Performing Arts and Pandemic. Case analysis of Las pestes (video lectures from the confinement)

This article is proposed as the result of a process of creative research. It aims to analyze three performative conferences in virtual environments that we have carried out together in the context of isolation during the COVID pandemic. Our work is traversed by the traces of classics such as Sophocl...

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Autores principales: de la Puente, Maximiliano Ignacio, Manduca, Ramiro Alejandro
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba. 2022
Materias:
Theatre
COVID
Performance
Virtuality
Intertextuality
Teatro
COVID-19
Virtualidad
Intertextualidad
Acceso en línea:https://revistas.unc.edu.ar/index.php/ART/article/view/38494
Aporte de:
Artilugio de Universidad Nacional de Córdoba
id I10-R361-article-38494
record_format ojs
spelling I10-R361-article-384942023-03-03T23:55:27Z Performing Arts and Pandemic. Case analysis of Las pestes (video lectures from the confinement) Artes escénicas y pandemia. Análisis de caso de Las pestes (videoconferencias desde el encierro) de la Puente, Maximiliano Ignacio Manduca, Ramiro Alejandro Theatre COVID Performance Virtuality Intertextuality Teatro COVID-19 Performance Virtualidad Intertextualidad This article is proposed as the result of a process of creative research. It aims to analyze three performative conferences in virtual environments that we have carried out together in the context of isolation during the COVID pandemic. Our work is traversed by the traces of classics such as Sophocles' Antigone, Federico Borromeo's chronicles of the 17th-century plague in Milan, contemporary political theory, manifestos of activist collectives, and the pestilent voices of right-wing Latin American presidents. To fulfill the aforementioned objective, we make use of the possibilities offered by discourse analysis, genetic criticism, and cultural analysis. The results and conclusions of this process allowed us to account for the exceptional aesthetic/political potentialities of the convivial crisis that the performing arts are going through, in the context of global isolation caused by the pandemic. Este artículo se propone como resultado de un proceso de investigación-creación. Su objetivo es analizar tres conferencias performáticas en entornos virtuales que hemos realizado en contexto de aislamiento durante la pandemia de COVID-19. Nuestro trabajo está atravesado por las huellas de clásicos como Antígona de Sófocles, las crónicas de Federico Borromeo sobre la peste de Milán del siglo XVII, la teoría política contemporánea, manifiestos de colectivos activistas, y las voces pestilentes de los presidentes derechistas de América Latina. Para cumplir con el mencionado objetivo, nos valemos de las posibilidades que nos brinda el análisis del discurso, la crítica genética y el análisis cultural. Los resultados y las conclusiones de este proceso nos permitieron dar cuenta de las excepcionales potencialidades estético-políticas de la crisis convivial que atraviesan las artes escénicas, en el contexto de aislamiento global ocasionado por la pandemia. Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba. 2022-09-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Double-blind peer-reviewed article Artículo revisado por sistema de pares doble ciego application/pdf text/html application/epub+zip https://revistas.unc.edu.ar/index.php/ART/article/view/38494 10.55443/artilugio.n8.2022.38494 ark:/s2408462x/lk7w8jc0j Artilugio; No. 8 (2022): Artistic Practices, Planetary Crisis and Possible Lives; 10-28 Artilugio; Núm. 8 (2022): Prácticas artísticas, crisis planetaria y vidas posibles; 10-28 Artilugio; n. 8 (2022): Prácticas artísticas, crisis planetaria y vidas posibles; 10-28 2408-462X 10.55443/artilugio.n8.2022 ark:/s2408462x/b8bok3jj5 spa https://revistas.unc.edu.ar/index.php/ART/article/view/38494/38763 https://revistas.unc.edu.ar/index.php/ART/article/view/38494/38698 https://revistas.unc.edu.ar/index.php/ART/article/view/38494/38699 https://creativecommons.org/licenses/by-nc-sa/4.0
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-361
container_title_str Artilugio
language Español
format Artículo revista
topic Theatre
COVID
Performance
Virtuality
Intertextuality
Teatro
COVID-19
Performance
Virtualidad
Intertextualidad
spellingShingle Theatre
COVID
Performance
Virtuality
Intertextuality
Teatro
COVID-19
Performance
Virtualidad
Intertextualidad
de la Puente, Maximiliano Ignacio
Manduca, Ramiro Alejandro
Performing Arts and Pandemic. Case analysis of Las pestes (video lectures from the confinement)
topic_facet Theatre
COVID
Performance
Virtuality
Intertextuality
Teatro
COVID-19
Performance
Virtualidad
Intertextualidad
author de la Puente, Maximiliano Ignacio
Manduca, Ramiro Alejandro
author_facet de la Puente, Maximiliano Ignacio
Manduca, Ramiro Alejandro
author_sort de la Puente, Maximiliano Ignacio
title Performing Arts and Pandemic. Case analysis of Las pestes (video lectures from the confinement)
title_short Performing Arts and Pandemic. Case analysis of Las pestes (video lectures from the confinement)
title_full Performing Arts and Pandemic. Case analysis of Las pestes (video lectures from the confinement)
title_fullStr Performing Arts and Pandemic. Case analysis of Las pestes (video lectures from the confinement)
title_full_unstemmed Performing Arts and Pandemic. Case analysis of Las pestes (video lectures from the confinement)
title_sort performing arts and pandemic. case analysis of las pestes (video lectures from the confinement)
description This article is proposed as the result of a process of creative research. It aims to analyze three performative conferences in virtual environments that we have carried out together in the context of isolation during the COVID pandemic. Our work is traversed by the traces of classics such as Sophocles' Antigone, Federico Borromeo's chronicles of the 17th-century plague in Milan, contemporary political theory, manifestos of activist collectives, and the pestilent voices of right-wing Latin American presidents. To fulfill the aforementioned objective, we make use of the possibilities offered by discourse analysis, genetic criticism, and cultural analysis. The results and conclusions of this process allowed us to account for the exceptional aesthetic/political potentialities of the convivial crisis that the performing arts are going through, in the context of global isolation caused by the pandemic.
publisher Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba.
publishDate 2022
url https://revistas.unc.edu.ar/index.php/ART/article/view/38494
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first_indexed 2024-09-03T22:28:16Z
last_indexed 2024-09-03T22:28:16Z
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