Finding the spectator's footprints
This article examines theater as a collective experience, highlighting its character as event, ritual and assembly. Following García Canclini, it points out how theatrical rituals preserve imaginaries, utopias and identities, providing meaning and encouraging reflection. The importance of the specta...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba.
2024
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/ART/article/view/46256 |
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I10-R361-article-462562025-08-20T18:56:07Z Finding the spectator's footprints Buscando las huellas del espectador Arnold, Alejandro Etchart, Valentina Pedraza, Guadalupe Silbert, Ximena collective experience theatrical ritual spectatorship discursive production aesthetic reflection experiencia colectiva ritual teatral expectación producción discursiva reflexión estética This article examines theater as a collective experience, highlighting its character as event, ritual and assembly. Following García Canclini, it points out how theatrical rituals preserve imaginaries, utopias and identities, providing meaning and encouraging reflection. The importance of the spectator's experience is emphasized, symbolically transferring them to the stage to explore their practices and perspectives. The premise is that sharing experiences enriches them, allows them to be investigated and generates common questions about expectation and aesthetic reflection. The article also addresses the understanding of the various types of discursive production in theater, its diffusion, audience and repercussion in different social segments. It uses a synchronic approach to analyze the circulation of discourses at specific moments, focusing on the symbolic. It examines how theatrical experiences generate reactions in spectators, how they express them and to whom their discourses are addressed. In addition, it investigates the critical nature of these discourses, identifying evaluations, descriptions and analyses of cultural experience, and observing whether they are descriptive or reflexive. Este artículo examina el teatro como una experiencia colectiva, destacando su carácter de acontecimiento, ritual y asamblea. Siguiendo a García Canclini (2022), se señala cómo los rituales teatrales conservan imaginarios, utopías e identidades, proporcionando sentido y fomentando la reflexión. Se enfatiza en la importancia de la experiencia del espectador, trasladándolo simbólicamente al escenario para explorar sus prácticas y perspectivas. La premisa es que al compartir experiencias, estas se enriquecen, pueden ser investigadas y se generan preguntas comunes sobre la expectación y la reflexión estética. El artículo también aborda la comprensión de los diversos tipos de producción discursiva en el teatro, su difusión, audiencia y repercusión en diferentes segmentos sociales. Utiliza un enfoque sincrónico para analizar la circulación de discursos en momentos específicos, centrándose en lo simbólico. Examina cómo las experiencias teatrales generan reacciones en los espectadores, cómo estos las expresan y a quiénes van dirigidos sus discursos. Además, investiga la naturaleza crítica de estos discursos, identificando evaluaciones, descripciones y análisis de la experiencia cultural, y observando si son descriptivos o reflexivos. Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba. 2024-09-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Non-arbitrated article Artículo no arbitrado application/pdf text/html application/epub+zip https://revistas.unc.edu.ar/index.php/ART/article/view/46256 10.55443/artilugio.n10.2024.46256 Artilugio; No. 10 (2024): Affectivity, pedagogies and resistance; 301-323 Artilugio; Núm. 10 (2024): Afectividad, pedagogías y resistencia; 301-323 Artilugio; n. 10 (2024): Afectividad, pedagogías y resistencia; 301-323 2408-462X 10.55443/artilugio.n10.2024 spa https://revistas.unc.edu.ar/index.php/ART/article/view/46256/46663 https://revistas.unc.edu.ar/index.php/ART/article/view/46256/46664 https://revistas.unc.edu.ar/index.php/ART/article/view/46256/46665 Derechos de autor 2024 Alejandro Arnold, Valentina Etchart, Guadalupe Pedraza, Ximena Silbert https://creativecommons.org/licenses/by-nc-sa/4.0 |
| institution |
Universidad Nacional de Córdoba |
| institution_str |
I-10 |
| repository_str |
R-361 |
| container_title_str |
Artilugio |
| language |
Español |
| format |
Artículo revista |
| topic |
collective experience theatrical ritual spectatorship discursive production aesthetic reflection experiencia colectiva ritual teatral expectación producción discursiva reflexión estética |
| spellingShingle |
collective experience theatrical ritual spectatorship discursive production aesthetic reflection experiencia colectiva ritual teatral expectación producción discursiva reflexión estética Arnold, Alejandro Etchart, Valentina Pedraza, Guadalupe Silbert, Ximena Finding the spectator's footprints |
| topic_facet |
collective experience theatrical ritual spectatorship discursive production aesthetic reflection experiencia colectiva ritual teatral expectación producción discursiva reflexión estética |
| author |
Arnold, Alejandro Etchart, Valentina Pedraza, Guadalupe Silbert, Ximena |
| author_facet |
Arnold, Alejandro Etchart, Valentina Pedraza, Guadalupe Silbert, Ximena |
| author_sort |
Arnold, Alejandro |
| title |
Finding the spectator's footprints |
| title_short |
Finding the spectator's footprints |
| title_full |
Finding the spectator's footprints |
| title_fullStr |
Finding the spectator's footprints |
| title_full_unstemmed |
Finding the spectator's footprints |
| title_sort |
finding the spectator's footprints |
| description |
This article examines theater as a collective experience, highlighting its character as event, ritual and assembly. Following García Canclini, it points out how theatrical rituals preserve imaginaries, utopias and identities, providing meaning and encouraging reflection. The importance of the spectator's experience is emphasized, symbolically transferring them to the stage to explore their practices and perspectives. The premise is that sharing experiences enriches them, allows them to be investigated and generates common questions about expectation and aesthetic reflection.
The article also addresses the understanding of the various types of discursive production in theater, its diffusion, audience and repercussion in different social segments. It uses a synchronic approach to analyze the circulation of discourses at specific moments, focusing on the symbolic. It examines how theatrical experiences generate reactions in spectators, how they express them and to whom their discourses are addressed. In addition, it investigates the critical nature of these discourses, identifying evaluations, descriptions and analyses of cultural experience, and observing whether they are descriptive or reflexive. |
| publisher |
Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba. |
| publishDate |
2024 |
| url |
https://revistas.unc.edu.ar/index.php/ART/article/view/46256 |
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2024-09-10T02:53:04Z |
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