter Ego. The methodology used has consisted of conducting a review of the presence of women in studies on the history of engraving and Peruvian comics; and in analyzing her female characters, in particular Alter ego, as self-positioned works of art following the proposal of Deleuze and Guattari in their well-known essay What is philosophy? (1993) on thought, sensations, and art. All this in dialogue with an interview with the author (2021). El artículo propone analizar el conjunto de factores por los cuales Águeda Noriega (n. 1974) es recién al comienzo del nuevo milenio la primera artista peruana dedicada profesionalmente como historietista y es también la creadora del primer personaje femenino protagonista de tira cómica, Alter Ego. Para ello se expone cómo se produjo la profesionalización masculina de la historieta peruana y la invisibilización de la mujer; luego, los rasgos característicos de sus protagonistas femeninos de acuerdo con los géneros de cómic que ella desarrolla; el aporte del humor político y su trabajo en la prensa, concluyendo con un estudio de Alter Ego. La metodología utilizada ha consistido en realizar una revisión de la presencia de la mujer en los estudios sobre la historia del grabado y del cómic peruano; y en analizar sus personajes femeninos, en particular Alter ego, como obras de arte siguiendo la propuesta de Deleuze y Guattari en su conocido ensayo “¿Qué es la filosofía?” (1993) sobre el pensamiento, las sensaciones y el arte. Todo ello en diálogo con una entrevista realizada a la autora (2021). Facultad de Filosofía y Humanidades. Escuela de Historia 2021-12-05 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/RIHALC/article/view/35846 Journal Red Intercátedras de Historia de América Latina Contemporánea ; No. 15 (2021): Magazine of the Red de Intercátedras de Historia de América Latina Contemporánea ; 138-153 Revista de la Red Intercátedras de Historia de América Latina Contemporánea; Núm. 15 (2021): Revista de la Red de Intercátedras de Historia de América Latina Contemporánea ; 138-153 Revista da Rede Intercátedras de História Contemporânea da América Latina ; n. 15 (2021): Revista da Red de Intercátedras de Historia de América Latina Contemporánea ; 138-153 2250-7264 spa https://revistas.unc.edu.ar/index.php/RIHALC/article/view/35846/35948 http://creativecommons.org/licenses/by-nc-nd/4.0
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-364
container_title_str Revista de la Red Intercátedras de Historia de América Latina Contemporánea
language Español
format Artículo revista
topic comic
cartoonist woman
female character
Cómic
Mujer historietista
Personaje femenino
spellingShingle comic
cartoonist woman
female character
Cómic
Mujer historietista
Personaje femenino
Sagástegui, Carla
he adventures of Águeda and her “Alter ego” character in the Peruvian comic
topic_facet comic
cartoonist woman
female character
Cómic
Mujer historietista
Personaje femenino
author Sagástegui, Carla
author_facet Sagástegui, Carla
author_sort Sagástegui, Carla
title he adventures of Águeda and her “Alter ego” character in the Peruvian comic
title_short he adventures of Águeda and her “Alter ego” character in the Peruvian comic
title_full he adventures of Águeda and her “Alter ego” character in the Peruvian comic
title_fullStr he adventures of Águeda and her “Alter ego” character in the Peruvian comic
title_full_unstemmed he adventures of Águeda and her “Alter ego” character in the Peruvian comic
title_sort he adventures of águeda and her “alter ego” character in the peruvian comic
description The article proposes a set of factors for which recently Águeda Noriega (b. 1974), at the beginning of the new millennium, is the first Peruvian artist dedicated professionally as a cartoonist. Due to the same factors, Águeda is also the creator of the first female character in the comic strip Alter Ego. For this, it is exposed how the male professionalization of the Peruvian comic strip and the invisibility of women occurred; then, the characteristic features of her female protagonists according to the comic genres that she develops; the contribution of political humor and her work in the press, concluding with a study of Alter Ego. The methodology used has consisted of conducting a review of the presence of women in studies on the history of engraving and Peruvian comics; and in analyzing her female characters, in particular Alter ego, as self-positioned works of art following the proposal of Deleuze and Guattari in their well-known essay What is philosophy? (1993) on thought, sensations, and art. All this in dialogue with an interview with the author (2021).
publisher Facultad de Filosofía y Humanidades. Escuela de Historia
publishDate 2021
url https://revistas.unc.edu.ar/index.php/RIHALC/article/view/35846
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AT sagasteguicarla lasaventurasdeaguedaysupersonajealteregoenlahistorietaperuana
first_indexed 2024-09-03T22:55:45Z
last_indexed 2024-09-03T22:55:45Z
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