The representative deconstruction of the "landscape". A biopolitical bet from contemporary mountain range artivism
This writing reflects on a series of “artivist” experiences carried out in the department of Punilla, Córdoba, on October 12, in the context of Social, Preventive and Obligatory Isolation (ASPO) and during the environmental emergency due to the mountain fires of the months August, September and Octo...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
| Publicado: |
Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba.
2021
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| Materias: | |
| Acceso en línea: | https://revistas.unc.edu.ar/index.php/ART/article/view/34550 |
| Aporte de: |
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I10-R361-article-34550 |
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ojs |
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Universidad Nacional de Córdoba |
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I-10 |
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R-361 |
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Artilugio |
| language |
Español |
| format |
Artículo revista |
| topic |
Activism Artistic The Punilla Valley Contemporary Eco-feminism Activismo Artístico Valle de Punilla Contemporáneo Ecofeminismos |
| spellingShingle |
Activism Artistic The Punilla Valley Contemporary Eco-feminism Activismo Artístico Valle de Punilla Contemporáneo Ecofeminismos Estarellas, Natalia The representative deconstruction of the "landscape". A biopolitical bet from contemporary mountain range artivism |
| topic_facet |
Activism Artistic The Punilla Valley Contemporary Eco-feminism Activismo Artístico Valle de Punilla Contemporáneo Ecofeminismos |
| author |
Estarellas, Natalia |
| author_facet |
Estarellas, Natalia |
| author_sort |
Estarellas, Natalia |
| title |
The representative deconstruction of the "landscape". A biopolitical bet from contemporary mountain range artivism |
| title_short |
The representative deconstruction of the "landscape". A biopolitical bet from contemporary mountain range artivism |
| title_full |
The representative deconstruction of the "landscape". A biopolitical bet from contemporary mountain range artivism |
| title_fullStr |
The representative deconstruction of the "landscape". A biopolitical bet from contemporary mountain range artivism |
| title_full_unstemmed |
The representative deconstruction of the "landscape". A biopolitical bet from contemporary mountain range artivism |
| title_sort |
representative deconstruction of the "landscape". a biopolitical bet from contemporary mountain range artivism |
| description |
This writing reflects on a series of “artivist” experiences carried out in the department of Punilla, Córdoba, on October 12, in the context of Social, Preventive and Obligatory Isolation (ASPO) and during the environmental emergency due to the mountain fires of the months August, September and October 2020. The experiences presented, from the political and critical point of view in art, are defined as such according to their tactical and local contextualization in the act and in the situation (Richard, 2011). They arise “visible” from affective and ethical commitments of political-artistic action in the Punilla Valley, Córdoba, emerging in its configurative matrix, from processes that link “eco-feminisms” in a local key, varied proposals for habitat management, bio-sustainable pedagogies, multiple forms of labor cooperativism and searches in terms of food sovereignty. These forms of action framed in the configuring bio-environment, enunciated as alternative practices and in resistance from biopower, biopolitics and biotechnology, link art, functionality, technologies and use of materials with a long historical projection, emerging as nodes of projection and production local, paradigmatic and transdisciplinary of contemporary mountain artistry, where disciplinary cuts become blurred and promote discursive focuses of critical linkage between aesthetics (s) and politics (s). |
| publisher |
Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba. |
| publishDate |
2021 |
| url |
https://revistas.unc.edu.ar/index.php/ART/article/view/34550 |
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2024-09-03T22:28:11Z |
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I10-R361-article-345502023-03-04T00:12:58Z The representative deconstruction of the "landscape". A biopolitical bet from contemporary mountain range artivism La deconstrucción representativa del “paisaje”. Una apuesta biopolítica desde el artivismo serrano contemporáneo Estarellas, Natalia Activism Artistic The Punilla Valley Contemporary Eco-feminism Activismo Artístico Valle de Punilla Contemporáneo Ecofeminismos This writing reflects on a series of “artivist” experiences carried out in the department of Punilla, Córdoba, on October 12, in the context of Social, Preventive and Obligatory Isolation (ASPO) and during the environmental emergency due to the mountain fires of the months August, September and October 2020. The experiences presented, from the political and critical point of view in art, are defined as such according to their tactical and local contextualization in the act and in the situation (Richard, 2011). They arise “visible” from affective and ethical commitments of political-artistic action in the Punilla Valley, Córdoba, emerging in its configurative matrix, from processes that link “eco-feminisms” in a local key, varied proposals for habitat management, bio-sustainable pedagogies, multiple forms of labor cooperativism and searches in terms of food sovereignty. These forms of action framed in the configuring bio-environment, enunciated as alternative practices and in resistance from biopower, biopolitics and biotechnology, link art, functionality, technologies and use of materials with a long historical projection, emerging as nodes of projection and production local, paradigmatic and transdisciplinary of contemporary mountain artistry, where disciplinary cuts become blurred and promote discursive focuses of critical linkage between aesthetics (s) and politics (s). El presente escrito reflexiona sobre una serie de experiencias “artivistas” realizadas en el departamento de Punilla, Córdoba, el 12 de octubre, en contexto del Aislamiento Social, Preventivo y Obligatorio (ASPO) y durante la emergencia ambiental por los incendios serranos de los meses de agosto, septiembre y octubre del 2020. Las experiencias presentadas, desde lo político y crítico en el arte, se definen como tales según su contextualización táctica y local en acto y en situación (Richard, 2011). Se tornan “visibles” desde compromisos afectivos y éticos de acción político-artística en el Valle de Punilla, Córdoba. Estos emergen en su matriz configuradora de procesos que vinculan “ecofeminismos” en clave local, propuestas variadas de gestión del hábitat, pedagogías biosustentables, múltiples formas de cooperativismo laboral y búsquedas en términos de soberanía alimentaria. Estas formas de acción enmarcadas en el bioentorno configurador, enunciadas como prácticas alternativas y en resistencia desde el biopoder, la biopolítica y la biotecnología, vinculan arte, funcionalidad, tecnologías y uso de materiales de larga proyección histórica, que promueven nodos de proyección y producción locales, paradigmáticos y transdisciplinarios de artisticidad contemporánea serrana, donde los recortes disciplinares se presentan desdibujados y propician focos discursivos de vinculación crítica entre estética(s) y política(s). Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba. 2021-09-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Double-blind peer-reviewed article Artículo revisado por sistema de pares doble ciego application/pdf text/html application/epub+zip https://revistas.unc.edu.ar/index.php/ART/article/view/34550 10.55443/artilugio.n7.2021.34550 ark:/s2408462x/z6soz685h Artilugio; No. 7 (2021): Cartographies, Memories and Territories; 115-136 Artilugio; Núm. 7 (2021): Cartografías, memorias y territorios; 115-136 Artilugio; n. 7 (2021): Cartografías, memorias y territorios; 115-136 2408-462X 10.55443/artilugio.n7.2021 ark:/s2408462x/rkwmwvcrg spa https://revistas.unc.edu.ar/index.php/ART/article/view/34550/35017 https://revistas.unc.edu.ar/index.php/ART/article/view/34550/35018 https://revistas.unc.edu.ar/index.php/ART/article/view/34550/35019 Derechos de autor 2021 Natalia Estarellas https://creativecommons.org/licenses/by-nc-sa/4.0 |