Between the line and the matrix. Andrea Brunotti, María Gimeno and intermediality in the rewriting of art history
This essay reviews contemporary artistic productions that attemp to rewrite art history from feminist perspectives, through intermediality practices. We analise María Gimenos ́s performance Queridas viejas and Labores feministas by Andrea Brunotti. We sustain that they seek to refo...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba.
2023
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/ART/article/view/42246 |
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I10-R361-article-42246 |
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I10-R361-article-422462024-09-29T17:51:47Z Between the line and the matrix. Andrea Brunotti, María Gimeno and intermediality in the rewriting of art history Entre la línea y la matriz. Andrea Brunotti, María Gimeno y las formas intermediales de reescribir la historia del arte Gil, Sabrina intermediality art history canon feminism gender intermedialidad historia del arte canon feminismo género This essay reviews contemporary artistic productions that attemp to rewrite art history from feminist perspectives, through intermediality practices. We analise María Gimenos ́s performance Queridas viejas and Labores feministas by Andrea Brunotti. We sustain that they seek to reformulate the modern paradigm that organizes a canon of singularities and exceptional figures. Gimeno enriches the canon and Brunotti reinvents it. Art as a rewriting of art history would also enables an analysis perspective on interme-diality towards the intersection between artistic practice, theory, criticism, and history. Este trabajo revisa producciones artísticas contemporáneas que, desde prácticas intermediales, proponen reescrituras de la historia del arte desde perspectivas feministas. Nos detenemos en la performance "Queridas viejas" de María Gimeno y en la serie "Labores feministas" de Andrea Brunotti. Entendemos que buscan reformular el paradigma moderno que organiza un canon de singularidades y figuras excepcionales. Sostenemos que Gimeno enriquece el canon y Brunotti lo reinventa. El arte como reescritura de la historia del arte habilita, también, una reflexión sobre la intermedialidad, más allá de la experimentación interartística e intermedios, hacia la interrelación y el cruce entre práctica artística, teoría, crítica e historia. Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba. 2023-09-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Double-blind peer-reviewed article Artículo revisado por sistema de pares doble ciego application/pdf text/html application/epub+zip https://revistas.unc.edu.ar/index.php/ART/article/view/42246 10.55443/artilugio.n9.2023.42246 Artilugio; No. 9 (2023): Multiple fabulations and possible technologies; 149-165 Artilugio; Núm. 9 (2023): Fabulaciones múltiples y tecnologías posibles; 149-165 Artilugio; n. 9 (2023): Fabulaciones múltiples y tecnologías posibles; 149-165 2408-462X 10.55443/artilugio.n9.2023 spa https://revistas.unc.edu.ar/index.php/ART/article/view/42246/42556 https://revistas.unc.edu.ar/index.php/ART/article/view/42246/42557 https://revistas.unc.edu.ar/index.php/ART/article/view/42246/42558 Derechos de autor 2023 Sabrina Gil https://creativecommons.org/licenses/by-nc-sa/4.0 |
| institution |
Universidad Nacional de Córdoba |
| institution_str |
I-10 |
| repository_str |
R-361 |
| container_title_str |
Artilugio |
| language |
Español |
| format |
Artículo revista |
| topic |
intermediality art history canon feminism gender intermedialidad historia del arte canon feminismo género |
| spellingShingle |
intermediality art history canon feminism gender intermedialidad historia del arte canon feminismo género Gil, Sabrina Between the line and the matrix. Andrea Brunotti, María Gimeno and intermediality in the rewriting of art history |
| topic_facet |
intermediality art history canon feminism gender intermedialidad historia del arte canon feminismo género |
| author |
Gil, Sabrina |
| author_facet |
Gil, Sabrina |
| author_sort |
Gil, Sabrina |
| title |
Between the line and the matrix. Andrea Brunotti, María Gimeno and intermediality in the rewriting of art history |
| title_short |
Between the line and the matrix. Andrea Brunotti, María Gimeno and intermediality in the rewriting of art history |
| title_full |
Between the line and the matrix. Andrea Brunotti, María Gimeno and intermediality in the rewriting of art history |
| title_fullStr |
Between the line and the matrix. Andrea Brunotti, María Gimeno and intermediality in the rewriting of art history |
| title_full_unstemmed |
Between the line and the matrix. Andrea Brunotti, María Gimeno and intermediality in the rewriting of art history |
| title_sort |
between the line and the matrix. andrea brunotti, maría gimeno and intermediality in the rewriting of art history |
| description |
This essay reviews contemporary artistic productions that attemp to rewrite art history from feminist perspectives, through intermediality practices. We analise María Gimenos ́s performance Queridas viejas and Labores feministas by Andrea Brunotti. We sustain that they seek to reformulate the modern paradigm that organizes a canon of singularities and exceptional figures. Gimeno enriches the canon and Brunotti reinvents it. Art as a rewriting of art history would also enables an analysis perspective on interme-diality towards the intersection between artistic practice, theory, criticism, and history. |
| publisher |
Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba. |
| publishDate |
2023 |
| url |
https://revistas.unc.edu.ar/index.php/ART/article/view/42246 |
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| first_indexed |
2024-09-03T22:28:21Z |
| last_indexed |
2025-02-05T22:14:29Z |
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