Extracting and reassembling: archives under suspect in the work of Agustina Wetzel, Maia Navas and Pablo Weber

This paper proposes an approach to the works of three emerging filmmakers from Argentina: Agustina Wetzel, Maia Navas and Pablo Martín Weber. Their productions are characterized by an essayistic narrative based on the remontage of the audiovisual archive. Their pieces stand out for their circulation...

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Detalles Bibliográficos
Autor principal: Boido, Pablo Salvador
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba. 2023
Materias:
archiving
digital
montaje
control
film essay
archivo
cine-ensayo
Acceso en línea:https://revistas.unc.edu.ar/index.php/ART/article/view/42241
Aporte de:
Artilugio de Universidad Nacional de Córdoba
id I10-R361-article-42241
record_format ojs
spelling I10-R361-article-422412024-09-29T17:51:47Z Extracting and reassembling: archives under suspect in the work of Agustina Wetzel, Maia Navas and Pablo Weber Extraer y remontar: archivos bajo sospecha en la obra de Agustina Wetzel, Maia Navas y Pablo Weber Boido, Pablo Salvador archiving digital montaje control film essay archivo digital montaje control cine-ensayo This paper proposes an approach to the works of three emerging filmmakers from Argentina: Agustina Wetzel, Maia Navas and Pablo Martín Weber. Their productions are characterized by an essayistic narrative based on the remontage of the audiovisual archive. Their pieces stand out for their circulation, as they travel through different expositive spaces such as museums, art galleries and film festivals, among others. They occupy an insular place within the contemporary artistic field without being anchored to a fixed space, navigating between different exhibition formats. These audiovisual works propose a reflection on the images produced by the digital devices that record our current world, such as Google Earth, YouTube, drone footage, military images or the recording of space probe cameras. Each artist extracts these materials from the internet and assembles his or her own archive and then reassembles it an innovative way. Wetzel criticizes the security model of our society. Weber drifts through the infinite archives of the internet proposing a meditation on the ontology of these images. Navas dives into the past and edits the documents that testify to the repression of the native peoples of the Chaco in order to contrast them with the present images of this territory. El trabajo propone un acercamiento a las obras de tres realizadores emergentes de Argentina: Agustina Wetzel, Maia Navas y Pablo Martín Weber. Sus producciones se caracterizan por una narrativa ensayística fundada en el remontaje del archivo audiovisual. Sus piezas se distinguen por la circulación que tienen ya que transitan distintos espacios expositivos como museos, galerías de arte y festivales cinematográficos, entre otros. Estas ocupan un lugar insular dentro del campo artístico contemporáneo sin anclarse a un espacio fijo, navegando entre distintos formatos exhibitivos. En sus trabajos proponen una reflexión sobre las imágenes que producen los dispositivos digitales que registran nuestro mundo actual. Allí aparecen Google Earth, YouTube, filmaciones de drones, imágenes militares e incluso el registro de cámaras de sondas espaciales. Cada artista extrae estos diversos materiales de internet y conforma su propio acervo para luego remontarlo de modo novedoso. Wetzel hace una crítica al modelo securitario de nuestra sociedad. Weber deriva por los archivos infinitos de la red proponiendo una meditación sobre la ontología de estas imágenes. Navas bucea en el pasado y edita los documentos que atestiguan la represión sobre los pueblos originarios del Chaco para contraponerlos a las imágenes del presente de ese territorio. Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba. 2023-09-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Double-blind peer-reviewed article Artículo revisado por sistema de pares doble ciego application/pdf text/html application/epub+zip https://revistas.unc.edu.ar/index.php/ART/article/view/42241 10.55443/artilugio.n9.2023.42241 Artilugio; No. 9 (2023): Multiple fabulations and possible technologies; 106-120 Artilugio; Núm. 9 (2023): Fabulaciones múltiples y tecnologías posibles; 106-120 Artilugio; n. 9 (2023): Fabulaciones múltiples y tecnologías posibles; 106-120 2408-462X 10.55443/artilugio.n9.2023 spa https://revistas.unc.edu.ar/index.php/ART/article/view/42241/42572 https://revistas.unc.edu.ar/index.php/ART/article/view/42241/42473 https://revistas.unc.edu.ar/index.php/ART/article/view/42241/42474 Derechos de autor 2023 Pablo Salvador Boido https://creativecommons.org/licenses/by-nc-sa/4.0
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-361
container_title_str Artilugio
language Español
format Artículo revista
topic archiving
digital
montaje
control
film essay
archivo
digital
montaje
control
cine-ensayo
spellingShingle archiving
digital
montaje
control
film essay
archivo
digital
montaje
control
cine-ensayo
Boido, Pablo Salvador
Extracting and reassembling: archives under suspect in the work of Agustina Wetzel, Maia Navas and Pablo Weber
topic_facet archiving
digital
montaje
control
film essay
archivo
digital
montaje
control
cine-ensayo
author Boido, Pablo Salvador
author_facet Boido, Pablo Salvador
author_sort Boido, Pablo Salvador
title Extracting and reassembling: archives under suspect in the work of Agustina Wetzel, Maia Navas and Pablo Weber
title_short Extracting and reassembling: archives under suspect in the work of Agustina Wetzel, Maia Navas and Pablo Weber
title_full Extracting and reassembling: archives under suspect in the work of Agustina Wetzel, Maia Navas and Pablo Weber
title_fullStr Extracting and reassembling: archives under suspect in the work of Agustina Wetzel, Maia Navas and Pablo Weber
title_full_unstemmed Extracting and reassembling: archives under suspect in the work of Agustina Wetzel, Maia Navas and Pablo Weber
title_sort extracting and reassembling: archives under suspect in the work of agustina wetzel, maia navas and pablo weber
description This paper proposes an approach to the works of three emerging filmmakers from Argentina: Agustina Wetzel, Maia Navas and Pablo Martín Weber. Their productions are characterized by an essayistic narrative based on the remontage of the audiovisual archive. Their pieces stand out for their circulation, as they travel through different expositive spaces such as museums, art galleries and film festivals, among others. They occupy an insular place within the contemporary artistic field without being anchored to a fixed space, navigating between different exhibition formats. These audiovisual works propose a reflection on the images produced by the digital devices that record our current world, such as Google Earth, YouTube, drone footage, military images or the recording of space probe cameras. Each artist extracts these materials from the internet and assembles his or her own archive and then reassembles it an innovative way. Wetzel criticizes the security model of our society. Weber drifts through the infinite archives of the internet proposing a meditation on the ontology of these images. Navas dives into the past and edits the documents that testify to the repression of the native peoples of the Chaco in order to contrast them with the present images of this territory.
publisher Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba.
publishDate 2023
url https://revistas.unc.edu.ar/index.php/ART/article/view/42241
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first_indexed 2024-09-03T22:28:21Z
last_indexed 2025-02-05T22:14:28Z
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